In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East.

He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities.

Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.

Ronak K. Kapadia is an interdisciplinary scholar and cultural theorist of race, security, and empire in the late 20th and early 21st century United States.

Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.

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Ronak K. Kapadia, "Insurgent Aesthetics: Security and the Queer Life of the Forever War"(Duke UP, 2019) 49:21 Share

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Ronak K. Kapadia, "Insurgent Aesthetics: Security and the Queer Life of the Forever War"(Duke UP, 2019)