Deep Dive
Shownotes Transcript
The wrongs we must right. The fights we must win. The future we must secure together for our nation. This is what's in front of us. This determines what's next for all of us. We are Marines. We were made for this.
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Spoiler of Fanetto:
The beat starts, beautiful, a nice 20 second tour, it seems like a super serious track, right? Even the title is a reference to suicide. Then you hear these strange verses, a person with autism problems, you know these verses that trappers make?
Then I go to hear the spoiler and I basically hear some things... Phrases, let's say, not too... Let's say, here, not... Not of level, let's put it that way. I hear very superficial and standard stuff. So what do I do? I say, "Well, let's see who this guy is." And what do I do? I put some songs with the text in front. Already like that...
Some of the most famous tracks. I start to see that the melodic line is sometimes cool, difficult to digest for someone who does not have a trained ear. And sometimes there are relatively interesting text splashes. Now, what is my speech?
First of all, in America we have the playboy cards of the turn that make a similar genre, this genre seems to me inspired a bit by that stuff there, so I'm not here to say it's okay, it's not okay, it's not okay, because then everyone makes the music they want, I can also put the beat and blur on the track, my fuckers.
What I want to say is that this guy, how did I get there? There is the head that pushes him, the quality producer that puts him on the track, there is a tour and then he can also allow himself to do as he wants and to have a band of boys who are going to say great, giant, poet.
But what happens is that then many maybe emulate this genre, so let's go back, once they emulated the wrong behaviors, they go to the studio, they make a style, no one gets in their ass, right?
And they ask themselves why. And I'm here to answer why. Because this stuff here... Do you know how much push it has to make those numbers it has that are not even the numbers of the mainstream? I mean, this one here, to make the numbers it has made, has received an abnormal push. To have the relevance it has, there's just an incredible thing behind it.
maybe even heavy investments so you without investment behind without magazine without nicekini you can also break more than him what do these do? they do a quarter full of shit then they close it with my friend Emma is dead Emma my friend is 20 years old Emma my poor mother was a dishwasher
And so you have the impression of the guy "Oh, come on, he's talking about serious things, I can't say anything" Paraculata, I'm not talking only about him, I'm talking about the whole youth wave So what happens?
that art also falls because then it's not that you say you make the metaphor, you make the reference, right? Like if one starts the verse, maybe he makes a shitty song, but he starts by saying I was abandoned when I was little, ok, now I have to be quiet. Now you can allow me to say all the shit you want, because anyway if it started like this I have to have respect. No, it's not like that. These are the aspects that make rap a genre for children, because I want to unwind.
Stofaneto is also strong, I feel him nominate, I see him, he has it, he has his own, but I say, if you emulate it, don't expect the results, because behind there is a world that you obviously don't see.
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