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cover of episode From the Archive: Elvis Costello Talks with David Remnick

From the Archive: Elvis Costello Talks with David Remnick

2024/12/18
logo of podcast The New Yorker Radio Hour

The New Yorker Radio Hour

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David Remnick
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Elvis Costello
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Elvis Costello: 我从2010年左右开始专注于现场表演,因为之前的音乐制作和发行模式已经不再存在。唱片业的模式已经改变,不再是制作唱片然后巡演推广的方式。我现在的创作理念是利用现有的资源,并进行调整和改变,不再局限于播放热门单曲。我认为流媒体就像没有不愉快谈话的广播,它更能反映听众的喜好。我的新专辑《Hey Clockface》的创作灵感来源于Fats Waller等音乐家,主题是时间。新专辑的创作过程是在芬兰和巴黎的录音室进行的,我采用即兴创作的方式,并利用现代数字编辑技术。由于疫情,我不得不取消了英国巡演剩余的场次,并返回加拿大与家人团聚。在巡演的最后一场演出中,我们演奏了很少演奏的歌曲,以此来应对当时的情况。由于疫情,我与13岁的儿子们共度了大量的时间,这让我感到很美好。 David Remnick: 我认为即使是那些被认为是真实的摇滚乐手,也会塑造自己的角色。Elvis Costello在70年代中期以某种形象出现在音乐界。我询问Elvis Costello对音乐在政治中作用的看法,特别是关于他“50 Songs for 50 Days”项目。

Deep Dive

Key Insights

What is the title of Elvis Costello's thirty-first studio album?

Hey Clockface.

What unusual combination of instruments is featured on 'Hey Clockface'?

Winds, cello, piano, and drums.

Why did Elvis Costello initially decide to focus on live performances around 2010?

He realized the traditional model of making a record and then touring to promote it was no longer viable.

How did Elvis Costello describe the process of creating 'Hey Clockface'?

He described it as an outlandish adventure, starting with flying to Helsinki to record songs spontaneously without demos, followed by a celebration in Paris with 30 people, and then a tour in England.

What was the significance of the location where Elvis Costello recorded part of 'Hey Clockface'?

He recorded in Helsinki, a place where he didn’t know anyone, which allowed him to focus purely on the music without distractions.

How did the pandemic affect Elvis Costello's touring plans?

He had to cancel the remainder of his tour as the pandemic worsened, recognizing the risk to his crew, band, and audience.

What new project did Elvis Costello work on leading up to the Presidential election?

He created 'Fifty Songs for Fifty Days', a series of songs that he described as not political but rather as an installation addressing societal issues.

Why does Elvis Costello avoid writing simplistic political slogans in his music?

He prefers to explore angles that others aren’t covering, aiming to avoid the simplistic nature of political slogans.

What does Elvis Costello say about the recurring nature of societal injustices?

He notes that many of the issues people are outraged about today have happened before, and songs can serve as reminders of this cyclical nature.

How has the pandemic allowed Elvis Costello to reconnect with his family?

He has spent uninterrupted time with his 13-year-old sons, something he hadn’t done since they were infants.

Shownotes Transcript

Elvis Costello’s thirty-first studio album, “Hey Clockface,” will be released this month. Recorded largely before the pandemic, it features an unusual combination of winds, cello, piano, and drums. David Remnick talks with Costello about the influence of his father’s career in jazz and about what it’s like to look back on his own early years.  They also discuss “Fifty Songs for Fifty Days,” a new project leading up to the Presidential election—though Costello disputes that the songs are political. “I don’t have a manifesto and I don’t have a slogan,” he says. “I try to avoid the simplistic slogan nature of songs. I try to look for the angle that somebody else isn’t covering.” But he notes that “the things that we are so rightly enraged about, [that] we see as unjust . . . it’s all happened before. . . . I didn’t think I’d be talking with my thirteen-year-old son about a lynching. Those are the things I was hearing reported on the news at their age.”  

Costello spoke from outside his home in Vancouver, B.C., where a foghorn is audible in the background.

This segment originally aired on October 16, 2020.