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Joe Boyd was there when Dylan went electric, when Pink Floyd was born, and when Paul Simon brought Graceland to the world. But far from being just another music industry insider, Boyd has spent decades exploring how the world's musical traditions connect and transform each other. His new book And the Roots of Rhythm Remain, is seventeen years in the making, and is in Tyler’s words “the most substantive, complete, thorough, and well-informed book on world music ever written.” From producing Albanian folk recordings to discovering the hidden links between Mississippi Delta blues and Indian classical music, Boyd's journey reveals how musical innovation often emerges when traditions collide.

He joins Tyler to discuss why Zulu music became politically charged in South Africa, what makes Albanian choral music distinct from Bulgarian polyphony, what it was like producing Toots and the Maytals, his role in the famous "Dueling Banjos" scene in Deliverance, his work with Stanley Kubrick on A Clockwork Orange, his experiences with Syd Barrett and Pink Floyd, how he shaped R.E.M.'s sound on Fables of the Reconstruction, what really happened when Dylan went electric at Newport, how the Beatles integrated Indian music, what makes the Kinshasa guitar sound impossible to replicate, and how he maintains his collection of 6,000 vinyl LPs and 30,000 CDs, what he’ll do next, and more.

Read a full transcript enhanced with helpful links, or watch the full video.

Recorded December 27th, 2024.

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Joe Boyd on the Birth of Rock, World Music, and Being There for Everything 01:00:42 Share

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Joe Boyd on the Birth of Rock, World Music, and Being There for Everything