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cover of episode 685 - Page and Stage with Leslye Headland

685 - Page and Stage with Leslye Headland

2025/5/6
logo of podcast Scriptnotes Podcast

Scriptnotes Podcast

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D
Drew
J
John August
L
Leslye Headland
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John August: 作为一名编剧,我发现舞台剧和电影剧本表面上看起来相似,但实际上存在着巨大的差异。将一种形式成功地转化为另一种形式往往充满了挑战。我想探讨一下这些差异,以及如何克服这些挑战。 Leslye Headland: 我非常同意你的观点。我在电影、戏剧和电视领域都工作过,每个领域都有其独特的规则和系统。我发现,即使你认为自己已经掌握了某种技巧,但在不同的领域中,它的运作方式也会大相径庭。例如,舞台剧的场景描述与电影剧本的场景描述就截然不同。在舞台剧中,你可以使用大量的文字来描述场景,而在电影剧本中,你需要更加简洁明了。

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Shownotes Transcript

John welcomes writer, director and playwright Leslye Headland (The Acolyte, Russian Doll) to ask, why are stage plays so challenging for screenwriters? Using her recent Broadway play Cult of Love, they look at different approaches to scene description, heightened and simultaneous dialogue, and strategies for adapting stage plays to film.

We also chart Leslye’s career from theater kid to auteur filmmaker, her approach to time loops (because how could we not?), and answer listener questions about music cues and long scripts.

In our bonus segment for premium members, John and Leslye compare notes on how to keep up with what’s on stage, and what to do if you missed a production.

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