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cover of episode Madeleine Thien's new novel 'The Book of Records' is a story that traverses centuries

Madeleine Thien's new novel 'The Book of Records' is a story that traverses centuries

2025/6/9
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NPR's Book of the Day

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Andrew Limbaugh: 我认为选择书籍是一个严肃的问题,特别是当考虑到哪些书籍能够持续地为我们的思维提供养分时。哪些书籍蕴含着足够的能量,能够长时间地滋养我们的思想?Madeline Thien的新小说《记录之书》正是认真地对待了这个问题,探讨了在面对困境时,我们应该选择哪些书籍来陪伴我们。 Madeline Thien: 我认为将小说背景设置在一个非自然的、不同世纪可能交汇的地方非常重要。我选择了汉娜·阿伦特、巴鲁克·斯宾诺莎和杜甫这三位思想家,因为他们是我长期相处的对象,他们的思想已经深深地扎根于我。我希望能够面对这些思想的意义,以及我所学到和继承的东西。这三位来自不同世纪的思想家都面临着威权主义、背叛和社会崩溃,但他们仍然努力保持对世界的爱。我认为在面对这一切时,保持对世界的爱几乎是一种必需品,因为这个世界是我们唯一的家。为了保护我们最珍视的东西,我们必须首先爱这个世界,然后才能知道如何生存下去。在写作这本书的九年里,它教会了我如何以不同的方式看待世界,并带给我另一种对跨越时空的世界的爱。我从这三部作品中认识到,道德并非一种固定的存在状态,而在于选择。在每一个时刻,我们都可以做出选择。

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The episode starts by posing the classic desert island book question, introducing Madeleine Thien's new novel, 'The Book of Records,' which takes this question seriously. The novel centers around a father and daughter's journey and the three books they carry.
  • Desert island book question
  • Introduction of Madeleine Thien's 'The Book of Records'
  • Three books as a central theme

Shownotes Transcript

Translations:
中文

Hey, it's Empire's Book of the Day. I'm Andrew Limbaugh. You know that question, which books would you take with you if you were stranded on a desert island? You can interpret that as, oh, what are your favorite books? Or you can interpret it as what books have the most to give? What books have enough juice in them that they can continue to feed your thinking mind for days on end?

Author Madeline Thien's new novel, The Book of Records, takes this question very seriously. In it, a father picks up three books before embarking with his daughter on a long journey, and they are books that Thien herself has spent years reading and wrestling with. She talks to NPR's R. Shapiro about what she inherited from these writers. That's ahead.

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The new novel, The Book of Records, begins when a seven-year-old girl named Lena arrives with her father in a place called the CSEA. It's buildings that are a way station for people who are fleeing one place and trying to make a home elsewhere.

And usually people just stay there for a day or two, enough to touch land, and then begin their journey again. Author Madeline Tien told me she wanted to set her novel in a place that is not a natural home, somewhere different centuries might converge. Three historical figures eventually enter the story. They come from different places and different eras. There were many, many people I hoped would come and accompany Lena and her father here.

Her father only takes three books off the shelf. They have to leave in a hurry. He grabs three books that he tells her looked like the most unread, the ones that might withstand a thousand readings, something that maybe she would be able to live within for a longer amount of time. And they happen to be these three.

Hannah Arendt, Baruch Spinoza, and the Chinese poet Du Fu, all from different centuries. And I chose them because they were thinkers I had lived with for a long time.

who had taken root in me and probably their ideas had flowed through me in ways I could see and couldn't see. And I know when I wrote it, I wanted to face what those ideas meant or what I thought, what I believed I had learned or what I believed I had inherited in some sense. These three people from different centuries each faced authoritarianism, betrayal, societal collapse,

And I've heard you say that all three of them still tried to hold on to love for the world. What do you think the secret is to holding on to love for the world in the face of all of that? I almost think it's a necessity. You know, there's a famous Hannah Arendt line, you know, why is it so hard to love this world? But this world is also our only home, our deepest belonging. And so to face what we are within it, what it gives us, what it brings us,

how it shapes us. I think all three understood that if they were going to preserve what was most dear to them, to hold everything dear, they had to love it first before knowing how to survive it as well. Does that come naturally to you? Or is one of the reasons you turn to these writers and thinkers so often is that they have been able to do something you struggle to do? I think you've named it, yes. Yes.

I think that is the gift they gave me. In the nine years of writing this book, it really taught me how to perceive differently. And it was demanding in terms of the thinking that went into it and the grappling with their ideas, their work, their philosophies, their questions, and also where they hit contradictions. There was a gift of thinking with them that also brought me to another kind of love of

our world across time. As you mentioned, you spent almost a decade writing this book, and the world has changed a lot in that decade. One way it's changed is that authoritarian governments around the world have gained power. Democracy has receded. And so as you wrote these stories of people who lived in eras of history where that was the case, where authoritarianism was on the rise, what did you learn about the world that we're living in right now?

You know, Spinoza's most famous work is Ethics, the Ethics, this sort of exploration of the consequences of consequences about human freedom and free will and perhaps some of the illusions of those things, but also what it means to have a moral life, what it means to choose, what it means to observe, how we respond to things. And I think what I carried from these three works

is not that there is a moral person. It's never a fixed state of being. It's about choices, and everyone has a choice at every moment to speak, to not speak, to protect another, to look away, to hold something dear, to not hold things dear. And I think that's what they gave me is the recognition that at every moment there is a choice to be made.

Madeline Thien's new novel is The Book of Records. Thank you so much. Thank you. Thank you so much. Thank you.

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