The brothers drew inspiration from their family tradition of Christmas tree cutting in western New Jersey, where they noticed an abandoned retreat house over the years, which sparked the idea for an eerie holiday horror story.
Tony felt it was the right time to take a chance on his passion for filmmaking, believing it was a better opportunity than waiting until later in life when responsibilities might hinder his ability to pursue creative projects.
The Adler Hotel provided the perfect abandoned and eerie setting for their film. The hotel was owned by a group working on other plots of land in the area, and the owners were open to the Shakers filming there, even offering them a 4K drone in the deal.
The film was shot at night in an abandoned hotel with limited resources, making it difficult to capture consistent and high-quality audio. They had to deal with issues like boom bumps, battery failures, and background noise from nearby snowmobilers.
Juice offered a transparent and DIY approach to distribution, allowing the brothers to retain control over their film and access detailed metrics and revenue streams. They also found Juice to be very professional and responsive compared to other aggregators.
They wanted to capture the essence of classic 80s horror films, which they felt were unique and less reliant on technology and practical effects. They aimed to create a film with a nostalgic feel, including elements like color correction and character pacing.
They needed to adhere to safety and insurance standards, which prohibited the use of practical blood effects. By using digital effects, they could maintain a professional and safe production environment while still achieving the desired visual impact.
They learned that coordinating with post-production specialists early on, such as VFX and sound engineers, ensures that everyone is on the same page and can work more efficiently. This helps avoid last-minute issues and streamlines the entire production and post-production workflow.
When two brothers decide to turn their holiday traditions into a cinematic thrill, they step into a world where creativity is born from the mundane. On today's episode, we welcome Peter Paul and Tony Shaker, the innovative minds behind the indie horror film Killer Christmas. With the echoes of sleigh bells and the flicker of holiday lights, they invite us into their journey of making an 80-minute feature film against all odds.The Shaker brothers, hailing from New Jersey, embraced the modern age of filmmaking, proving that artistry no longer demands lavish sets or big studios. As Peter Paul aptly put it, “You can do this from anywhere, even in the middle of nowhere, if you're willing to put in the work.” From scriptwriting in their basement to editing with Adobe Premiere Pro, their story is an anthem for resourcefulness and determination.What began as a family tradition of Christmas tree cutting in western New Jersey blossomed into a creative spark. They envisioned an eerie story of a derelict retreat house and a masked Santa slashing through the cheer. This whimsical yet haunting idea became the bedrock of Killer Christmas. The brothers’ vision materialized with long hours of planning, meticulous scriptwriting, and a bold decision—Tony quit his day job to chase the dream of making their first feature film.Filming on a shoestring budget came with its own set of hurdles. The Adler Hotel in Sharon Springs, New York, served as the perfect abandoned setting, but its ominous atmosphere wasn’t just cinematic. The brothers encountered mysterious sounds, unexplained footprints, and eerie vibrations during their shoot. "It felt like the hotel was alive," Tony shared, reflecting on the uncanny experiences that added an authentic layer of unease to their film.From securing a location to overcoming sound challenges, the Shakers demonstrated that passion is the ultimate tool. They shot through snowstorms and frigid nights, relying on ingenuity and collaboration. Their DIY approach extended to props and effects—crafting realistic rubber weapons and digitally adding blood effects in post-production to adhere to safety and insurance standards.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support).