The film was initially conceived with a different title, 'The Curse of the Allen Bees,' but was changed to 'She-Wolf of London' during post-production to capitalize on the werewolf theme Universal had previously used successfully.
The film was shot in just 12 days, with the director, Jean Yarbrough, stretching the original nine-day schedule to complete the 61-minute runtime.
Universal included 'She-Wolf of London' in the series despite its lack of direct connection to the werewolf franchise, likely as a way to fill out the collection with a horror film from their catalog.
The primary criticism was the bait-and-switch tactic of advertising a werewolf film without delivering any actual werewolf content, leaving the audience disappointed.
The film was directed by Jean Yarbrough, a prolific director known for making B-movies, particularly comedies like those featuring Abbott and Costello and the Bowery Boys.
The film has a runtime of 61 minutes, which the hosts noted was unusually short for a movie, even by 1940s standards.
The twist revealed that the aunt, Martha, was the real murderer, not the she-wolf, and she had been framing her niece, Phyllis, to maintain her lifestyle in the Allenby mansion.
The hosts compared 'She-Wolf of London' to 'Troll 2' because both films promised a specific monster (werewolf/trolls) but failed to deliver it, resulting in a disappointing experience for the audience.
The Allenby curse was a plot device used to create tension, but it was never fully explained or connected to any previous werewolf lore, making it feel like an arbitrary addition to the story.
The hosts were highly critical of the lack of werewolf content, stating that the film failed to deliver on its promise of a werewolf movie, which was the main draw for fans of the genre.
Bitch Pleas
June Lockhart begs for her family curse not to be true after dogs, acting like her future co-star Lassie, sniff out her secret identity as the She-Wolf of London. Could the wholesome TV actress really be following in the footsteps of 1935 British werewolf Henry Hull and sneaking out to slash throats in the neighboring park? Or is director Jean Yarbrough gaslighting the audience by teasing a Universal Monster that never emerges from the fog? No need to call Scotland Yard. Arnie, Jakob, and Stuart are on the case to find the screen’s first Wolf Woman. Listen Now!