Crossbows are frequently associated with wickedness, barbarity, and treachery in modern films with medieval settings. This moral coding stems from historical and cultural biases, where the crossbow was sometimes viewed as a weapon that gave users an unfair advantage, democratizing lethal violence and threatening the idealized form of close combat. This perception is reinforced in films where crossbows are wielded by villains, while swords and traditional bows are reserved for heroes.
The crossbow was a highly effective and accessible weapon in medieval warfare, capable of penetrating armor and shields with its powerful bolts. Despite its utility, it was sometimes vilified by medieval writers and the Catholic Church, which condemned its use against fellow Christians. However, these bans were often ignored, and crossbows remained a staple in military arsenals due to their effectiveness and ease of use.
The Chinese repeating crossbow, such as the Zhuge Nu, featured a top-mounted magazine that allowed for rapid firing of multiple bolts. It could fire 10 bolts in 20 seconds, compared to 3 or 4 bolts per minute with a traditional crossbow. However, this innovation came at the cost of reduced power and range, often necessitating the use of poisoned bolt heads to ensure lethality.
In the Lord of the Rings films, crossbows are exclusively used by the forces of evil, such as the Uruk-hai during the attack on Helm's Deep. This aligns with the broader cinematic trend where crossbows are associated with villainy, while heroes like Legolas use traditional bows, reinforcing the moral dichotomy between the weapons.
Anna Komnena, a Byzantine princess, described the crossbow as a 'diabolical machine' in her work, the Alexiad. She emphasized its destructive power and associated it with the barbarity of Western European crusaders. Her portrayal reflects a broader medieval bias against the crossbow, which was sometimes seen as a weapon of the uncivilized and morally corrupt.
Ancient crossbow designs included various cocking mechanisms, such as the Greek belly bow (gastrophetes), which was loaded by bracing the crossbow against the ground and using the belly to draw the string. Other innovations included the goat foot lever and later mechanisms like the windlass and cranequin, which provided greater mechanical advantage for spanning more powerful crossbows.
The Catholic Church banned the use of crossbows against fellow Christians during the Second Lateran Council in 1139, condemning it as a 'hateful and death-bringing art.' However, this ban was often ignored, and the Church later amended it to allow crossbows in 'just wars.' The ban may have also been an attempt to restrict deadly missile weapons to elites, preventing their use by non-elites.
William Tell, a Swiss folk hero from the 14th century, is renowned for his skill with the crossbow, most famously for shooting an apple off his son's head. He is depicted as an assassin of tyrants, using the crossbow as a tool of resistance against oppression. This contrasts with the typical villainous portrayal of crossbows in medieval films, making him a notable exception in crossbow folklore.
In this classic invention-themed episode of Stuff to Blow Your Mind, Rob and Joe discuss the origins and ingenuity of the crossbow. (originally published 11/16/2023)
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