Tension is essential because it keeps readers engaged and propels them to turn the page. Without tension, there’s no reason to continue reading. It creates drama and suspense, making the story compelling and immersive.
Murder mysteries taught him how to make readers care about even the most morally ambiguous characters. Techniques like giving murderers relatable traits, such as losing keys or having a loving mother, help readers empathize with them, even if they can’t condone their actions.
He compares writing to music, where pacing alternates between fast, intense moments and slower, reflective ones. For example, after a high-tension scene in 'American Kingpin,' he slows the narrative by shifting focus to the creation of a laptop, allowing readers to process the intensity before diving back into the action.
Themes provide a throughline that ties the narrative together. Bilton won’t start writing until he knows the central theme, ensuring every scene, character, and event connects back to it. For example, in his Vanity Fair piece on Elon Musk, the theme was Musk’s need to solve problems, even if he creates them himself.
He avoids expositional dialogue by showing rather than telling. Instead of characters explaining what happened, the dialogue reveals their personalities and relationships through subtle, natural interactions. He also uses social media and other sources to capture authentic voices when possible.
He immerses himself in the story by visiting locations, sitting in the same chairs, and ordering the same food as his subjects. He also compiles extensive databases of social media posts, interviews, and timestamps to piece together the narrative, ensuring accuracy and depth.
He acknowledges the difficulty of following up on a highly successful book like 'American Kingpin.' The challenge is finding a story as compelling and unique. He emphasizes the importance of choosing narratives that are either big stories about something small or small stories about something big, avoiding the middle ground.
He believes a writer’s voice develops naturally and can’t be forced. The key is to avoid diluting it by silencing self-doubt and staying true to one’s instincts. He emphasizes that writing is about putting words on the page and not treating them as overly precious.
He plants seeds early in the story, giving readers just enough information to keep them hooked without revealing too much. For example, in 'American Kingpin,' he teases future events like Ross Ulbricht’s moral dilemmas, creating anticipation and ensuring readers stay engaged.
He focuses on creating nuanced characters with both positive and negative traits. By showing their humanity, such as Ross Ulbricht’s kindness alongside his criminal actions, he makes them relatable and complex, avoiding one-dimensional portrayals.
Welcome to 74-minutes of storytelling strategy that’s better than all of your English classes combined. Nick is a journalist who has written for The New York Times and Vanity Fair. He’s a screenwriter, an author, a murder mystery enthusiast.* *In other words, he knows how to push a story through a brick wall. And he’s going to show you how you can, too.
This episode is the ultimate storytelling toolkit. Cliffhangers. Tension. Dialogue. Character. Motifs. You’ll learn it all.
And here’s the thing: if you can tell great stories, then you will succeed in life. Stories make up our entire world — from a politician’s speech to the back of a cereal box to a dinner party with friends. Good storytellers always have the upper hand. So, if you want to tell fast-paced and dizzying stories, this episode is for you.
**SPEAKER LINKS: **
Website: https://www.nickbilton.com/)
Books: https://www.amazon.com/stores/Nick-Bilton/author/B003UP0RIM)
Vanity Fair: https://www.vanityfair.com/contributor/nick-bilton)
Twitter: https://twitter.com/nickbilton)
Instagram: https://www.instagram.com/nickbilton)
**WRITE OF PASSAGE: **
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**PODCAST LINKS: **
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Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470)
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