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cover of episode 662 - 20 Questions (2024 Edition)

662 - 20 Questions (2024 Edition)

2024/10/22
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Scriptnotes Podcast

AI Deep Dive AI Insights AI Chapters Transcript
People
C
Craig Mazin
D
Drew Marquardt
J
John August
Topics
John August: 奥斯汀电影节半决赛入围是一个好机会,但重点在于与其他电影人交流学习,而非寻求专业人士的直接帮助。不要试图打扰专业人士,他们通常无法直接帮助你,但你可以通过交流结识其他电影人,拓展人脉。准备好简洁地介绍你的作品,并与感兴趣的人交流。 Craig Mazin: 奥斯汀电影节是电影人互相交流学习的好机会,专业人士通常无法直接帮助你,但你可以通过交流结识其他电影人,拓展人脉。准备好简洁地介绍你的作品,并与感兴趣的人交流。 Drew Marquardt: 获得艾美奖获奖剧组荣誉证书的人,应该坦诚地解释自己并未亲自获奖,避免夸大自己的贡献。

Deep Dive

Key Insights

How can a semifinalist at the Austin Film Festival capitalize on the opportunity without annoying professionals?

Focus on networking with other writers and attending panels. Be prepared to discuss your script and send it to interested managers or producers. The festival is about building connections, not expecting immediate career breakthroughs.

How should someone handle well-wishes for an Emmy win they didn't personally earn?

Clarify that the show won the Emmy, not you personally. It's okay to acknowledge the accomplishment without claiming personal credit. If your family keeps misrepresenting it, gently ask them to stop.

Would an AI like Data from Star Trek be eligible to join the WGA if it existed?

Currently, no. The WGA only recognizes human writers, and AI-generated material isn't considered literary. However, if conscious AI beings emerge, society may need to adjust its policies, including those of the WGA.

Is it plagiarism for a Broadway play to fictionalize a real-life story without using the original names?

It depends on how closely the fictionalized version mirrors the original. If the play uses unique details or expressions from the memoir, it could be considered copyright infringement. However, general facts can't be copyrighted.

Is it acceptable to include illustrations or graphics on a script cover page?

Yes, if it's cool and relevant. The default is a simple title page, but creative additions can be fine. Ultimately, the quality of the script's content matters more than the cover page.

Should a writer collaborate closely with the creator of the source material for an adaptation?

It depends on the creator and the project. Some creators are flexible and understand the need for adaptation, while others may resist changes. If the creator is overly controlling or doesn't understand the medium, it may be better to maintain distance.

Are writers' retreats beneficial for screenwriters, or are they just expensive vacations?

Writers' retreats can be helpful for some, especially if they provide a focused environment. However, many are overpriced and don't offer much value for screenwriters. Networking and writing groups in your local area can often serve the same purpose.

Should a writer send shorter samples or full-length scripts when applying for TV writing jobs?

Send full-length scripts that match the show's episode length. Showrunners are more interested in your ability to structure a complete episode and maintain tone throughout. Shorter samples may not fully demonstrate your skills.

What should a writer do if they discover their public domain material is still under copyright?

You can still submit the script to contests and managers. If the material is later produced, the legal issues can be resolved then. Writers can't make money off unlicensed material, but they can still get hired for other projects.

How should a writer handle vague or unhelpful notes from their manager?

Fire your manager. If they aren't fully engaged or providing meaningful feedback, they're not serving your career. It's better to find a manager who is committed to your success.

Chapters
Advice for navigating a film festival as a semifinalist. Focus on networking with other attendees, attending panels, and preparing a concise pitch for your script. Avoid expecting immediate career breakthroughs.
  • Attend Austin Film Festival to network and learn.
  • Prepare a concise script pitch for potential contacts.
  • Don't expect immediate career-changing opportunities.

Shownotes Transcript

John and Craig answer twenty listener questions on craft, career, and the future of the industry.

Questions include: How do you correct well wishes you haven’t earned? What kind of relationship should you have with the person who created your source material? How do you keep your reps invested? What’s going on with that Stereophonic lawsuit? And are writers retreats helpful or a total waste of time?

In our bonus segment for premium members, John and Craig celebrate the new D&D Player’s Handbook by looking back through every edition since 1978. Like the handbook, it gets less dense as it goes.

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You can download the episode here).