Whitehead was inspired by the real-life Dozier School for Boys in Florida, a reform school where children faced severe abuse and even death. The school's horrors, which came to light in 2014, prompted him to explore similar institutions and the lasting impact on the children who survived them.
Elwood Curtis, the protagonist, is deeply influenced by Martin Luther King Jr.'s speeches, which he sees as a guide to fighting for civil rights and justice. His belief in King's ideals of nonviolence and soul force shapes his actions and worldview, even as he faces harsh realities at the Nickel Academy.
Elwood's acts of goodness, such as stopping shoplifting and hitchhiking to attend college, result in his arrest and eventual placement at the Nickel Academy. His idealism makes him vulnerable to the systemic injustices and abuse he encounters at the reformatory.
Soul force, as described by Martin Luther King Jr., is the idea that African Americans can gain special power and wisdom from their history of struggle. In the novel, Elwood seeks to embody this concept, but the harsh realities of the Nickel Academy challenge his belief in its effectiveness.
Whitehead experienced significant personal challenges while writing the novel, including financial struggles and depression. These difficulties added to the emotional weight of the story, particularly during the final six weeks when he felt deeply affected by the experiences of the characters he created.
Hey, it's NPR's Book of the Day. I'm Andrew Limbaugh. The new movie, Nickel Boys, is already getting some rumblings for awards. It's about a young African-American kid in the 1960s who gets sent to a reform school in Florida. You can probably guess, but the conditions there were pretty bad.
The movie is based on a book by the acclaimed novelist Colson Whitehead, and he was on NPR talking about the book when it first came out in 2019. And in this interview with NPR's Scott Simon, Whitehead talks about the real reform school that inspired the one he wrote about and the emotional bond he developed with his characters as he was writing. That's coming up.
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Elwood Curtis is a brilliant and earnest young African-American man growing up in Florida during the Civil Rights Movement. His most treasured possession is a recording of speeches by Dr. Martin Luther King.
He loves the person and hates the evil deed. And I think this is what Jesus meant when he said, love your enemies. And I'm happy that he didn't say like your enemies because it's pretty difficult to like some people. Elwood will see plenty of evil deeds during the course of Colton Whitehead's new novel, The Nickel Boys.
when he's sent to a juvenile reformatory called the Nickel Academy, which turns out to be a house of horrors. And Colson Whitehead, author of The Underground Railroad, which won just about every award in existence. And a book called The Noble Hustle, the only good book about poker I've ever read, joins us in our studios in New York. Thanks so much for being with us. Yeah, thanks for having me. This novel is inspired creatively at any rate by a real place,
The Dozer School. It was a reform school in Florida, and they would take in juvenile delinquents. They would take in orphans, wards of the state. And the idea was that instead of locking up kids with grown-up criminals, give them an education, have them do some work on the farm. And after 18 months, they might be set on a better path, as happens in places like this where –
People are unsupervised, and there's a culture of impunity. There's a lot of abuse, physical, sexual. Some kids were killed, and they finally ended up closing the place in 2011. What did it set off in your mind to read these accounts of the Dozier School? It was horrifying. You know, it was the summer of 2014. It came up into my news feed.
And I think I was struck by the fact I never heard the place. It dawned on me if there's one place like this, there's dozens and dozens. And where are those places and what happens to the kids afterward? And immediately I felt like I wanted to write about it. Tell us more about Elwood. Yeah.
His favorite record isn't Martha and the Vandellas, Motown in the 60s, but a recording of speeches by Martin Luther King. Yeah, he's been raised by his grandmother who's very strict and thinks that's like the devil's music. He's very studious. He works in a stationery store and has been reading accounts of Martin Luther King and the civil rights movement. And he sees himself as joining them. He wants to protest. He thinks that he can protest.
Like the people he admires change the world and that's where you find him in the state of wanting to make the world a better place. I liked him so much. He believes in goodness, in practicing goodness. And then you wince when acts of goodness – he stops the shoplifting against the old man who owns the store where he works. He hitchhikes to get to his first day of college classes and those acts of goodness put him in harm.
Reader wants to shout, Elwood, don't be so good. You know, he's an impossible creature. And I think, you know, when I was trying to figure out which King speeches to use for the book, it seemed that Martin Luther King was an impossible person too. Like how could this person sort of be among us? His voice and his words were so stirring and so unlikely. So King and Elwood are these, you know, people who ignore the facts and think that they can change the facts actually. I don't get a vote in the matter. But...
Wasn't the point of what Dr. King was talking about the power of, I think, what he called soul force, that African Americans would gain a special power and wisdom from their history? It's a very lovely notion. Do we have that? Can we achieve that? And what is it worth when you're pushing against the forces of centuries of cruel treatment, the machinery of the world? What is soul force? I would have an answer. And definitely Elwood is searching for that in the book.
Your previous novel, The Underground Railroad, received, by force of habit, I was going to say nearly universal acclaim. I can take out the nearly. Universal acclaim and success. Is it intimidating to say, well, I've got another novel ahead of me and maybe 10 more, 20 more after that? You know, I've been writing for 20 years. I've written nine books and sometimes a book comes out and people get what you're trying to do or critics do and readers don't or vice versa.
And books where after the first week it came out, no one really wanted to talk to me. Whether it went well or poorly, it's never easy. This book was hard because I was depressed. This book was hard. I was broke. This book was hard. I was broke and depressed. And you just find the time and hope not to screw it up page by page. When you say you were broke and depressed, can I get you to talk about that? Oh, yeah. When I started out as a freelance writer working for The Village Voice, making 35 cents a word.
Thirty-five cents a word would encourage you to put in these subordinate clauses that now that you're a big successful author, you would say, well, get rid of that. Long quotes from the book I'm reading and stuff like that and plot summary. And then things are happening in your life, like having kids, and then you're just too tired to work at the end of the day, and you lose a year here and there. But no one else is going to do the work. So you find that afternoon. Did you go to sleep early?
Having nightmares about what you were writing about, what these young men that you had created were living through. This is the first time I ever had an extreme emotional reaction to working on something. And definitely the last six weeks of the book, I was bummed out a lot because I can't actually hang out with these boys all day and then continue to imagine what's happening to other people in the world. And when I was done, I handed my book in.
And this played video games for six weeks and thought about nothing and cooked. And that was my healing, just taking my mind completely off of what I've been living with for the last year. Well, thank you so much. Colson Whitehead, his novel, The Nickel Boys. So glad you could be with us. No, thank you. Thank you.
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