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MBW 949: Glick-ed - Concert for One, Wolfs, FCC
2024/11/27
MacBreak Weekly (Audio)
A
Alex Lindsay
A
Andy Ihnatko
J
Jason Snell
美国技术记者、编辑和播客主持人，专注于苹果产品和流行文化。
L
Leo Laporte
创立TWiT网络，推动技术教育和安全意识的著名技术主播和媒体人物。
Alex Lindsay 认为 Apple Vision Pro 的沉浸式视频体验《Concert for One》有很多不足之处，例如视角过大和过近，背景处理不佳等，这些都影响了沉浸感。他认为 Apple 在《Concert for One》中犯了沉浸式视频制作的常见错误，例如人物安排、视角选择和背景处理等。他指出，沉浸式视频制作中，视角的处理非常重要，避免让观众看到画面边缘。他还批评 Apple 在《Concert for One》中，人物安排和背景处理都不理想，镜头切换处理也不理想，过近的镜头会让观众感到不舒服。他认为沉浸式视频制作的成功与否很大程度上取决于制作人员的技术水平，而不仅仅是设备。他建议 Apple 应该优先考虑提供更好的硬件和工具，以促进沉浸式视频内容的创作，而不是仅仅专注于自身内容的制作。
Deep Dive
Alex Lindsay discusses the Vision Pro's immersive concert experience, pointing out both exciting aspects and areas for improvement. He highlights the unnatural placement of virtual concertgoers at the edge of the field of view, the lack of 3D depth due to the artist's isolation against a flat wall, and the occasionally uncomfortable close-ups. Despite these drawbacks, he expresses excitement about the potential of the Blackmagic camera and the future of immersive content creation.
- Apple's Vision Pro concert experience had both positive and negative aspects.
- Unnatural placement of virtual concertgoers and close-up shots detracted from immersiveness.
- The Blackmagic camera holds promise for creating better immersive content.
- Filmmakers accustomed to 2D often struggle with VR production.
Shownotes Transcript