Taylor's style was influenced by his early cello studies, which introduced him to Bach harmonies, and later by his exposure to The Beatles, Brazilian music, and Motown. His technique filtered these influences through his unique guitar fingering, creating a sound that became his signature.
His first song, written when he was 13 or 14, was called 'Roll River Roll.' It was a simple tune with a walking bass line and minor chords, hinting at the style he would later develop.
At 19, Taylor signed with Apple Records, the label founded by The Beatles, which marked a significant reversal of fortune and opened the door to his career.
His parents introduced him to Rodgers and Hammerstein, Cole Porter, and folk music, while his brother Alex introduced him to Ray Charles, Joe Tex, and Brazilian music like Antonio Carlos Jobim. These influences shaped his harmonic language and guitar style.
Taylor found it strange and difficult to see his private experiences, like those in songs like 'Fire and Rain,' become universal vehicles for others' feelings. The transition from personal to public was a unique challenge for a solo singer-songwriter.
Brazilian music, particularly the works of Antonio Carlos Jobim, had a significant impact on Taylor. The rich harmonies and guitar techniques in songs like 'The Girl from Ipanema' influenced his own compositions and guitar style.
Taylor considered 'Something in the Way She Moves' as the first song he wrote that truly worked as a song. It was part of his early body of work that he still performs today.
In the mid-70s, Taylor began experimenting with covers, including Motown classics like 'How Sweet It Is.' This shift allowed him to explore other people's work and find a new creative direction, moving away from the sound of his earlier albums like 'Sweet Baby James.'
Taylor's father drove 10 hours to pick him up when he was struggling after the breakup of his band The Flying Machine. This act of support inspired the song 'Jump Up Behind Me,' which became one of his treasured memories.
Taylor's early guitar lessons, which included playing Christmas carols and hymns, gave him a solid foundation in Western musical harmony, similar to Bach's style. This influenced his harmonic language and became a bedrock for his later musical explorations.
James Taylor’s songs are so familiar that they seem to have always existed. Onstage at the New Yorker Festival, in 2010, Taylor peeled back some of his influences—the Beatles, Bach, show tunes, and Antônio Carlos Jobim—and played a few of his hits, even giving the staff writer Adam Gopnik) a quick lesson.
This segment originally aired on July 7, 2017.