Cut to Reveal

Cut to Reveal: three freelance editors, from different countries, who've never met in real life disc

Episodes

Total: 71

Piotr talks with Daysha Broadway, the editor on the Whitney Houston biopic "I Wanna Dance with

We talk with Nicholas Monsour about collaborating with Jordan Peele on Us and Nope. How he prepares

Ep. 28 with Mike Sale, ACE on the importance of mentoring editors, lessons he learn as an assistant

Ep. 27 | Halloween Special!

2022/10/31

Welcome to the very first CTR holiday episode - the Halloween Special!  Piotr and Ricky are joined b

Thomas Percy Kim is an up-and-coming Korean-American filmmaker who's won film awards even befor

We talk with first-time director Pantelis Roumanis about working with Piotr editing his shirt film,

What ground rules should a film/ video editor follow when dealing with clients' notes?Ricky and

Ricky and Piotr talk with ACE editor Zack Arnold about landing this dream job cutting Cobra Kai, why

In this episode, Ricky and Piotr discuss the skills needed to successfully transition and thrive fro

Ricky and Piotr talk with editor, Elísabet Ronaldsdóttir! You may know her work from John Wick, Kate

We talk about the working relationship of director, Sarah Adina Smith, and editor Daniel Garber abou

In today's episode, Piotr and Ricky answer your questions. Four questions sent in by listeners

Ricky and Piotr talk with Anthony Moreschi, a New England-based, Emmy Award-winning editor who self-

Ricky and Piotr talk with the very talented Audrey Simonaud. She is a French editor who cut her teet

Ricky and Piotr have a great conversation with editor, Mike Hugo! The guys talk about Adobe workflow

Piotr has an early morning conversation with legend, Vashi Nedomansky, ACE. They talked origin story

Ricky and Piotr talk with fellow editor, Kyle Boberg about the power of experimentation in editing. 

Piotr and Ricky discuss the Academy's WTF decision to exclude 8 categories, including FILM EDIT

Piotr and Ricky have a great ol' time conversing with the very talented editor, Alex Familian.

What happens when you get three editors to work on one film with two directors? Find out when Piotr