Sound School Podcast

Headphones are mandatory for this episode of HowSound. Kathy Tu's second radio story ever will set y

Mary Helen Miller encourages station-based producers to "Sneak out the back door with the tape recor

David Schulman usually produces non-narrated stories on music. Recently, he stepped out of his usual

Yowei Shaw amassed 325 pages of transcripts for her This American Life story on Eritrean hostages an

"Hafid is Free" is a solid example of what a story needs when it doesn't have a narrative hook.

A recent episode of "99% Invisible" employed a dramatic recreation to bring the past to life. Produc

Producer Matt Kielty wonders about "objectification" and advancing a career reporting on the sufferi

Capital Public Radio's Catherine Stifter and jesikah maria ross (no caps) are tasked with changing t

New producers Conor Gillies and Zack Ezor get it right, right out of the gate with their documentary

Interviewing traumatized people is no easy task. Zach Hirsch, a radio producer, and Bruce Shapiro, D

Molly Menschel's radio story about a beached whale in Lubec, Maine is so good, you'll be jealous of

Nick van der Kolk on "auteurship" and the incredibly unique sound of the "Love + Radio" podcast.

"Witness to an Execution," another addition to my Top 10 list of radio documentaries. "Witness" was

Lilly Sullivan relates the curious tale of "52 Hertz," the whale who sings at the "wrong" frequency.

Reporter Sasha Aslanian on balanced reporting during Minnesota's gay marriage debate.

Happy Birthday to Teenage Diaries! To mark the occasion and the production of five updated stories,

Headed out to report in a faraway place? Dan Grossman says "Be prepared." Dan shares intriguing soun

Producer Bradley Campbell says story structure is a like a map, it shows you were to go. For this ep

International reporting is an order of magnitude more challenging than local reporting. Producers Sa

If only there was a quadratic equation for ethics, right? Plug in the variables and the equation spi