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cover of episode IFH 782: Turning Holiday Cheer into Chills: The Shaker Brothers’ Journey Behind Killer Christmas

IFH 782: Turning Holiday Cheer into Chills: The Shaker Brothers’ Journey Behind Killer Christmas

2024/12/23
logo of podcast Indie Film Hustle® - A Filmmaking Podcast

Indie Film Hustle® - A Filmmaking Podcast

AI Deep Dive AI Insights AI Chapters Transcript
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Peter Paul
T
Tony Shaker
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Peter Paul: 我们这部电影的制作理念是:无论身处何地,只要你愿意付出努力,就能完成电影制作。我们兄弟俩在自家地下室完成了剧本创作、拍摄和后期制作,这证明了现代电影制作的便捷性。我们使用Adobe Premiere Pro等专业软件,设备和素材质量也达到了专业水平。即使是业余爱好者,只要肯努力,也能制作出高质量的电影。 我们这部电影的灵感来源于我们每年感恩节周末的砍树家庭旅行,但故事情节纯属虚构。我们希望这部电影能呈现出80年代经典恐怖片的风格,营造一种与世隔绝的恐怖氛围,减少技术的运用,更注重营造一种紧张刺激的氛围。在创作恐怖电影时,需要巧妙地设置障碍,避免角色轻易获得帮助,例如手机失灵。我们在纽约州夏伦泉镇的一个废弃酒店拍摄,该酒店没有手机信号,这更增加了电影的恐怖氛围。 在拍摄过程中,我们遇到了许多神秘事件,例如奇怪的声音和脚印,这为电影增添了真实感。我们还遇到了许多制作上的挑战,例如寻找合适的拍摄地点,以及在恶劣天气条件下进行拍摄。我们克服了这些困难,最终完成了电影的拍摄。 在后期制作中,我们自己完成了剪辑工作,并添加了数字血液效果。我们还对电影进行了声音处理,以提升电影的观赏性。 在电影发行方面,我们选择使用Juice这个聚合器,将电影发行到多个平台,包括iTunes、Google Play、Amazon Direct、Microsoft Network和Sony PlayStation Network等。我们自己负责电影的营销和宣传工作,这让我们对电影的推广和收益有更多的控制权。 Tony Shaker: 为了拍摄这部电影,我辞去了工作,这体现了我们对电影制作的热情和决心。我们兄弟俩共同完成了电影制作的各个环节,从剧本创作到后期制作。 我们最初想在常去的圣诞树农场拍摄,但农场主拒绝了。我们通过网络搜索和实地考察,最终在纽约州夏伦泉镇的一个废弃酒店找到了合适的拍摄地点。为了获得拍摄许可,我们与酒店业主进行了谈判,并提供了一架无人机作为交换。 为了获得保险,我们没有在电影中使用裸露镜头和真实的血液效果,而是定制了橡胶材质的道具武器,并在后期制作中添加了数字血液效果。 我们在拍摄过程中遇到的最大制作问题是声音录制,因为我们在夜晚、偏远地区进行拍摄,设备都是电池供电的。在后期制作中,我们请了专业的音频工程师来处理声音。 我们自己负责电影的营销和宣传工作,包括在YouTube上投放广告,以及在Facebook和Instagram上进行推广。我们认为,没有人比我们自己更关心这部电影的成功,所以我们必须自己动手。

Deep Dive

Key Insights

Why did the Shaker brothers decide to make their first feature film, Killer Christmas, based on their own experiences?

The brothers drew inspiration from their family tradition of Christmas tree cutting in western New Jersey, where they noticed an abandoned retreat house over the years, which sparked the idea for an eerie holiday horror story.

Why did Tony quit his day job to make Killer Christmas?

Tony felt it was the right time to take a chance on his passion for filmmaking, believing it was a better opportunity than waiting until later in life when responsibilities might hinder his ability to pursue creative projects.

Why did the Shaker brothers choose the Adler Hotel in Sharon Springs, New York, for their film location?

The Adler Hotel provided the perfect abandoned and eerie setting for their film. The hotel was owned by a group working on other plots of land in the area, and the owners were open to the Shakers filming there, even offering them a 4K drone in the deal.

Why were sound challenges a significant issue during the production of Killer Christmas?

The film was shot at night in an abandoned hotel with limited resources, making it difficult to capture consistent and high-quality audio. They had to deal with issues like boom bumps, battery failures, and background noise from nearby snowmobilers.

Why did the Shaker brothers choose to distribute their film through an aggregator called Juice?

Juice offered a transparent and DIY approach to distribution, allowing the brothers to retain control over their film and access detailed metrics and revenue streams. They also found Juice to be very professional and responsive compared to other aggregators.

Why did the Shaker brothers focus on making their film feel like a throwback to 80s horror?

They wanted to capture the essence of classic 80s horror films, which they felt were unique and less reliant on technology and practical effects. They aimed to create a film with a nostalgic feel, including elements like color correction and character pacing.

Why did the Shaker brothers decide to use digital blood effects instead of practical ones?

They needed to adhere to safety and insurance standards, which prohibited the use of practical blood effects. By using digital effects, they could maintain a professional and safe production environment while still achieving the desired visual impact.

Why did the Shaker brothers emphasize the importance of involving post-production specialists in the pre-production process?

They learned that coordinating with post-production specialists early on, such as VFX and sound engineers, ensures that everyone is on the same page and can work more efficiently. This helps avoid last-minute issues and streamlines the entire production and post-production workflow.

Chapters
The Shaker brothers, Peter Paul and Tony, are two New Jersey filmmakers who made their first feature film, Killer Christmas, on a shoestring budget. They utilized readily available equipment and software, proving that location and resources are not barriers to filmmaking. Their resourcefulness and determination highlight the accessibility of modern filmmaking.
  • Made first feature film, Killer Christmas, on a small budget
  • Filmed in their basement and a remote location
  • Used readily available equipment and software (Adobe Premiere Pro)
  • Showcases the accessibility of modern filmmaking

Shownotes Transcript

When two brothers decide to turn their holiday traditions into a cinematic thrill, they step into a world where creativity is born from the mundane. On today's episode, we welcome Peter Paul and Tony Shaker, the innovative minds behind the indie horror film Killer Christmas. With the echoes of sleigh bells and the flicker of holiday lights, they invite us into their journey of making an 80-minute feature film against all odds.The Shaker brothers, hailing from New Jersey, embraced the modern age of filmmaking, proving that artistry no longer demands lavish sets or big studios. As Peter Paul aptly put it, “You can do this from anywhere, even in the middle of nowhere, if you're willing to put in the work.” From scriptwriting in their basement to editing with Adobe Premiere Pro, their story is an anthem for resourcefulness and determination.What began as a family tradition of Christmas tree cutting in western New Jersey blossomed into a creative spark. They envisioned an eerie story of a derelict retreat house and a masked Santa slashing through the cheer. This whimsical yet haunting idea became the bedrock of Killer Christmas. The brothers’ vision materialized with long hours of planning, meticulous scriptwriting, and a bold decision—Tony quit his day job to chase the dream of making their first feature film.Filming on a shoestring budget came with its own set of hurdles. The Adler Hotel in Sharon Springs, New York, served as the perfect abandoned setting, but its ominous atmosphere wasn’t just cinematic. The brothers encountered mysterious sounds, unexplained footprints, and eerie vibrations during their shoot. "It felt like the hotel was alive," Tony shared, reflecting on the uncanny experiences that added an authentic layer of unease to their film.From securing a location to overcoming sound challenges, the Shakers demonstrated that passion is the ultimate tool. They shot through snowstorms and frigid nights, relying on ingenuity and collaboration. Their DIY approach extended to props and effects—crafting realistic rubber weapons and digitally adding blood effects in post-production to adhere to safety and insurance standards.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support).