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Unlocking the Secrets of Color: Robert Gamblin and Scott Gellatly Answer Your Questions

2024/10/31

Savvy Painter Podcast with Antrese Wood

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Unlocking the Secrets of Color: Robert Gamblin and Scott Gellatly Answer Your Questions

Savvy Painter Podcast with Antrese Wood

Why do modern oil paints have more pigments than older ones?

Gamblin’s guide to color imaging and the emotional content of color

Are there paints that artists often misuse (aside from whites)?

How do modern pigments differ from mineral pigments?

Comparing Gamblin’s color palette to Rembrandt’s and the intention behind Alizarin Crimson Permanent

What are lake colors and hues, and which ones does Gamblin feature?

How do student grade paints differ from artist grade paints?

What is the best way to prevent dead spots/sinking in on your paintings?

Gamblin’s plans for skin tone colors and the concern over representation in the art world for artists of color

Mixed colors as shortcuts: Common mistakes to avoid and when to move away from student grade color

The different characteristics of Gamblin’s black oil colors

What are the best paints to use for plein air painting?

Looking at the relationship between pigments when creating a color palette

Scott reveals his ‘secret weapon’ colors

How Robert produced his beautiful series of large iceberg paintings during his Greenland trip

How to have a good white for glazing and whether some Torrit Grey colors are made by Gamblin in actual color

The difference between transparent earth colors and ochres, umbres, and siennas

Three reasons why cadmium and cobalt colors are so expensive and why they’re worth it

Why does Scott use Transparent Earth Red for his underpaintings?

Shownotes Transcript

Unlocking the Secrets of Color: Robert Gamblin and Scott Gellatly Answer Your Questions 01:26:33 Share

Savvy Painter Podcast with Antrese Wood

Why do modern oil paints have more pigments than older ones?

Gamblin’s guide to color imaging and the emotional content of color

Are there paints that artists often misuse (aside from whites)?

How do modern pigments differ from mineral pigments?

Comparing Gamblin’s color palette to Rembrandt’s and the intention behind Alizarin Crimson Permanent

What are lake colors and hues, and which ones does Gamblin feature?

How do student grade paints differ from artist grade paints?

What is the best way to prevent dead spots/sinking in on your paintings?

Gamblin’s plans for skin tone colors and the concern over representation in the art world for artists of color

Mixed colors as shortcuts: Common mistakes to avoid and when to move away from student grade color

The different characteristics of Gamblin’s black oil colors

What are the best paints to use for plein air painting?

Looking at the relationship between pigments when creating a color palette

Scott reveals his ‘secret weapon’ colors

How Robert produced his beautiful series of large iceberg paintings during his Greenland trip

How to have a good white for glazing and whether some Torrit Grey colors are made by Gamblin in actual color

The difference between transparent earth colors and ochres, umbres, and siennas

Three reasons why cadmium and cobalt colors are so expensive and why they’re worth it

Why does Scott use Transparent Earth Red for his underpaintings?

Shownotes Transcript

Unlocking the Secrets of Color: Robert Gamblin and Scott Gellatly Answer Your Questions