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cover of episode How Steve Aoki laces EDM into every genre imaginable

How Steve Aoki laces EDM into every genre imaginable

2025/6/27
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All Things Considered

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Steve Aoki: 我一直以来都积极地将各种音乐流派融入到我的EDM创作中。早期在洛杉矶的时候,这主要得益于地理位置的便利,许多艺术家都会来这里的工作室进行创作。但自从我离开洛杉矶,开始每年200多场的巡演后,我便将巡演视为体验和探索不同音乐流派,结识不同艺术家的绝佳机会。虽然有时候这种尝试可能毫无结果,甚至变得枯燥,但更多时候,它能催生出一种介于EDM和其他流派之间,非常独特的音乐风格。 Steve Aoki: 大约15年前,当我开始与嘻哈音乐人合作时,我受到了很多批评,很多人反对我这样做,他们觉得我不应该跨界。但最终,嘻哈和EDM的融合非常成功,现在这两种音乐风格的结合已经非常普遍。对我来说,电子音乐就像是人声的伴奏,它可以与任何音乐风格相结合,创造出新的可能性。我热爱演出,因为这让我有机会与来自世界各地的不同文化背景的粉丝互动,这极大地拓展了我的音乐视野。粉丝对我在特定地区与艺术家合作有很大影响。例如,在罗马尼亚演出后,我看到了当地粉丝的热情,这促使我与罗马尼亚艺术家Irina Rimes合作,创作了一首融合罗马尼亚音乐元素的歌曲。我很高兴能通过我的音乐,为那些给我很多爱的人们提供服务。

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This chapter introduces Steve Aoki, highlighting his significant achievements and diverse career beyond music, including his fashion line, memoir, and charitable foundation. It also mentions his latest album, HiROQUEST 3: Paragon, emphasizing its collaborative nature and diverse genre collaborations.
  • Steve Aoki's touring gear is in the Smithsonian.
  • He holds a Guinness World Record for most-traveled musician in one year.
  • His latest album is HiROQUEST 3: Paragon, featuring numerous collaborations across various genres.

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Steve Aoki is more than a genre-defining musician with years of EDM hits. This is a man whose touring gear is in the Smithsonian. He's in the Guinness Book of World Records as most-traveled musician in one year.

And alongside his fashion line, memoir, charitable foundation, and more, Steve Aoki is still churning out enormous hits, working with some of the biggest artists around. His latest album is called Hero Quest III Paragon. Just about every song on this album is a collaboration, and with artists from a huge variety of genres.

Nile Rodgers, the Brazilian singer Ludmilla. One of the main singles is this pop country song with Tyler Hubbard. And I said we won't forget tonight The way I feel my whiskey, I can't believe it

I asked Steve Aoki how he corrals such a wide array of genres into a quote-unquote EDM sound. In the beginning, a lot of it had to do with the fact that I was in L.A. People would come to L.A. and get in the studio and you could work.

But since then, since I left L.A. and I've been touring about 200 plus shows a year, I take that as a way to be able to experience and explore different genres and meet different artists from different genres. Sometimes it doesn't go anywhere. Sometimes it ends up becoming boring.

something really unique that sits between EDM and that other genre. Yeah. Was there one style of music that you thought to yourself, I don't know if this is going to work with what I do, but let's give it a try. And you were pleased with how it turned out. I mean, I remember like even like 15 years ago when I started working with hip hop artists, I was getting a lot of hate, a lot of like people that just were not down with that. Like stay in your own lane kind of hate. Yeah. Just like, I, you know, anytime you do something outside of,

of the space that you're supposed to be in, you're going to get some criticism. But I mean, that worked, obviously. Yeah. I mean, at this point, the hybridization between hip hop and EDM feels so completely integrated that it's not even a question. Yeah. You know, it's,

At the end of the day, like electronic music, EDM, it's like the instrumental of a vocalist. Tell me what you know about dreams, dreams. Tell me what you know about night terrors, nothing. You don't really care about the trials of tomorrow. Rather lay away.

You have now been in the EDM scene for so many years through the kind of rise and fall of dance music, and it feels like right now we're in a boom time. There are more electronic acts at music festivals, fewer rock acts. Digital platforms like Boiler Room are huge. How do you see the state of electronic music right now? Yeah, I agree with you. I think, you know, I've seen the wave from the early 2000s to now

And it's absolutely peaking. From a cultural standpoint, when you see the multi-genre festivals, like you're talking about words.

The artists that are viral or the artists that are being talked about more at the Coachella's are the EDM acts. And the pace moves so much more quickly now when social media allows somebody to trend on TikTok and you've never heard of them before. And then the next day it's someone else after that. It's true. How has that changed the landscape, not just for new artists, but for you personally?

working to remain relevant after all this time. You have to think differently about how you release a song at the same time. I mean, you're still releasing a 20-track album, which nobody does anymore, especially not an EDM. Yeah, so I definitely have always thought differently in this space.

I am one of the few people in the EDM space that care about dropping albums. A lot of my friends, they're like, we don't ever have to drop an album. We just have to drop a single. And you're like, shouldn't I do that? Should I just focus on one song versus a project? And I veered towards the project. It would hurt my soul to just have to hold back these other ideas, even if they're smaller.

From this latest batch of like 20-some new tracks, is there one that you're like, I know this is not going to be the one that's constantly getting radio play, but I love it and I need it to be in the world? Thanks to You, I think, is a song I really hope has a huge impact for my world, at least for the EDM world. This is featuring Bomb. Yeah, it just has a really great vocal resonance. The lyrics are meaningful. That's kind of like going to be...

An underdog for the album, for sure. You're constantly on the road playing shows along with so many other projects that you juggle. And I have a sense of what your fans are chasing when they buy a ticket to a Steve Aoki show. What are you chasing by keeping up the pace that you do? Well, I love it.

You know, it's like first and foremost, I love playing shows. And the fact that I get to play to different crowds from all different parts of the world, going to these different countries and meeting different producers and different cultures and sounds, it expands my music. I have to say the fans make the biggest impact to me on if I'm going to work with artists in that region. That's interesting because when I see you perform, the fans look like

a mass of thousands of people, the idea that you connect with individuals when you're in and out of those countries in a day is something I wouldn't have expected. It's also the after effect. You know, you see it on social media. You know, like whenever I play Romania, it's... I mean, the crowd's crazy everywhere, but then when I leave, I just keep seeing Romanian fans like just...

making sure they're heard and seen, then I want to work with Romanian artists. Have you collaborated with a Romanian artist? I did. I was being driven to the show, and I asked the driver, I'm like, I want to work with some Romanian artists, but I need some fresh takes on it. So I was like, can you play me some records out here that are big? So he played me this song, Do Da Do. Do Da Do

And I immediately DM'd the artist while I was listening to the song. I'm like, this song is so good. And I DM'd her. Irina Rimes, right? Irina Rimes, yeah. And she sent me the stems and I got it done in like seven days.

And I played it at the festival, and people went crazy because I'm remixing a Romanian song. And then it just makes me feel just happy that I'm able to be of service to a world of people that show me so much love. Steve Aoki, thank you so much for talking with us about your career and your music. Thank you. His new album is called Hero Quest 3 Paragon. I lost my friends, I don't know why