Interviews with Scholars of Art about their New Books Support our show by becoming a premium member!
Pillow of Dreams (Nivedita Lakhera, 2017) is an intensely emotional and inspirational collection of
What can the Weimar Republic teach us about how democracies fail? How could the same vibrancy that g
The Making of a Modern Art World: Institutionalization and Legitimization of Gouhua in Republican S
With the passage of the Secure Fence Act in 2006, the U.S. Congress authorized funding for what has
If you open Dustin Parsons’ new book, you’ll find maps, figures, footprints, a floor plan, silhouett
Most people have heard of the Masters of Fine Arts–“MFA”–degree, but few know about the grueling pro
In Portraits in the Andes: Photography and Agency, 1900-1950 (University of Pittsburgh Press, 2018),
“In Mao’s China, to curate revolution was to make it material.” Denise Y. Ho’s new book explores thi
Queering Contemporary Asian American Art (University of Washington Press, 2017), Laura Kina and Jan
Why is the artist’s voice missing from cultural policy? In Artists’ Voices in Cultural Policy: Caree
Reginald Jackson’s inspiring new book takes a transdisciplinary approach to rethinking how we read,
Leopard print has a long history, as Jo Weldon shares in her new book, Fierce: The History of Leopar
In Quilts and Health (Indiana University Press, 2017), Marsha MacDowell and her colleagues examine t
Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the R
In her latest book, Private Collecting, Exhibitions, and the Shaping of Art History in London: The B
Ari Larissa Heinrich’s new book, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodif
In The Heart of the Mission: Latino Art and Politics in San Francisco (University of Pennsylvania Pr
Michelle C. Wang’s new book Mandalas in the Making: The Visual Culture of Esoteric Buddhism at Dunhu
How can art change the world? In Performance Action: The Politics of Art Activism (Routledge, 2018),
In her new book, Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Perfor