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cover of episode Dead or Alive?

Dead or Alive?

2025/1/3
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Spooked

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Aisling
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Aisling: 我在爱尔兰的成长经历中,超自然现象和来世被视为日常的一部分,这影响了我对鬼魂的看法。在我17岁时,我搬进了一栋以前是神父住的房子,在那儿我经历了持续的被注视感和一种不适感。有一天晚上,我看到一个穿着白色印有橙色和棕色花朵的浴袍的女人,她没有头,后来她消失了。我母亲告诉我,这个女人以前住在这栋房子里,死于脑动脉瘤。我开始思考鬼魂的本质,以及为什么她会出现在我面前,这可能与我们作为单身女性的共同点有关。 几年后,我和伴侣搬进了约翰·休伊特故居,一个著名的爱尔兰诗人曾经住过的地方。在酒吧里,一个陌生人告诉我这房子闹鬼,我感到不安。之后,我们经历了一些奇怪的现象,例如水龙头自动打开,橱柜门自行打开,闻到烟味,甚至听到有人在唱诗人的歌。一位约翰·休伊特的朋友证实了这些说法,并说他经常在壁炉前唱歌。这栋房子的经历与我之前住的房子截然不同,这可能与我当时的生活状态有关。 我的妹妹在我搬进约翰·休伊特故居的那天晚上睡在我家,她做噩梦并看到一个穿着蓝色长袍的小男孩从阁楼上的小橱柜里爬出来。我后来在阁楼里发现了一个装满儿童物品的袋子,其中有一张小男孩穿着彩色长袍的照片,这与我妹妹看到的男孩一模一样。我们后来遇到了这个小男孩的母亲,证实了小男孩的存在。这让我意识到,看到人形并不一定意味着是死者的灵魂,也可能是其他无法解释的现象。我享受这种无法解释的刺激感。 Aisling's mother: 我认识Aisling看到的那个女人,她以前住在那栋房子里,死于脑动脉瘤,她经常穿一件白色印有橙色和棕色花朵的浴袍。 Aisling's sister: 我在Aisling新家的阁楼里看到一个穿着蓝色长袍,脸上有闪光的小男孩,他看起来很不高兴。 John Hewitt's friend: 我和John Hewitt经常在这间屋子里待在一起,他经常在壁炉前唱歌。 unnamed man in pub: 我见过John Hewitt的鬼魂,他是一个好人,但他不知道自己已经死了。

Deep Dive

Key Insights

What is unique about Aisling's experience with ghosts compared to traditional ghost stories?

Aisling's experiences challenge the traditional notion that ghosts are only the spirits of the dead. She encounters both a deceased woman and a living boy who appears as a ghostly figure, suggesting that the living can also leave a lingering presence or attachment to a place.

What did Aisling see in her first haunted house, and how did her mother explain it?

Aisling saw a headless woman in a housecoat with orange and brown flowers standing in the corner of her room. Her mother identified the figure as a woman who had lived in the house before it became a priest's residence. The woman had died of a brain aneurysm on the front porch of the house.

What strange occurrences happened in the John Hewitt house?

In the John Hewitt house, taps would turn on by themselves, cabinet doors would open, and the front doors would fly open unexpectedly. The smell of pipe smoke was also frequently detected, despite no one in the house smoking. Additionally, Aisling and her musical director heard a man singing 'Working Man' by The Chieftains during a recording session.

What did Aisling's sister experience in the John Hewitt house?

Aisling's sister saw a little boy with glitter on his face, long blonde hair, and dark brown eyes crawl out of a cupboard in the attic. The boy wore a blue robe with multicolored ribbons and asked, 'What are you doing in our house?' This boy matched the description of a child in a photograph Aisling found in the attic.

Why does Aisling believe the living can haunt places?

Aisling believes the living can haunt places because of her encounter with the living boy who appeared as a ghostly figure in the John Hewitt house. She theorizes that strong emotional attachments to a place, whether from the living or the dead, can leave a lingering presence.

What did Aisling learn about the little boy she saw in the John Hewitt house?

Aisling discovered that the little boy she saw was alive and well. He had lived in the house his entire life and was only six years old. His strong attachment to the house likely caused his ghostly appearance, as he was unhappy about no longer living there.

Chapters
Aisling, a young mother, moves into a priest's house and experiences unsettling paranormal activity, culminating in a chilling encounter with a headless figure. Her mother confirms the identity of the apparition as a former resident who died on the porch.
  • Aisling moves into a house that was previously a priest's house.
  • She experiences a sense of being watched and an encounter with a headless woman in a housecoat.
  • Aisling's mother identifies the woman as a former resident who died on the property.
  • The experience leads Aisling to question her beliefs about ghosts and the afterlife.

Shownotes Transcript

As long as we’ve been making Spooked, we have understood that ghosts are the lingering, earthbound spirits of the dead. But our storyteller, Aislinn, is here to prove us wrong: perhaps the living can also haunt us.

Thank you so much, Aislinn Clarke, for sharing your story with Spooked.

Produced by Zoë Ferrigno, original score by Dakim, artwork by Teo Ducot.