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cover of episode #105 How female-centered content is making a killing

#105 How female-centered content is making a killing

2025/1/2
logo of podcast Middle Earth - China’s cultural industry podcast

Middle Earth - China’s cultural industry podcast

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A
Aladin Farré
H
Hayley Zhao
J
Jiaxi Wang
X
Xiaotong Jiang
Topics
Aladin Farré: 中国的日常娱乐消费中出现了更多以女性为中心的故事情节。近年来,中国观众在内容选择方面发生了巨大变化,以女性为中心的电影和脱口秀获得了巨大的成功,例如《好东西》和《出走的决心》票房表现优异。 Xiaotong Jiang: 观众对以女性视角为中心的影视作品的需求与制作方的供给之间存在着“先有鸡还是先有蛋”的关系。近年来,越来越多的以女性为中心的脱口秀节目出现,并且在社交媒体上引发了“女性力量”的讨论。杨笠的脱口秀段子引发了关于男女差异的广泛讨论,并对脱口秀行业产生了影响,也为女性脱口秀演员带来了更多工作机会,但同时也面临着来自男性决策者的偏见和压力。 Jiaxi Wang: 近年来,观众对大制作电影感到厌倦,更渴望看到反映现实生活和女性视角的电影。流媒体平台的制作人大多是女性,这反映了女性在影视行业中的影响力日益增强。制作方通常更倾向于制作积极向上的内容,对“躺平”等非主流价值观持保留态度。成功的女性主题电影首先要保证电影本身的质量,而不是仅仅依靠主题营销。 Hayley Zhao: 社交媒体促进了以女性为中心的内容的传播,形成了良性循环。《世界华人》杂志的女性主题文章在网络上获得了较高的点击量,也收到了部分负面评论,但团队认为这是内容引发关注和讨论的表现。社会对月经羞耻的讨论推动了平台对相关内容审查的改变。

Deep Dive

Key Insights

Why has female-centered content become more popular in China recently?

Female-centered content has gained popularity due to a growing demand for diverse perspectives, particularly in response to the dominance of male-centric blockbuster films. Social media has amplified feminist themes, creating a positive feedback loop where increased visibility leads to more production. Movies like 'Trudeau de Juyessine' and 'Hao Dongxi' have achieved significant box office success, proving the commercial viability of such content.

What impact did Yang Li's joke about 'ordinary, overconfident men' have on the comedy industry?

Yang Li's joke became a cultural phenomenon, sparking widespread discussion and awakening many women to the prevalence of overconfident men in their lives. While it led to backlash and lost opportunities for Yang Li, it also inspired more female comedians to address feminist themes in their work. The joke marked a turning point, encouraging women to speak openly about their experiences and challenges.

How has the presence of female comedians in China's stand-up comedy scene changed in recent years?

The number of female comedians has significantly increased, with more women joining the industry and performing on stage. In 2023, over 50% of participants in a top comedy training camp were female, compared to less than 30% in previous years. This shift is partly due to the success of female-centered shows and the growing acceptance of feminist themes in comedy.

What challenges do female creators face in China's cultural industry?

Female creators often face resistance from male decision-makers and societal expectations. They are sometimes accused of exploiting feminist themes for profit or criticized for not being 'pure' enough in their feminism. Despite these challenges, more women are entering roles as directors, producers, and writers, gradually reshaping the industry's content and priorities.

Why are female-centered stories considered a good investment in China's entertainment industry?

Female-centered stories resonate with a large and growing audience, particularly women in their 20s and 30s. These stories often address universal themes like family, motherhood, and personal identity, appealing to both younger and older generations. Successful films like 'Hao Dongxi' and 'Trudeau de Juyessine' have demonstrated the financial potential of such content, attracting more investment and production.

How has social media influenced the rise of feminist content in China?

Social media has played a crucial role in promoting feminist content by making it more visible and accessible. Platforms like WeChat and Bilibili have allowed creators to share stories and engage with audiences directly, fostering a positive cycle of demand and production. Discussions on topics like period shame and workplace inequality have also gained traction, encouraging more open dialogue and content creation.

What role do female decision-makers play in China's entertainment industry?

Female decision-makers, particularly in streaming platforms and production companies, are increasingly shaping the content that gets made. Their presence has led to more female-centered stories and a greater emphasis on diverse perspectives. This shift is gradually changing the industry's dynamics, with more women taking on roles as directors, producers, and writers.

What challenges do female comedians face in China's stand-up comedy scene?

Female comedians often face resistance from male club owners and audiences, who may criticize their content or accuse them of creating division. Despite these challenges, more women are entering the industry, and female-centered shows are gaining popularity. The success of comedians like Yang Li has inspired others to address feminist themes and push for greater representation.

How has the portrayal of women in Chinese cinema evolved in recent years?

Chinese cinema has seen a shift towards more nuanced and realistic portrayals of women, particularly in films directed by women. Movies like 'Hao Dongxi' and 'Trudeau de Juyessine' explore themes of motherhood, identity, and resilience, resonating with a broad audience. This evolution reflects a growing demand for stories that reflect women's experiences and challenges.

What is the significance of Jia Ling's success in China's film industry?

Jia Ling is the highest-grossing female director in China, with her debut film 'Hi Mom' earning over 5 billion yuan at the box office. Her success has demonstrated the commercial potential of female-centered stories and inspired more women to pursue careers in filmmaking. Jia Ling's work has also helped to normalize diverse narratives and perspectives in Chinese cinema.

Chapters
This chapter explores the rise of female-centered content in China's entertainment industry, examining its financial success and cultural impact. It features discussions on the increased choices for consumers and the role of social media in promoting this trend.
  • Box office success of movies like 'Trudeau de Juyessine' and 'Hao Dongxi', exceeding even 'Gladiator 2'
  • Growing presence of female stand-up comedians
  • Social media's role in amplifying feminist themes and creating positive feedback loops
  • Success is tied to quality content, not just feminist themes

Shownotes Transcript

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When the Middle Earth Podcast started years ago, it was hard to find any feminist mainstream cultural products. But recently, movies like HER STORY (好东西) and LIKE A ROLLING STONE (出走的决心), along with female stand-up comedians and influencers, have been making their way into the mainstream. How did these success stories come to be?Featuring- Xiaotong Jiang: Kudos Comedy - Founder- Jiaxi Wang: Scriptwriter & Director- Hayley Zhao: TWOC - Journalist & Editor

To go further- Middle Earth episode #92 How writers, bookstore owners, and printers survive in China’s publishing industry )- Middle Earth episode #46 China's TV format industry)- TWOC's article Roasted and Burned) by Tan Yunfei- TWOC's article “Girls Should be Brave”: A Feminist’s Bumpy Journey in a Chinese Small Town) by Yang Tingting- TWOC's article The Rise of Female Perspectives in China’s Movie Industry) by Liu Jue

Middle Earth is made by China Compass Productions and hosted by Aladin Farré). If you have a China-themed cultural project, like shooting your next documentary, or are looking for a specific talent, please get in touch! 

Chinese speaker? Follow our Bilibili account 阿拉丁_说电影)With thanks Li Muyuan for additional research, and Sean Calvo) for music support.

The World of Chinese Magazine)A magazine about Chinese society, culture, history, arts, language, and more.