Ancient Christians and their non-Christian contemporaries lived in a world of 'magic.' Sometimes, they used curses as ritual objects to seek justice from gods and other beings; sometimes, they argued against them. Curses, and the writings of those who polemicized against curses, reveal the complexity of ancient Mediterranean religions, in which materiality, poetics, song, incantation, and glossolalia were used as technologies of power.

Laura Nasrallah's book Ancient Christians and the Power of Curses: Magic, Aesthetics, and Justice (Cambridge UP, 2023) reframes the field of religion, the study of the Roman imperial period, and the investigation of the New Testament and ancient Christianity. Her approach eschews disciplinary aesthetics that privilege the literature and archaeological remains of elites, and that defines curses as magical materials, separable from religious ritual. Moreover, Nasrallah's imaginative use of art and 'research creations' of contemporary Black painters, sculptors, and poets offer insights for understanding how ancient ritual materials embedded into art work intervene into the present moment and critique injustice.

New Books in Late Antiquity is presented Ancient Jew Review

Laura Salah Nasrallah is Buckingham Professor of New Testament Criticism and Interpretation.

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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Laura Salah Nasrallah, "Ancient Christians and the Power of Curses: Magic, Aesthetics, and Justice" (Cambridge UP, 2023) 01:06:28 Share

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Laura Salah Nasrallah, "Ancient Christians and the Power of Curses: Magic, Aesthetics, and Justice" (Cambridge UP, 2023)