The Scythians were considered one of the four great peoples of the barbarian world by the Greek historian Ephorus because they were powerful nomadic horsemen who controlled a vast area of the Asian steppe, from the Altai Mountains to the Great Hungarian Plain, and had significant interactions with neighboring civilizations such as the Greeks, Persians, and Chinese.
The Scythians frequently moved westward across the steppe because the steppe environment became more moderate in temperature and wetter as they moved west, leading to lusher grasslands that were more suitable for their pastoral lifestyle and encouraging continuous movement.
The Scythians engaged in extensive trade with the Greeks around the Black Sea because both communities benefited from exchanging goods. The Scythians provided furs, horses, grain, and slaves, while the Greeks offered luxury goods, wine, and craftsmanship, leading to a symbiotic relationship.
The Scythians developed a unique and vibrant art style through interactions with the Greeks and the Urartu, who influenced their goldsmithing and decorative motifs. This art often depicted scenes from Scythian mythology and everyday life, reflecting their cultural and social values.
The Scythians were known for their elaborate burial practices because they believed in an afterlife and buried their chieftains with significant wealth and possessions. These burials often included gold artifacts, weapons, horses, and even human sacrifices, indicating the high status and power of the deceased.
The Scythians had a strong emphasis on hunting because it was a crucial part of their culture and daily life. Hunting provided food and was also a way to demonstrate bravery and skill. Greek accounts describe how Scythians would abandon battles to chase after hares, highlighting the importance of hunting in their society.
The Scythians were adept at making and using poisoned arrows to enhance their effectiveness in battle. They extracted venom from pregnant female snakes, mixed it with blood, and let it ferment. This poison made their arrows more lethal, causing more pain and making it harder for enemies to recover from wounds.
The Scythians practiced elaborate body preservation techniques for their dead to honor and display the deceased, ensuring the successor's legitimacy. They removed internal organs, stuffed the bodies with herbs and straw, and sometimes kept the bodies until the ground thawed in the summer for burial, as described by Herodotus.
The Scythians had a more fluid gender division because their society allowed for greater gender roles overlap. Women could be trained as fighters and were sometimes buried with warrior equipment, while men who took on effeminate roles were often given high status as priests and shamans.
The Scythians had a significant impact on the development of Celtic art through their interactions with the Celts in Eastern Europe. Scythian art, characterized by its animal motifs and intricate designs, influenced Celtic art, leading to the adoption of similar styles and techniques in Celtic artifacts.
Sir Barry Cunliffe has been Professor of European Archaeology at the University of Oxford for 35 years and is a Fellow of the British Academy. In this talk, he discusses his book "The Scythians: Nomad Warriors of the Steppe.”
Brilliant horsemen and great fighters, the Scythians were nomadic horsemen who ranged wide across the grasslands of the Asian steppe from the Altai mountains in the east to the Great Hungarian Plain in the first millennium BCE. Their steppe homeland bordered on a number of sedentary states to the south - the Chinese, the Persians and the Greeks - and there were inevitably numerous interactions between the nomads and their neighbors. The Scythians fought the Persians on a number of occasions, in one battle killing their king and on another occasion driving the invading army of Darius the Great from the steppe. Relations with the Greeks around the shores of the Black Sea were rather different - both communities benefited from trading with each other. This led to the development of a brilliant art style, often depicting scenes from Scythian mythology and everyday life.
It is from the writings of Greeks like the historian Herodotus that we learn of Scythian life: their beliefs, their burial practices, their love of fighting, and their ambivalent attitudes to gender. It is a world that is also brilliantly illuminated by the rich material culture recovered from Scythian burials, from the graves of kings on the Pontic steppe, with their elaborate gold work and vividly coloured fabrics, to the frozen tombs of the Altai mountains, where all the organic material - wooden carvings, carpets, saddles and even tattooed human bodies - is amazingly well preserved. Barry Cunliffe here marshals this vast array of evidence - both archaeological and textual - in a masterful reconstruction of the lost world of the Scythians, allowing them to emerge in all their considerable vigor and splendor for the first time in over two millennia.
Originally published in December of 2019.
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