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cover of episode I. Augustus Durham, "Stay Black and Die: On Melancholy and Genius" (Duke UP, 2023)

I. Augustus Durham, "Stay Black and Die: On Melancholy and Genius" (Duke UP, 2023)

2025/1/2
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I. Augustus Durham
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Darius Carter: 介绍了I. Augustus Durham及其新书《Stay Black and Die: On Melancholy and Genius》。本书探讨了黑人文化、文学和媒体中忧郁症与天才的关系,并分析了多位黑人文化人物的生平和作品。 I. Augustus Durham: 作者介绍了自己的背景,并详细阐述了本书的创作历程。他童年时期母亲说的一句话“stay black and die”激发了他对黑人文化中忧郁症和天才之间关系的研究。他认为,黑人男性作者的忧郁症往往与他们与母亲的关系有关,而这种忧郁症也可能成为他们天才的催化剂。本书分析了弗雷德里克·道格拉斯、拉尔夫·埃里森、马文·盖伊、奥克塔维亚·巴特勒和肯德里克·拉马尔五位人物,探讨黑人文化实践和美学如何揭示失去的母亲形象,以及忧郁症如何促成天才。 I. Augustus Durham: 作者详细解释了书中如何将布鲁斯、黑人身份和忧郁症这三个概念与天才联系起来讨论。他借鉴了弗洛伊德的忧郁症理论,并试图通过布鲁斯的视角重新解读该理论。他认为,黑人文化中,天才的产生往往与忧郁症和对母亲的复杂情感有关。他指出,黑人男性天才的塑造往往伴随着对女性的忽视和贬低。作者还探讨了在对天才的理解上,应该超越传统的宏大叙事,关注那些日常生活中体现的细微之处。 I. Augustus Durham: 作者详细阐述了书中对拉尔夫·埃里森的分析。他将埃里森的作品解读为一种旅行记录,探讨了他生命中女性对他的天才的影响。他分析了埃里森作品中女性形象的象征意义,以及声音和空间在他作品中的作用。他认为,埃里森作品中对女性形象的刻画,体现了他对母亲和女性的复杂情感,以及这些情感对他天才创作的影响。 I. Augustus Durham: 作者解释了书中对马文·盖伊的分析。他探讨了马文·盖伊作品中男性气质的表演,以及这种表演所带来的困境。他认为,马文·盖伊的音乐中体现了他对男性气质和女性气质的复杂理解,以及他对自身身份认同的探索。他分析了马文·盖伊的音乐作品,以及他个人生活中的悲剧性事件,探讨了这些因素对他音乐创作的影响。 I. Augustus Durham: 作者解释了书中对奥克塔维亚·巴特勒的短篇小说《血子》的分析。他探讨了该小说中性别和忧郁症与天才的关系,以及该小说对性别理论的贡献。他认为,该小说中对性别角色的颠覆性描写,体现了作者对性别认同和社会规范的批判性思考。 I. Augustus Durham: 作者解释了书中对肯德里克·拉马尔的分析。他探讨了肯德里克·拉马尔作品中母亲形象的意义,以及他作品中对种族和母性的探讨。他认为,肯德里克·拉马尔的音乐作品体现了他对种族身份认同的探索,以及他对母亲和女性的复杂情感。他分析了肯德里克·拉马尔的作品,以及他与德雷克之间的矛盾,探讨了这些因素对他音乐创作的影响。

Deep Dive

Key Insights

What is the central theme of I. Augustus Durham's book 'Stay Black and Die: On Melancholy and Genius'?

The book explores the relationship between melancholy and genius in Black culture, focusing on the role of the Black mother as both a lost object and a found subject in the production of Black masculinist genius. Durham uses psychoanalysis and affect theory to analyze figures like Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia Butler, and Kendrick Lamar, showing how their cultural practices and aesthetics reveal the lost mother through performance.

How did the phrase 'Stay Black and Die' influence Durham's work?

The phrase 'Stay Black and Die,' which Durham's mother often told him as a child, became a central motif in his exploration of melancholy and genius. It resonated with other cultural and literary references, such as Frantz Fanon's 'See Paris and Die' and the biblical 'Curse God and Die,' leading Durham to investigate the connections between these phrases and the themes of loss, motherhood, and genius in Black culture.

Why did Durham choose Frederick Douglass as a key figure in his book?

Frederick Douglass was chosen because of his psychoanalytic engagement with his relationship to his mother, which Durham argues predates the formal emergence of psychoanalysis. Douglass's autobiographies reveal a deep connection to his matrilineage, which Durham sees as a catalyst for his intellectual and cultural genius.

What role does Ralph Ellison's relationship with women play in Durham's analysis?

Durham examines how women in Ralph Ellison's life, such as his piano teacher Miss Hazel Harrison, influenced his genius. Ellison's work, particularly 'Invisible Man,' is read as allegorical of these relationships, with women providing the sound, noise, and maternal figures that shape his artistic and intellectual development.

How does Durham interpret Marvin Gaye's falsetto in the context of masculinity and melancholy?

Durham interprets Marvin Gaye's falsetto as a performance of masculinity that engages with gender trouble. Gaye's use of falsetto, which interpolates Black female vocality, reflects his ambivalence around gender and his struggles with masculinity, particularly in the context of his traumatic relationship with his father.

What is the significance of Octavia Butler's 'Bloodchild' in Durham's book?

Octavia Butler's 'Bloodchild' is significant because it explores themes of gender, melancholy, and genius through the story of a pregnant boy. Durham uses the story to critique the strictness of gender categories and to show how Butler's imaginative act engages with gender trouble before the rise of gender theory in the 1980s and 1990s.

How does Durham connect Kendrick Lamar's work to the themes of melancholy and genius?

Durham connects Kendrick Lamar's work, particularly 'To Pimp a Butterfly,' to the themes of melancholy and genius by examining how Lamar's music and lyrics reflect his relationship with his mother and his struggles with identity. Durham also explores the psychoanalytic elements in Lamar's music videos, such as the mirror phase, to show how Lamar engages with the blues idiom and psychoanalytic thought.

Chapters
This chapter explores the genesis of I. Augustus Durham's book, "Stay Black and Die." It details how a childhood memory, combined with academic explorations of psychoanalysis and affect theory, and chance encounters with literary works, led Durham to focus on the relationship between melancholy, genius, and the black maternal figure.
  • Durham's childhood memory of his mother's phrase, "Stay Black and Die," sparked his interest in melancholy.
  • His PhD exams on "Stay Black and Die," "See Paris and Die," and "Curse God and Die" shaped the book's direction.
  • The focus shifted from black men's relationship with the divine to their relationship with their mothers and how that melancholy might be generative of genius.

Shownotes Transcript

In Stay Black and Die: On Melancholy and Genius)* *(Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.

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