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'Diddy' cleared of sex trafficking and racketeering but convicted on two other charges

2025/7/3
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Global News Podcast

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Julia McFarlane: 肖恩·迪迪·科姆斯(Sean Diddy Combs)在经过近八周的审判后,被判犯有与卖淫有关的两项罪名,但更严重的性交易和敲诈勒索罪名不成立。法官拒绝了他的保释请求。我对这一判决进行了简要概述,并介绍了各方的反应。 Doug Victor: 作为卡西·文图拉(Cassie Ventura)的律师,我对Diddy终于因两项联邦罪行承担责任感到高兴,尽管我们希望看到他在性犯罪和RICO法案上的定罪。我们对最终的结果表示理解,并会继续关注后续的进展。 Neda Tawfiq: 在长达七周的审判中,曼哈顿法院揭开了嘻哈界最具代表性人物之一的私生活。Diddy在法庭上的形象与他公众的形象大相径庭。他的律师承认他有黑暗和暴力的过去,但陪审团需要判断这是否构成性交易和敲诈勒索罪。卡西·文图拉(Cassie Ventura)的证词非常重要,她指控Diddy对她进行了长达11年的身体和性虐待,包括强奸和敲诈。其他证人也提供了相关证据,但辩方试图通过展示Diddy与证人之间的亲密信息来削弱证人的可信度。Diddy声称“freak-offs”是双方自愿的,是他摇摆生活方式的一部分,并且他拒绝了认罪协议。 Nomia Iqbal: 对肖恩·迪迪·科姆斯来说,这个判决是一场彻底的胜利,因为陪审团驳回了他最严重的敲诈勒索阴谋指控,如果他被判有罪,他可能面临终身监禁。他被判犯有运输妇女进行卖淫活动罪,但法官拒绝了他的保释请求。Diddy面临多起民事诉讼,这些指控来自多名指控他性侵犯的女性,他被判的两项罪名最高刑期均为10年,但法律专家认为他不太可能服刑那么长时间。 Mark Anthony Neal: 这件事无疑会损害科姆斯的声誉,他近年来作为高端产品的品牌大使非常成功,并在某种程度上超越了嘻哈音乐和文化的主流。在20世纪90年代,科姆斯对嘻哈音乐的发展做出了重大贡献,他将这种文化推向了大众。然而,近年来最成功的说唱歌手并没有与Diddy合作,年轻观众可能只知道Diddy,但并不了解他的音乐。Diddy的音乐不是像迈尔斯·戴维斯那样的艺术品,不会在100年后还被人们回顾。嘻哈音乐中的厌女症和父权制并不罕见,在美国,父权制和厌女症非常普遍。“我也是”运动让我们开始反思行业内的行为和关系,R. Kelly和Sean Combs的案件是嘻哈文化中的一次清算。

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Sean "Diddy" Combs was found guilty on two counts of transportation to engage in prostitution but acquitted of more serious sex trafficking and racketeering charges. The judge denied him bail, citing his violent past. Reactions outside the courthouse were mixed.
  • Acquittal on sex trafficking and racketeering charges
  • Conviction on two counts of transportation to engage in prostitution
  • Bail denied
  • Mixed public reactions

Shownotes Transcript

Translations:
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This is the Global News Podcast from the BBC World Service. I'm Julia McFarlane and in the early hours of Thursday the 3rd of July, these are our main stories. The American music mogul Sean Diddy Combs has been denied bail following his conviction for prostitution-related offences, even though he was cleared of more serious charges.

President Trump says Vietnam has agreed a trade deal to reduce tariffs, making it one of only a handful of countries to do so ahead of a deadline next week. DNA testing of bones of a multi-ethnic ancient man has offered clues about how Egypt became a great civilization. Also in this podcast... One day it could be chicken with Malagasy wild pepper, tonka beans and a creamy polenta. The next day, pulled beef with black garlic and smoked vanilla.

Foie gras in orbit, lobster bisque in space. France's new astronaut plans to blast off in culinary style.

For nearly eight weeks now, the world has watched the trial of Sean Diddy Combs, one of the biggest names in rap and hip-hop. On Wednesday, he was acquitted of sex trafficking and racketeering, the more serious charges against him. He was, however, found guilty on two charges of transportation to engage in prostitution.

As the judge read out the full verdict, Combs dropped to his knees and prayed. He then rose and faced the courtroom gallery saying, I'm going to be home soon. But that was not to be. The judge presiding over his case has denied Sean Combs bail. His family had put up a bond of $1 million. Outside the court, a large crowd of critics and supporters reacted to the verdict.

I think it was overall a fair verdict. I think he definitely should do some time, in my opinion, just given the severity of everything, the victims. I'm kind of happy for him. I always felt like they had, you know, a lot of bogus charges against him. Maybe some were substantiated, others weren't. And, you know, I feel like he got rightfully his just due today. I'm a little bit shocked. I get a little bit of goosebumps on my arm because I thought he was guilty. But, of course, that's...

I'm not a juror. I didn't follow the whole case. Doug Victor is the lawyer for Cassie Ventura, a key witness and former girlfriend of Sean Combs, who gave harrowing evidence throughout the trial, accusing him of violence, coercion, blackmail and rape. We're pleased that he's finally been held responsible for two federal crimes, something that he's never faced in his life. He still faces substantial jail time.

Of course, we would have liked to have seen a conviction on the sex crimes in Rico, but we understand beyond a reasonable doubt it's a high standard. Well, in a moment, we'll hear from our correspondent from outside the court. But first, the BBC's Neda Tawfiq looks back at the trial. For seven weeks, this Manhattan courthouse has pulled back the curtain on the private life of one of hip-hop's most iconic figures. Sean Diddy Combs, in appearance and dress, was a far cry from his public mogul image.

It was undisputed by his lawyers that he had a dark, violent past. But the question for the jury was whether it amounted to crimes of sex trafficking and racketeering. On the trial's first day, a video of Diddy beating and dragging Cassie was shown to the court. The security guard at the L.A. hotel testified that Diddy told Cassie, who had a black eye, that she couldn't leave and that Diddy tried to bribe him with cash to stay quiet.

Later in the trial, a hotel security officer said Diddy and his chief of staff contacted him and then gave him $100,000 for the video.

This incident was just one of many, detailed by an eight-months-pregnant Cassie over four harrowing days. She accused Diddy of 11 years of physical sexual abuse, including rape and blackmail. She said freak-offs or prolonged sex acts with male prostitutes that Diddy directed and sometimes filmed became a weekly job and left her feeling worthless.

Rapper Kid Cudi briefly dated Cassie and backed up elements of her testimony. Cudi told the court that Diddy, angry about their relationship, broke into his Hollywood Hills home in December of 2011. And an L.A. police officer testified about seeing a black SUV registered to Diddy's company, leaving the scene. Cudi also said he was sure Diddy was behind the firebombing of his Porsche 911 weeks later. Several of Diddy's former personal assistants detailed a brutal work environment.

They also said they were tasked with picking up drugs and stocking Diddy's hotel rooms with specific items, such as a copious amount of baby oil. Prosecutors accused Diddy of sex trafficking another woman who was with him for three years. Fighting through tears and emotion, she testified under the pseudonym Jane and said reading Cassie's claims was like reading her own sexual trauma. The burden is on the government to prove its case, but the defense throughout tried to undermine the witness's credibility.

They showed dozens of loving and explicit messages between the women and Diddy. And Jane revealed under cross-examination that she went to a hotel gathering with another iconic rapper and his girlfriend, where they all watched a male escort have sex with another woman.

Diddy said the freak-offs were consensual and part of his swinger lifestyle. The defence did not call any witnesses and Diddy decided not to testify. Ahead of the trial, he rejected a plea deal, betting the jury would set him free. Our correspondent Nomia Iqbal has been following the trial in New York and she spoke to us shortly before we recorded this podcast.

This verdict was a resounding victory for Sean Diddy Combs. The jury coming back and clearing him of that most serious charge of racketeering conspiracy that if he had been convicted on that, he could have faced life in prison. He was convicted on two counts, and this was transportation with intent to commit prostitution. That related to Cassandra Ventura, his ex-girlfriend of more than 10 years, who was one of the witnesses, and to another woman,

She was in court. She gave evidence under the pseudonym Jane. He was cleared on sex trafficking charges too. So a big victory for him. But just now in court, we had the bail hearing. His defence team said that he should be released on bail. He's been in jail since last September when he was arrested, but that was denied by the judge. The judge said that...

At trial, the defence conceded Sean Combs' violence in his own personal relationship. And so the judge cited that in making the decision that it was best to keep Sean Combs in jail to await his sentencing, which will happen in October.

And Normia, just looking at the live feeds from where you are outside the courthouse in New York, we're seeing a steady trickle of people leaving. Are we expecting to hear anything outside the courthouse? I don't think so. His family, they come and go. I've not

I'm not sure if they've left yet. There's usually a big black van that pulls up in which they enter and leave and they don't talk to the press. Of course, if Sean Combs had been released, and that was an expectation earlier today, the roads would have been closed off. I mean, there's a huge police presence here because it's not just the media, like the legacy media here. You also have lots of influencer types, people with their own Instagram, TikTok, YouTube accounts with their phones and selfie sticks.

recording every single minute of this. And it's New York. New York is pretty hairy anyway. But Sean Diddy Combs is this huge, iconic hip-hop star. And there's so many people invested in this trial and its outcome. But we're not expecting to hear from anybody today. And as I mentioned, he will now await his sentencing, which is due to take place in October.

which will take into account those two charges he's been convicted on. Both of those charges carry a maximum sentence of 10 years each, but legal experts do not think he is likely to serve that time. Also to mention, he has multiple civil lawsuits against him regarding many women who have accused him of sexual assault.

Nomia Iqbal. Mark Anthony Neal is Distinguished Professor of African American Studies at Duke University in North Carolina. So what does this mean for the reputation of Sean Combs? There's no doubt that this tarnishes Mr. Combs' reputation. It's been a while since he's been at the center of energy in hip-hop in the United States.

He had become really successful as a kind of, in recent years, as a brand ambassador for really high-end products, and really in some ways was above the fray to what was happening in terms of the mainstream of hip-hop music and hip-hop culture. But there's no question that this is damaging to that reputation. It is damaging also, you know, to his legacy.

which in the 1990s was significant because he was hip-hop's most effective hype man in the early 1990s. As hip-hop moved from the ghettos here in the United States to the mainstream of America, to a global mainstream,

That happened in large part because of the willingness of Sean Combs to sell the culture to the masses. What's his reputation now, leaving aside this case, both for the generation who grew up with him, men like me now in our mid-50s, but also for the younger African-American men who may still like the music, but have watched the whole nature of that music evolve and move on to much younger artists?

You know, it's difficult. I think about the fact that when you look at some of the most successful rappers in recent years in the U.S., the Drakes, the Kendrick Lamars, the J. Coles, you know, they weren't going out of their way to do collaborations with Diddy. You know, those kinds of artists 25 years ago that were in the industry would have been dying to be able to have that kind of opportunity. I also think there are younger audiences that

were aware of Diddy, but not necessarily of his music. I think folks pointed out the fact that when the trial first happened, you know, there was suddenly this upstream or streaming of Diddy's music. And a lot of that was because of young folks who just had never listened to his music before and were hoping to get some keys and understandings to who this person was via the music. But the reality is that however successful he was as a commercial artist, as a producer, as

as a mogul, you know, this was not the music of Miles Davis, right? And I make that comparison deliberately, right? It's not art that we're going to be going back to 100 years from now. What about attitudes to women? We have seen plenty of cases, obviously most recently Harvey Weinstein cases, the whole Me Too movement, which grew out in many ways out of the entertainment industry. Hip hop has had a bit of a reputation for some accused of being a misogynistic art form. Do you think in any way that has changed?

You know, the reality is that for whatever misogyny and patriarchy gets expressed within hip hop, hip hop is not an outlier. Yeah. You know, patriarchy and misogyny, at least in the U.S. context, is as American as U.S. context. You barely have to just look at the sitting American president for some example of that. You know, that being said, you know, there have often been the attempts and really, you know, pretty sustained over the last 25 years to

to hold hip-hop accountable for its representation of women, sexist, misogynist, all those kinds of things. The Me Too moment really was a different moment because it caused us to really think about how practices were occurring within the industry and relationships that were problematic. So in this case, R. Kelly, going back a few years ago, and now Sean Combs, is kind of a reckoning that's occurring within hip-hop culture.

Mark Anthony Neal speaking to my colleague Sean Lay. Now, two of the biggest stock market indices on Wall Street, the S&P 500 and the Nasdaq, ended trading at record highs on Wednesday after President Trump announced a trade deal with Vietnam. The country is one of the few to reach an agreement with the US three months after he introduced punitive tariffs on foreign goods sold to America.

Vietnam was threatened with levies of 46%. And while these have been lowered, the agreement appears to favour the United States. American goods sold to Vietnam, on the other hand, will have zero tariffs. I had more from Arunade Mukherjee in Washington. Donald Trump talking about how it will be a great deal of cooperation between the US as well as Vietnam. According to the US president, Vietnam will be paying the United States a 20% tariff on any goods sent into the US.

and this is critical, a 40% tariff on any trans shipping. In return, Vietnam gives the U.S. total access to their markets for trade, is what Donald Trump said. Now, Vietnam, well, we had a government statement where they confirmed that there was an agreement, but they did not provide any details of that. But Donald Trump's announcement comes a week before the threatened trade

U.S. reimposition of tariffs on several countries, many of them still trying to stitch those deals. Just to come back on that 40% tariff on any trans shipping, this is significant because it is seen as the Trump administration trying to address some of those concerns that countries like Vietnam are used as transit points for Chinese manufacturers to try and bypass U.S. tariffs and send goods into the U.S.,

The US has also been trying to push Vietnam to buy more from them and be less import dependent on China in an aim to try and reduce Beijing's influence. So all in all, a very significant development. Interesting. Arunade, Vietnam is a huge player for American consumers. Lots of retailers have factories in Vietnam, but it doesn't appear that Vietnam itself has gained that much from this deal. Well, it remains to be seen. You know, there will be two lines of thought. But having said that, you know,

Let's just look at how Vietnam is structured in terms of its trade. It's a country that is largely dependent on exports. Its widely admired economic development over the past three decades has largely been driven by this success in selling products to various countries around the world, in particular to the US, because exports to the US contribute around 30% of Vietnam's GDP. Their exports consist primarily of electronics, footwear and apparel. In fact,

Interestingly, we're already seeing shares of Nike and other apparel companies rise after this announcement. But what's also going to be interesting is how Vietnam continues to tread a very fine line. It remains in that unique position. It's always tried to balance diplomacy and its economic ties between, on one hand, its proximity to China and also, on the other hand, trying to get closer to the U.S. Now, this entire deal is likely to also impact countries like China.

Arunadai, you mentioned earlier that there is a deadline looming. So will this spur on other countries to try and strike their own deal with President Trump? Well, they're certainly feeling the pressure for sure. It's imperative that they reach some form of a deal. Countries beyond China are struggling with the threat of very high tariffs.

which could significantly impact their economies and trade. Donald Trump, in his typical style, has talked about being close to some of these deals with some countries, but we still haven't heard of any concrete deals. But the big one to watch out for will be what they can strike with a country like India, for instance, given it's one of the fastest growing economies in the world. Aruna Day Mukherjee.

New analysis of DNA from a 4,500-year-old skeleton has provided fresh insight into how ancient Egypt transformed itself into one of the great civilizations on Earth. Samples taken from the inner ear and teeth of the remains show some of the DNA matched those of people from Mesopotamia, the other great society of that time, in a region known as the Fertile Crescent, located in what's now known as Iran, Syria and Iraq.

The findings have been published in the journal Nature, as our science correspondent Pallab Ghosh reports. Archaeological evidence indicates that ancient Egypt and Mesopotamia may have been in contact at least 10,000 years ago, when people in Mesopotamia began to farm and domesticate animals, and so making the transition from hunter-gatherers to an agricultural society.

Many scholars believe that this social and technological revolution may have influenced similar developments in ancient Egypt, but there's been no irrefutable proof of direct contact between the populations until now. Adeline Morris-Jacobs of Liverpool John Moores University says that her findings provide clear-cut evidence that there was significant migration of people and information between the two centres of civilisation.

Scientists have been using ancient DNA analysis to track changes in human evolution over millions of years.

But refinements of the technique mean the technology now has the potential to show more recent historical events in a new way. Pallab Ghosh. Still to come. There were 80 different species of moth that appeared that evening, so there was a lot of sounds that I had to play with. If it wasn't for the moths, that piece would not happen. We meet the composer who's using moths to make music and to highlight their dramatic decline.

The Israeli Prime Minister Benjamin Netanyahu has reiterated his aim to destroy Hamas in his first public comment since President Trump said Israel had agreed a 60-day ceasefire in Gaza.

Meanwhile, Hamas has said it will study what Mr Trump described as a final proposal. Mr Netanyahu is due to visit the White House next week. From Jerusalem, here's Ione Wells. The pressure from Donald Trump for Israel and Hamas to reach a deal is there. Whether there are proposals that both sides will accept is another matter. Israel will want the release of all hostages remaining in Gaza as part of a deal. About 20 of the 50 still there are thought to be alive. And

Hamas says it is ready and serious to reach a ceasefire agreement if Israel commits to an end to the war, something it has so far refused to sign up to. Israel's bombardment of Gaza has intensified this week, killing and injuring dozens of people.

The Prime Minister Benjamin Netanyahu, speaking publicly for the first time since Donald Trump's post, did not suggest he'd changed his position, that he wants complete victory over Hamas before ending the conflict. There will be no Hamas. There will be no Hamastan. We're not going back to that. It's over. We will release all our hostages.

We will eliminate them to the core. Hamas's senior figures have been killed, but Mr Netanyahu is under pressure from the far-right members of his coalition not to end the war. Polling suggests most Israelis want him to, as do the families of the remaining hostages and Donald Trump, who he may feel indebted to over the US's recent intervention in the Israel-Iran conflict.

Officials have told the BBC that Hamas representatives do not seem optimistic yet about the prospects of a truce, saying there are no new proposals that would meet its demands to end the war or for Israel to withdraw its troops.

The European Commission has proposed setting a new interim target of a 90% reduction in greenhouse gas emissions by 2040. That's measured against levels recorded back in 1990. The target is seen as crucial for the EU's legally binding objective of having no net emissions by 2050. Our Europe regional editor, Danny Eberhard, has more details.

At a time when some nations, notably the US, are weakening or gutting climate commitments, the EU Commission is sending a very different political signal –

Its head, Ursula von der Leyen, said it was standing firmly behind decarbonising the EU's economy. Currently, the EU has two self-imposed, legally binding targets. The most immediate is that, by 2030, it must reduce greenhouse gas emissions by at least 55% when compared to 1990 levels. Then it must go carbon neutral by 2050. That's a flagship, globally significant policy.

This latest proposal would provide a further staging post for getting there. The 90% goal by 2040 would, the Commission argues, give predictability to investors and businesses. The goal, it says, is realistic and will help the planet create more jobs and improve energy security at a time of great geopolitical uncertainty and when Europe is spending billions importing energy. That too will boost economic competitiveness.

Opinion surveys indicate Europeans are strongly in favour of climate action. Heatwaves such as the current one, which has seen Spain register its hottest ever June, underline the problem. Here's the European Commissioner for Climate, Wapke Hoekstra. It is about protecting our people from extreme weather events and from global warming.

And the Eurobarometer, which was just cited, published on Monday, shows that 85 percent, 85 percent of Europeans are actually worried about climate change.

I've said to you before, and I think that we need to manage the paradox, that many of those same citizens also worry what climate action might mean for them. And bringing them along, making this fair for them, is therefore of the utmost importance. As well as stressing the need for a socially fair transition, the Commission also wants to give nations more flexibility in how they'd hit the target.

Some political groups, including on the populist right, oppose ambitious climate policies, arguing they can threaten jobs, especially in energy-intensive industries, and increase the cost of living. Environmentalists disagree, pointing to the fact that renewables such as solar and wind can generally provide the cheapest electricity.

Now, when France's newest astronaut blasts off to join the International Space Station next year, she'll face months of being fed freeze-dried nutrients. But Sophie Adno will also be able to look forward to the occasional special treat of lobster bisque, creme de foie gras, velouté of curried parsnip and haddock, all prepared by her favourite Michelin-starred chef. Presumably he's not also going with her.

From Paris, Hugh Schofield reports. Most of the food on the space station is standard packaged fare, full of goodness, no doubt, but lacking that culinary je ne sais quoi, which any self-respecting French astronaut so badly needs. But astronauts can bring with them a certain quantity of their own food. And so Sophie Adenaux has teamed up with a multi-Michelin starred Anne-Sophie Pic to

to draw up a list of items to help her through those long, dawnless days in weight-free orbit. One day over the Atlantic, it could be chicken with Malagasy wild pepper, tonka beans and a creamy polenta. The next day over the Pacific, pulled beef with black garlic and smoked vanilla. And for dessert, how about a chocolate cream with crushed hazelnut?

Sophie Adeneau says she will share the haute cuisine with her colleagues on board. It is, after all, an important moment. French gastronomic culture becoming for the first time extraterrestrial. Hugh Schofield.

Now, if you're annoyed by tiny holes appearing in the clothes stored in your wardrobe, as a knitter and someone with an extraordinary amount of wool in my house, I certainly live in fear of them. Before you reach for the mothballs, a different perspective on the pesky little fabric munchers.

Now what you're hearing there are the movements and behaviours of moths represented by musical sound, put together by composer and moth enthusiast Ellie Wilson. She tracked the night-time journeys of certain moth species in the south-west of England for her project,

and she says it's left her more fascinated by the creatures than ever before. Moth x Human is due to be performed in London this weekend. My colleague James Menendez asked Ellie how this unusual collaboration was hatched.

I was put in contact with scientists at the UK Centre for Ecology and Hydrology, and they had created these new automated systems which they use to monitor moth activity across the UK. And so it's that data that I have then sonified to use their movement to create a piece.

And the way I did that was they gave me spreadsheets and then I chose one day of activity from midnight through to 4 a.m. on a location called Parsonage Downs, which is in Salisbury in Wiltshire.

And being able to bring that data into some software that I use called Ableton, I was able to assign different notes and sounds to the individual species of moths that were flying around in that evening. And so because I was able to give them sounds, what the music then does for us is that the movement throughout that evening creates the music. So every time, for example, an elephant hawk moth appeared,

throughout that evening, I'd given that elephant hawkmoth a sound and therefore every time that moth appeared and landed on the moth monitoring system, that sound would appear. And so you're getting that kind of ebb and flow of the movement of that night but through music. And the ending point of the piece, I think things go quite quiet.

They do. It was really important for me to use this piece as a way of exploring declining biodiversity and highlighting the fact that just like bees and butterflies, moths are in significant decline due to all the usual things like climate change, habitat loss.

And I wanted to explore that, but in music form. So what I wanted at the beginning of the piece was to show a really good location that was full of biodiversity, lots and lots of moth activity, which is the bit that I've just been talking about. But at the very end of the piece, I used data from a different location and

farmland that use pesticides and is a monoculture and the contrast is audible. You know, you can hear that there's very, very little movement. It's very sparse. There was only 19 different species of moths that appeared during that same four hour period. They get a bit of a bad rat moth, don't they? I mean, compared to, I mean, bees and butterflies sort of get all the attention. Yes, I think so. And I think it's because we don't see them because they come out at night when we're asleep. Some people find them a bit creepy, don't they?

I think they do. And I think it's sort of the unknown or we think about the ones that maybe eat our jumpers. But that's only a couple of species that do that. Doing this project has made me even more fascinated with them because I didn't realise that there's 2,500 species of moth in the UK alone. And the fact that...

that butterflies actually evolved from moths. So moths came first. So I think we need to put them up high and celebrate them. Absolutely fascinating. I think I'm going to keep my mothballs though. Ellie Wilson speaking to James Menendez.

And that's all from us for now, but there will be a new edition of the Global News Podcast later. If you want to comment on this podcast or any of the topics covered in it, you can send us an email. The address is globalpodcast at bbc.co.uk. You can also find us on X at BBC World Service. Use the hashtag Global News Pod.

This edition was mixed by Caroline Driscoll and the producers were Alison Davis and Stephen Yensen. The editor is Karen Martin. I'm Julia McFarlane. Until next time, goodbye.