Profiles, storytelling and insightful conversations, hosted by David Remnick.
The film “No Other Land” has been nominated for an Academy Award for Best Documentary Feature. It wa
Many of the most draconian measures implemented in the first couple weeks of the new Trump Administr
David Remnick talks with The New Yorker’s literary guiding lights: the fiction editor Deborah Treism
In the nineteen-eighties and nineties, Bill Gates was the best known of a new breed: the tech mogul—
The staff writer Dana Goodyear has reported on California extensively: the entertainment industry; a
“Saturday Night Live” turns fifty this year. Profiling its executive producer, Lorne Michaels, the N
The Washington Roundtable—with the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos—discus
As President Biden took office in 2021, he aimed to rebuild alliances that Donald Trump had threaten
Donald Trump loves mining, and he would like to expand that effort in the U.S. At least one environm
Representative Ro Khanna of California is in the Democrats’ Congressional Progressive Caucus. And al
Sara Bareilles broke out as a pop-music star in the late two-thousands. But she’s gone on to have a
Rachel Aviv reports on the terrible conundrum of Alice Munro for The New Yorker. Munro was a winner
Introducing Julianne Moore at the New Yorker Festival, in October, the staff writer Michael Schulman
With the Food Network program “Barefoot Contessa,” Ina Garten became a beloved household name. An es
In 1979, as Christmas approached, the United States Embassy in Tehran held more than fifty American
Willem Dafoe has one of the most distinctive faces and most distinctive voices in movies, deployed t
James Taylor’s songs are so familiar that they seem to have always existed. Onstage at the New Yorke
Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie
Elvis Costello’s thirty-first studio album, “Hey Clockface,” will be released this month. Recorded l
The American musical is in a state of flux. Today’s Broadway offerings are mostly jukebox musicals a
