Deep Dive
Shownotes Transcript
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Welcome to the Daily Stoic Podcast, where each weekday we bring you a meditation inspired by the ancient Stoics, a short passage of ancient wisdom designed to help you find strength and insight here in everyday life. And on Wednesdays, we talk to some of the most important people in the world,
to some of our fellow students of ancient philosophy, well-known and obscure, fascinating and powerful. With them, we discuss the strategies and habits that have helped them become who they are and also to find peace and wisdom in their lives. Hey, it's Ryan. Welcome to another episode of the Daily Stoic Podcast. I was driving my son to school today and he said, Dad, who do you think's dumber on the office? Kevin?
or Michael Scott. We had actually an interesting philosophical discussion about this. So obviously, Kevin is dumber in some ways, but at some level, I think he is aware that he is dumb or not the brightest bulb, his ambition is relatively low, and he's self-conscious. Michael Scott, I said, is quite dumb.
utterly unaware of it. And these are the most dangerous people in the world. These are people who get themselves into trouble because they have no self-awareness. They're so dumb that they're not capable of understanding the profoundness of their stupidity. And he said, yeah, I don't know. But Kevin didn't know that turtle was alive, which is a clip he likes to watch over and over again. And then we watched that one where everyone thought Kevin's dog was dead, but in fact, it was just a good boy who was very lazy.
Why did this come up? Because I made the mistake of telling my son every once in a while about things, how they connect to the office. He was doing an improv class. I told him about Michael Scott kicking the door open and going, freeze, open up FBI. I told him about the waking up to the smell of bacon. I told him about many office clips. And then he asked to watch some and we watched some. We watched the fire drill episode and the CPR episode and all these things. And then I said, you know, I've had someone from the office on the podcast. And he goes, really? Who? And I go, Dwight.
And he thought that was cool. And then I said, and you know who's coming on in a couple of weeks? He said, no, who? And I said, Andy Bernard, the Nard Dog.
And he goes, what? And it's true. Andy Bernard is this week's guest on the podcast, the one and only Ed Helms. I did not know Ed. I do remember Samantha and I were on a date in Los Angeles once at Takami, that sushi restaurant in downtown LA. It's like on the 40th floor of one of the tall buildings downtown. And he was there. Wow, this is what it's like living in LA. Because I was a huge Office fan and remain a huge Office fan.
Like the Stoics, you shouldn't read the Stoics. You should be reading the Stoics. The Office, like Seinfeld, is not a show you have watched, but a show you are watching and continue to watch because it's one of the greatest television shows of all time. And actually, when I was in Hawaii a couple of weeks ago, I was doing a talk. Time difference is crazy, but my wife just texted me. She goes, you've ruined these children. What have you done? And I go, what? What? What did I do? And she goes, your son is demanding that I show him a funny clip from The Office before he'll go to sleep.
So that was me. That is on me. I'd been showing him the clips and we'd been laughing and sort of it's a thing he knows you can ask for to extend bedtime a few seconds.
And it was funny because then later I saw my parents, they'd come to the talk that I was doing and my dad was telling me about this thing he had from the doctors and he goes, it was like that episode of Seinfeld where they try to get the doctor to remove that stuff from the chart. And we both knew what we were talking about. And that just hit me like, hey, my son and I are forging that right now, which is what great television can do with the stoics have watched The Office.
or television. I don't know. I don't really care. I like it. I think it's funny. And Ed Helms came out actually a huge history buff. He was in town for South by Southwest because he was launching a new season of his podcast, Snafu, and a book that he did, Snafu, The Definitive Guide to History's Greatest Screw-Ups. And not only did we nerd out about some crazy historical figures and historical stories, but
but he was very nice and clearly had done some research before him because he brought up this idea of a more Fonty. And we had a nice discussion about that. It was one of my favorite episodes that we have done in some time. I always love being able to point out to my kids when they like something or I do something that interacts with something they like, not just the office, but I said to say, you know, he's in the captain underpants movie too. He's also in the Lorax and a monsters versus aliens. Uh,
And of course, famously in the Hangover movies. And he told a great story about the Hangover, which I was not expecting. It was a fantastic episode. I am, of course, a huge fan. If you haven't read the oral history of The Office, I loved that book, too.
And, you know, you've seen some office mentions here or there in the Daily Stoic over the years. When I had Rainn Wilson on, I referenced something from The Office and he actually didn't get it at first. And then he was like, oh, of course, of course, you're a person who likes The Office. Like you could just see in how I look that I was an office person, which sounds about right. You should grab a copy of Snafu, The Definitive Guide to History's Greatest Screw-Ups. You should listen to the Snafu podcast.
Season three just launched. It's about these detectives trying to uncover a mass wave of poisonings that killed thousands of people during Prohibition. I love weird stories like that, and it's a great podcast. And you can follow Ed on Instagram and on Twitter at Ed Helms. All this is to say, I'll get into it with Ed Helms. Enjoy. Enjoy.
This is so cool. Yeah? I've been seeing more like sculptural book decor. Huh. My buddy has a general store in Massachusetts that also has a book corner. Really? He's an author, actually. He wrote a beautiful book called The History of Sound. It's a book of short stories. Yeah.
Ben Shattuck is his name. Married to Jenny Slate, who also wrote some fabulous books. And Marcel the Shell. Of course. Which we're huge fans of in our house. So Ben built this little entry to the book nook of the store by making like a rebar arch. Yes. And then drilling holes in like a couple hundred books and threading them on the arch. And it's this...
It's this like little storybook. I had that exact same idea. It works. Have you been next door? No. So we have a bookstore next door. Okay, great. The chimney is this. Yeah. And the ceiling's maybe like 23 feet tall. So it's like this giant thing. But I like that because if you've been to the last bookstore in downtown LA,
No. It's a great bookstore in one of these big old buildings. Okay. And you walk up the stairs and they did that arch, but it's over like the top of the stairs. So it looks like you're coming through like a book tunnel. This is from, there's this company called Books by the Foot.
And they sell them for like things like this or movie sets or rich people's houses. Yeah, of course. I want to pretend that. Yeah. And you can also buy them by color. Yes. For like interior designers are like, I want a rainbow bookshelf. But doesn't that sort of break your heart a little bit? Because it's like, it's very great Gatsby. It's like, it has nothing to do with the book itself. That's a very good reference. Yeah. Right. Like he never, what did he say? The pages are all uncut in his library because he's,
no one's ever read a book in the great Gatsby's library. Yes. Cause he thought, but smart people have books, books, right? Yes. And that's what he reduced them to decoration, which is in a way what books by the foot. Yeah.
But you know what? It's a good aesthetic. Well, yes. I think if you're buying it to impress people, that's a problem. If you're buying it because I'm not going to destroy my books this way. None of these come out. These are all glued and nailed in there. So like, I'm not going to destroy books that I, like people go, how do you get them out? And I was like, I don't, these are not my books. But that's funny. One of my favorite lines of The Office is there, it's the date Mike won. And she goes, have you read Lee Iacocca's biography? And he goes, read it. I own it.
Like that's the more important statement. Not like I've read it. But yeah, that scene in the Gatsby library is hilarious. It's the guy with the glasses, right? I think. And he walks in there and he's just, oh man. You know, you ever see like a deckle edge book? Have you heard that? When it's rough. Yeah. That's because the pages are cut. That's supposed to look like, that's what that's mimicking. Right, right. I should have done snafu and deckle edge. I have asked about that before.
You know, you can get anything you want in a book. They'll just be like, you know, it comes out of your royalties. Yeah, yeah, yeah, yeah. You're like, I want all color photos on every page like this. And they're like, we can get that for you. But you understand we don't do that for a reason. Do you want any remuneration for this product? You know, this book will be $90. Yeah.
You're so right. I mean, this is my first book, but going through the kind of like reduction of options and it's like, oh yeah, we want like, like three color illustrations and, and like that changes the calculus that much, then, then forget it. Let's do, it's just like, you're just sort of reducing more and more, but actually I'm super proud of where we wound up because the, the, the visuals and
and you have advanced. - Yeah, I know. - So you don't have the final visuals in there, but it's just some really cool,
and kind of cheeky, like collage art in there. Well, the hard part about doing your first book is usually you're someone who loves books. So you have a lot of fit. Like you, you are bringing to this book, everything you've ever liked about any book you've ever read. And then you're like, I'd like all this. No, like that's pick a few of those. It's why, it's why oftentimes first time directors movies are,
are overkill. Yeah. A little much. Yes. Like, yeah, there's too many camera moves. The lighting's too dramatic. It's like, it's just because it's everything you always wanted to do. Yes. Well, there's a book over there, but Seth Godin wrote this book called Meatball Sunday. And that's what he's describing. The idea of like, you have this ice cream sundae, like you add too many things onto something and at some point it becomes disgusting. Yeah.
I don't know. Meatball sundae? It does sound kind of like a Ben & Jerry's flavor. I could get behind that.
Well, I thought the book was fascinating and it brings up something that I think about all the time, which is that like history is fucking terrifying. Yeah. I think the more you read history, like it doesn't calm you down. Often you go, how are any of us alive? Interesting. I tried to head that off in the introduction. Yeah. Because I think of history, but in particular, the sort of like study of disasters or, or just like human folly, um,
It's weirdly, there's this kind of uplifting aftertaste to it, which is the one thing they all have in common is that we got through them.
Yeah. Like we're still here. And to me, that's a nice meditation during difficult times. It's like the parable of the Turkey. Do you know that? No, I don't. Like it's good until one day is Thanksgiving. Like, it's like, Hey, if today was fine, today was fine. Like at some point, that's such a basic parable. The parable of the Turkey is good until it's the day that everybody eats you. Yeah. And then it's not good. Yeah. It's just not good. I still think that
I mean, I bring it to this moment, I feel like, in where we're in what feels like this moment of unprecedented division and rancor and outrage. And people are saying, look at how unprofessional the White House is being managed right now. There's just so much outrage in both directions from all sides. Yes.
And you don't have to look back very far, especially in world history, but even in American history, to be like, oh, yeah, this is- It's very precedent. This is par for the course. Yeah. This is how we do it. This is what we do. Yeah.
You move through these like really difficult moments and it always feels insurmountable. Sure. And that's where I think the reassurance kicks in where it's like everyone in some of these situations. I mean, this, the book has, has snafus of all different scales, but even the big ones, like the existential ones or, or in my, in the podcast snafu, the first, the first season, it's like, it's about nuclear Holocaust. Yeah. And, and,
I don't know. There's just something like...
We get through it. You study history and it calms you down because you're like, we've been through things like this before. And then it also makes me terrified because you're like, we've been through things like this before. We keep doing this. No, I just mean you realize how bad it can... When people mess with certain things, how bad it can get very quickly. Do you know what I mean? When you play with certain human forces or you don't take care of certain things...
you can descend into chaos very quickly. And there's real consequences for incompetence and malice and secrecy and corruption. It has real consequences for real people. So I think when you study history, you go, okay, history has basically always been awful snafus happening. That's what's so funny about that situation. The premise is that it's always fucked up. Yeah. Yeah.
And so that's what gives you perspective, but then it also reminds you of the stakes, which is that like when people do something they shouldn't do or a president does this or world leaders do that or a company does this, like...
People die or, you know, like you're measuring the consequences of the mistakes usually in human life. And then the fact about history repeating becomes kind of sad and tragic in that sense. I'm trying to put some positive topspin on this. You're dragging me down. Come on, right? Yeah.
No, I still cling to and maybe it's a sort of desperation on my part, but I I genuinely I find it sort of therapeutic to to to visit these moments kind of revel in the all of the.
Yeah.
But it is, it's just like, we just persevere. There's something human about that. Well, history is not- There's something optimistic about that. Yeah, I think history is not fun to live through necessarily, right? And so it's kind of always been thus. And there's-
Like, those people's lives are okay. You know, like, I don't think it's mutually exclusive. I think that's kind of the premise. Like, I've said this before, but people forget Churchill was a historian. That's like how he made his living is he wrote books about history. And there's this letter he writes to his publisher right as World War II is breaking out. And he's like, I'm just going to put a thousand years between me and this moment. Like, he's just, he's like, I'm going to go to my books and chill out for a minute. Mm-hmm.
And that's, that didn't make World War II less bad. Like, I think, sure, that's what I mean. I'm sure he had this, this sense of like, hey, I'm going to escape and look at the history for a second. And then it's, this is also going to give me a sense of foreboding of how bad
Things can get. So I think that's, to me, what the study of history gives you is both comic relief and perspective, but then also like, let's try to get this right, because if we get it wrong, it's real bad for people. Yeah. And you're right. I mean, the scale of human suffering throughout history is so overwhelming. Yeah.
that it, that can be a spiral of despair, but that's where stoicism kicks in. And that's where there's so many of your, of your lessons to be applied here. Well, one of my favorite ones is like the Soviets didn't believe in evolution. So like they, their crops couldn't get any better because they like refused to accept the premise that like you could genetically modify and selectively breed for things. And so like, that's like,
insane and silly, but then also like millions of people died because of famines and stuff as a result of it. Good God. Those don't seem like mutually exclusive ideas necessarily. Oh, the evolution. Yeah. Whether you can, that you can sort of like make immediate adaptations of
It's different from a scale of evolution. Yeah, but they're just rejecting the premise of like sort of even I think like to me, the metaphor is that when you have an ideology or a doctrine that blinds you to a set of obvious facts in front of you, which is like one of the themes of history is just the triumph of like preconceived notions over what
one overwhelming piece of evidence over overwhelming piece of evidence. History's full of that. Daily Stoic is brought to you by Progressive Insurance. Do you ever find yourself playing the budgeting game, shifting a little money here, a little there, and hoping it all works out? Well, with the Name Your Price tool from Progressive, you can be a better budgeter and potentially lower your insurance bill too. You tell Progressive what you want to pay for car insurance, and they'll help you find options within your budget.
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Are there any episodes that jumped out at you? Well, the Carter one I find fascinating because he's like one of my favorite presidents. And the idea, like he has this reputation of being this kind of like dolt or loser or weirdo. And it's like he's a nuclear physicist who also like single-handedly, like in a moment of great heroism, like...
saved potentially a lot of people from a nuclear disaster. And then we're just like, oh, he looks so dumb in those sweaters or whatever. Like he said he had lust in his heart. Like the things that we, like that's the other thing about history is our almost impressive ability to learn the wrong thing or to focus on the wrong narrative from a thing. Or reduce it to something completely irrelevant and ridiculous. Yeah, just so listeners know this, the episode you're talking about
or the story from the chapter you're talking about is when Jimmy Carter was, I think, 28 years old, worked in the Navy nuclear sub. I forget his title, but he was high ranking in nuclear subs and
And he was called upon to address a meltdown happening in Ottawa. There was the first nuclear power plant meltdown in history. They couldn't be at the core of this meltdown for more than 90 seconds at a time. It's a mission impossible. Yeah, totally. So they built this duplicate of the core.
Which they then trained all of the specific actions that they had to do. And so they could jump in and do this thing for 90 seconds and then jump out and then just keep going and keep going until this reactor was fixed. Yeah. And it's insanely heroic. Like the danger, the pressure of something like that is crazy. And you're right. It is so...
Just completely diametrically opposed to all of our popular perceptions of Jimmy Carter is just this like goober. Yeah. Like he's literally like from the peanut state. Yeah. My home state. And I love Jimmy Carter because he's like a Georgia boy. And it's also one of the greatest human beings that ever, you know, like just a decent human being. Yeah. You're right. But now, but you read this, you're like, oh, that man was...
He had grit. Yes. That man was courageous and leadership too, which I think a lot of people fault his president. That's where people are like, he was just kind of a dinky president. He didn't have that strong hand, but he, man, you look back, it's in there. I would say among the stories of the books, that is one of the few that gives me what you were saying, which is the hope. We got through this. He was not responsible for the fuck up in any way. He was the one that helped save it. Yeah. Right. And you...
And usually we don't get such a nice clear, like, and that's one of the ones we don't know about it because it didn't end badly. Yeah. Like it. No, you're right. So we're not like that. That doesn't keep anyone up at night because it was a near miss. Yeah. That's actually a wild, that's an incredibly important point that you're making. There's so many things that when you just start to scratch the surface of history and dig deeper, we have forgotten about history.
you know, I mean about so many things, a lot, I think a lot of things in this book will be new to people. The podcast, we go into one of the most insane events of the eighties, which was this NATO military exercise, Abel Archer in 1983. And nobody that was actually classified until just a few years ago. So that's, that's why nobody knows about it, but it does. It's so full of like,
Like incredibly potent lessons for us right now, especially with all this. There's like suddenly nuclear saber rattling again. Yes. And yeah, just if people don't know that that story, Abel Archer was a military exercise in 1983 that where NATO was.
was moving troops and doing this massive exercise as militaries do in order to sort of practice what, you know, actual warfare. This particular year, the Cold War tensions were so hot. This was right in the wake of the evil empire speech, Reagan's, and that Korean airliner plane had been shot down by the Soviets and tensions were just so hot that
that the Soviets began perceiving this NATO military exercise as- Potentially real. Yeah. We think they're actually staging an invasion. Yeah. And the Soviets at the time had set up this system of collecting evidence that was so prone to bias of just like perceiving threat. Yeah. And so of course they got insanely antsy
And they're trying to deliver results to their higher ups like, look, look what we found. Look at all this scary stuff. And so Abel Archer becomes perceived as this grand, like massive scale staging for an invasion. Soviet Union ramps up their nuclear posture. We, of course, clock all of that with our sort of intelligence and we ramp up our nuclear posture. They clock that. And it's just this standoff that becomes unfathomably close to like button pushing.
Right.
when you put this timeline underneath it, you're like, oh, there was a tone shift right here. Yeah. Because they were suddenly aware of how close. They realize they're playing with fire. Yeah. And that it was real. And then you go, that was a media environment and a global communications environment that is like, in retrospect,
hilariously quaint and slow. Yes. Like Khrushchev during the missile crisis is like sending this like long teletype memo to Kennedy's like waiting for it to type out. And then he's like, we'll respond in the morning. Yeah. Now it's like the constraints on Twitter are determining it. Right, right. Who said this? Is this a real person? Just it's terrifying to think
I mean, that's one of the lessons, I think, from your book, but also for setting history, which is like no one should have nuclear weapons. It's just bad for like we should not be entrusted. No one should be trusted with a thing that can destroy everyone because we're idiots.
I guess somebody has to be trusted with it because we invented it. Yes. But no one should. Yes, of course. It's like the idea that humanity holds in its hand. I think that's what's fascinating about your thing is how far back it goes. It's not like just recently we got stupid. We've always been prone to disasters. And anytime you organize people into groups, there's miscommunications and there's screw-ups and there's all this stuff. Yeah.
That's all of human history up until 1945. And then suddenly humans possess the ability to destroy all other humans in an instant. Yeah. And that's, you're suddenly in new territory. Like there's not a lot of moments in human history where everything does fundamentally become different. And that is the first time that's possible. Right. And it feels like we're on the cusp of that again. Yeah. With generative AI. But here's where I get, I go dark. Okay. I just...
I feel like if an infinite number of monkeys can, one of them will eventually write Hamlet, like somebody's going to set off nuclear holocaust. Yeah. Right? Yeah. Like we're, it's gonna happen. It's a matter of time. Every near miss in a way increases the chances that at some point in the future, it will, it's not like the fact that it hasn't happened doesn't make it less likely to happen in the future. I think it makes it more likely to happen in the future. Yeah.
Yeah, but it does. I guess we're holding on to just the idea that it's so unfathomably catastrophic that even someone who wants to be that person who ends the world deeper down doesn't want to be that person.
Maybe. I don't know. My friend gave this TED Talk, and it's about sort of the psychology of, say, like, mass shooters, right? There are these dark, twisted individuals who basically want to not be alive, and they want to hurt as many people on their way to unaliving themselves, right? And so his point is, like, okay, obviously for most of human history, it was impossible to get a weapon that allowed you to do that at any kind of scale. Like, even just the technology of a handgun, right?
is infinitely more dangerous and makes us more vulnerable than when you're like loading an old school musket, right? And so his point is like, okay, so what percentage of people want to do something like that? Very, very, very small percentage of people, but a lot of people, you know, you're going to get a certain number of people that do that.
And so he's like, okay, well, how many airline pilots are there? How many people work in infectious diseases? How many people work in nuclear weapons? Does at some point statistically do not get somebody who is of that mentality or gets to that breaking point, but instead of doing a school shooting or something, they have...
have a thing that can unleash unfathomable harm on an enormous amount of people. And that you can think yourself into a point of almost existential doom very quickly. You're like, oh shit, that, right. How many airline pilots have there ever been? How many people have access to bioweapons, et cetera? And you're like, oh, it comes down to like one crazy person could change the balance of humanity.
Yeah. I mean, thankfully, thankfully or not, I guess the, the barrier to entry for those other mechanisms being an airline pilot or a high level infectious disease person, there are so many, um,
Yeah. And of course, there are virtually no hurdles to gun acquisition. I know. It's strange. But I take your point. It's a there. There's this one game. This one game theorist has this idea that to decrease the risk of nuclear holocaust. It's that, you know, there's the nuclear football that they carry around with the president. Yeah.
And his argument was that actually we should pick a person and then we should put those codes in their chest cavity. So we should send them a surgery. Have you heard this story? Yeah, I read that. Yeah. It makes so much sense. Obviously, it's a thought exercise. But the idea that...
It's abstracted is the problem. Like you're pressing a button and then over there, lots of harm is happening to faceless people. The idea that the president would have to kill someone with their bare hands. Like hack them open and fully like get the nuclear out of their chest cavity. It's a very, I think, reasonable thought exercise to explore because you're right. It just makes the act of launching
But then. Personifies it in one act of violence instead of. Yeah. Endless face. You have to go call Steve. Yeah. The guy with the, you know, like this is Paul. Yeah. It's like three people turning keys or whatever. Yeah. And then, but.
But boy, is that person a patriot, whoever that is. Right, right, right. Who agrees to that. It's like the ancients, how they're like, this person's like a vestal virgin. It's like some hereditary position or whatever. And so far, none of them have ever had to do it. So it seems like it's the parable of the turkey also. It's odd.
It seems like a great job until some future day. It's so venerated and honorable. And just like the turkey gets trotted out for the, in the white house. And well, actually that guy gets pardons. Well, a bunch of people in a row make it all the way to retirement. It's great gig. Yeah. One guy, it's like three days under the job. It's horrible.
Oh, my God. So have you always been into history? Were you always a history nerd? Yeah, I think it's where I sort of gravitate to with reading and research. And I'm very much like...
I'm very ADHD quite literally, officially, whatever that means, diagnosed. But I chase rabbits all the time and I'm just always like Wikipedia. I don't let things go. If something pops up and it's like,
Like on the way here, we're in Bastrop, Texas. And I'm like, I got to know about Bastrop, Texas. Like what's this? What is this place? And I'm reading about some history and I just love it. It becomes their stories. And what I do for a living is storytelling as an actor, as a comedian, as a creator of media. It's all storytelling. Yeah.
And it's like when you see this is a true story at the beginning of a movie or a TV show, like it just has that added little like giddy factor. And I love that. You just get that little tinge every time I'm digging into something or reading about something new.
Unfortunately, my ADHD brain is also very much a sieve. And so I take in tons of like I have a very fine, like small fixed amount of data that my brain can hold. And I'm constantly pouring in new stuff, which is super fun.
But a lot of it, it just kind of falls out the back. Bastrop is a weird place. Yeah. Like it's named after this guy who pretended to be a baron, but wasn't like in the way that people would come here from Europe and be like, I'm count so-and-so. And they'd be like, sure. Yeah. So he was Baron de Bastrop or something. And it's just a financial criminal, basically. But, you know, Germany was a long way away or wherever he was claiming to be from.
Like the, those, the, what are they? The characters in Huck Finn. Yes. The,
I'm blanking on their names. But have you read James? Have you read the book James? No, I haven't. Okay, so Percival Everett wrote this book that's- Yeah, I'm well aware of it. Yeah, so it's the perspective of Jim, but he's James. He's actually really smart and super well-read. But one of the fascinating parts of the book is from Huck Finn's perspective in the Twain version, they're kind of these like colorful, weird characters. Harmless, yeah. But in James, they're, well, they're criminals-
and they would sell him down the river literally. So they're going from town to town, swindling people out of a few dollars to attend their made-up play or whatever. But you imagine they chance upon a human being worth $1,000 in their time. So in James, what's fascinating is the menace that the characters take on. And it kind of reminds you of what great, like whenever someone reimagines something or you see an actor make a really different choice, you're like,
"Oh, I never even considered that they're that." And it totally changed, so much of the book changes your perspective. - Yeah, yeah, that's actually quite poignant too. - It's really good. - That's on the list.
In general, I think history is just also a bit of an escape for me. Like I kind of, it's easier to read about other people's problems than to focus on or try to solve your own sometimes. So in some ways it can be a bit of a, maybe not the most healthy bit of escapism, but, but I do, I also try to like take lessons from these things and take ideas into my life and
And I was so excited when you invited me on your show, and it got me thinking, where are some of the stoic ideas that emerge from these stories? Yeah.
And I kept thinking about, well, Abel Archer in particular being a military exercise is sort of the ultimate premeditatio malora. Sure. Right? Yes. And there's another one in the book. I know exactly what you're going to say. Yeah. The Millennium Challenger. That's the opposite of a premeditatio malora. Oh.
Okay, explain. Well, I'm just saying like, so premeditation malorum is this idea that you practice, you premeditate on the things that go wrong. And there's this famous war game and it starts going poorly. So they basically change the rules so they could win the war game instead of learning the lesson. Exactly. Which is like, oh shit, we're terribly unprepared for something like this. They go, no, no, no. How can we shuffle the paperwork around so we don't have to make any changes? Yeah, yeah. So a millennium challenge,
was another war game in 2002 where the U.S. military divided its two teams, Red and Blue. Of course, Blue was the United States and Red was sort of the same orifice Middle Eastern foe. And Red
And Red, this Marine Lieutenant was in charge of the Red team and he just got really creative. Yes. And he was going way kind of like out of bounds with his ideas. And, oh, I'm going to send messages via motorcycle messenger to that battlefield. I'm not going to turn on my radar so that I can't be found. I'm going to signal, I'm going to go back to like mid-century tactics and I'm going to signal my ships with lights instead of like radio transmissions.
And he even did this incredible thing where he was researching animal herd behavior in how maybe he could maneuver smaller boats to overtake larger boats. And it worked. And so the red team is just crushing the blue team. And the blue team is like, well, this doesn't validate all of our preconceived ideas about how- You're cheating. You're cheating at war. Accused of cheating. Yeah.
And, and yeah, like you said, they just, they just wound up constraining the red team. Yeah. They actually lost on the first day. Yeah. And then they said, let's do it again because we still have 13 days designated for this exercise. So there's more lessons to be learned. Let's do it again. But now we're going to start sort of constraining you a little bit. And then they constrained him so much that that,
General retired or just, he quit. Yeah. He was like, guys, I'm out. This is ridiculous. This is embarrassing. Right. And of course, no, no lessons learned. Uh,
It wasn't long after that that some of those tactics were seen on the battlefield. Which was the whole point of the exercise, not for one person to win or another person to lose. It's to learn something and to stress test these different things. Exactly. But if your goal is to look good or make someone else look good or not look bad, that's the whole problem. I interviewed Arnold Schwarzenegger last year, and I was talking to his chief of staff, and he was telling me this story that when Schwarzenegger was governor, they were supposed to do some disaster FEMA project.
mock thing. Like, Hey, this is a earthquake, you know, whatever. And so everyone's practicing. It was supposed to start at like, uh, 5.00 AM. And they were like, we'll wake up, we'll start, you know? And, um, Arnold woke up at like three 30 and he called it and he just started it early. And everyone's like, what are you doing? We're not ready. And it was like that his point was like, the whole point is you're never going to be ready. What do you do when you're
Right.
Like you definitely don't tell him that. There's actually a famous story about the emperor Hadrian. He has this favorite philosopher and they're like talking and they get in some argument. It was something small, not like a disaster or whatever. They get in an argument, it was something small. And the guy's right. And Hadrian is insisting that he's right. And finally the guy goes, you know what, actually you're right. And then he leaves and the philosopher's friends say,
You're correct. Why would you? And he's like, I think you made a mistake. The person who commands 30 legions is always correct. And that's the reality of power. It has this distortive effect where people tell you what they think you want to hear instead of what's true. And that's probably responsible for like 50% of the snafus in the book or in history. It's just not truth, not getting to the person who desperately needs. Or that person being unable to
To process truth. For one way or another. Yeah. Yes. Yeah. Truth not making it because they are not receptive to it or it's been caught before they could be receptive. Yeah. In the case of the Millennium Challenge, truth was so evident. Yes. It was just falling in their laps and they were just like, no, no, no, no, no, no, no, no.
We don't like it. Yeah. We don't like that. Right. We're going to change that. Yeah, that screws up the exercise as opposed to tells us exactly what the exercise was intended to surface. Like if it's just a thought exercise and not a thing where there's unpredictability, why are you even doing it? Yeah. You know, I saw this Instagram reel recently that kind of blew my mind.
That's a sort of in, it speaks to this, which is basically the power of our own confirmation bias. And what's interesting is to me is like, sometimes our confirmation bias is just sort of sorting information as it comes into us.
But then you have a situation like that where the confirmation bias takes on proactive adjustment of reality. Yes. And it's like, no, no, no, no, no. This is not working for my confirmation bias. I need to actually change the rules of the game here. But this clip that I saw...
It just said, as you listen to this sound, think the phrase, aliens have landed or anything. Yeah. And you listen to this very strange audio sort of gurgle, but you can hear aliens are landing in it. Yeah. Right? Then they say, now listen to the same sound, but this time you'll hear, it's a cold day today or something. Yeah.
And you listen to it again, it's the exact same sound. And suddenly you can hear your brain is sort of piecing those sounds together. And it's just a demonstration of what the expectation that you bring to something, how it defines your perception of the thing. And that, I'm still reeling from that, honestly, because it's like, how much do we...
Just dictate what we're perceiving to ourselves. Yeah. And, and, and, and like, what is, how do you see things for what they are? Yeah. How can we like diminish our, our filters as much as possible or diminish our expectations for the way things should be or the way things should look or feel or,
And I mean, we all can, I think like that's a very sort of like enclosed encapsulated experiment with this sound gurgle, but we all know of moments when we have walked into a situation and manifested its outcome.
oftentimes in a bad, like in a frustrating way. The frustrating ones are the ones we remember and we can point to where it's like, oh, I walked into that so insecure or- I was already hot. Yeah, yeah, yeah. I was already mad. Yeah, exactly. And it went wrong or I embarrassed myself. That's a form of sort of manifesting something. And I'm just fascinated by that. I'm not saying it's super important to me, but it is important. I like my hair. I want to keep it.
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We know when it comes to finding balance, the more choices, the better. The idea that your perceptions are not, your mind is not your friend and your perceptions are constantly fucking with your perception is really kind of trippy. And that like part of philosophy going back thousands of years is the ability to go like, why do I think this? Or is that true? Or where am I? You know, and that to have the sort of self-discipline to go, here's a script I have,
So is this following that script or here's a bias I have? And the ability to sort of have some skepticism about your own thoughts and impulses is like a real superpower. You're never going to be perfect at it, but just to be slightly more aware than the average person. Well, it's funny. I would call it a superpower for like being a whole person that experiences the world well. That kind of humility, that sort of like social emotional humility. Yeah.
And intellectual humility is a liability in the sort of like what we're seeing in this sort of public leadership space. Yes, yes, yes, yes. Apparently. I mean, that's what we're learning right now is that apparently those that kind of humility can be can backfire. But that's not what we're talking about. I agree. Like.
The stoic notion, amor fati. Yes. Yeah. That is a superpower because if you can love your fate, if you can love whatever you're walking into, that positive energy that you bring into any situation or especially unknown situations with like very unknown outcomes. Sure.
That would normally sort of trigger a fear. If that can actually, if you can bring love to that or, or a sense of benevolent, like acceptance to it, then the outcome is so much more likely to reflect that. If you're like, I can work with that. Yeah. Yeah. And I, and I don't, I don't know the first thing about Navy SEALs. Uh, and I don't think I would make a very good Navy SEAL.
but what's his name? The Jocko willing. Good. Yeah. So have you interviewed him? I have. Yeah. Okay. Yeah. I love that. I saw that clip and I just was like, that's awesome. And I try, I've tried using it on my kids. They're not on board yet.
But it is like, there's something good going to come out of this. Yes. And usually it's like in the examples he gave that I saw, it was like someone worried about an upcoming circumstance. And that's where if you can be like, okay, good.
Well, good. The superpower of the artist is that everything can be good for the artist because you can use it for your thing, right? That's, I think that is the ultimate redemptive for all the shit you have to put up with for the problems, for how hard it is to make it and all the stuff that's tough about it. The ultimate compensation is that
you can use anything that happens to you in your form of expression. In fact, that's what you're supposed to do. You're supposed to take what life gives you and transform it into a painting or a poem or a performance. Like when you're like, I'm tired, I'm frustrated, it's hot. You're like, how can this be part of the character? Or like, I'm thinking like, this was expensive and stupid and I'm so angry about it. But
If I can work this into the next book in some way, I can tell myself that it was actually good that it happened because the book was better for it happening. And that to me is like, that's the superpower of an artist is you get to use all the stuff in a way that, I mean, it's, I think it's also true as a parent. It's true as a school principal, whatever you do, you want to use your things. But in the way that a comedian can take this thing and be like, there's a funny bit here. Maybe that's harder to see as a nurse.
But like, it is true. We can take our experiences and use them in some way. That's a beautiful reflection on artistic pursuit. I hadn't thought of it in that way before.
And I love that. It's a processing. What's interesting is I think a lot of artists don't even know that they're doing that. Yes. Right. So you take like a death metal person who is like a very tortured and maybe living a tortured life and but expressing them like like they're a conduit for these things that become this art form that's like death metal, which is.
Yeah.
feel something good. Well, I saw a clip of you. You were talking about how the Andy Bernard sort of catch... It's not a phrase. It's like a sound. It was something you heard from a bully growing up. And so you're telling it on a TV show and everyone's laughing and you're laughing. But I'm sure it wasn't fun hearing it from the bully during the bullying. But all these years later, it finds an outlet or a thing. And it's not just...
hey, this is where I got that from. But it's like a thing that brings people joy and happiness, and it makes you better at your job. There's no way you're going to sense that in the moment. You're like, I'm recording this. But that's what an artist does, is an artist sees a thing that I think an ordinary person would see as only bad, or just immediately forget. An artist locks onto it and goes, there's something here. Subconsciously, they think this, and then it comes back
all these years later. Oh, this is the place for that. That's really a funny example. And it brings to mind another sort of surprising example from...
from my career, which was when we were shooting Hangover 2 in Bangkok and I got the worst food poisoning of my life and possibly anyone's life. And my body just exploded out of every possible opening. And sorry for that. But- Yeah, tell us more. Could you describe it more vividly? Let me break it down. Yeah.
There was one point where obviously if both ends are operating simultaneously, you have to kind of spin around in a bathroom and the toilet was in a closet in this hood, in my hotel room. And I spun around so fast that I bashed my head on the door jam. So now I'm like bleeding and it's all happening. I got so dark. I remember that night, like
I'm going to die. I thought I was going to die like thousands of miles from anyone I love. Just a horrible way to despair. Yes. And I called our first AD, who's the first AD on a film production is kind of the boss, like the foreman, if you will. And I was like, I don't know.
what's happening i'm just like i i can't i'm shitting myself to death i think i might this is like and he just goes you're so your pickup is at 6 30 yeah we'll see you then yeah and i was like oh yeah
This is how this works. Yeah, they're not going to stop a thing of 300 people because, yes. So what happens is I go to set and it happens to be we're shooting these scenes where our characters, as is the sort of hangover motif, are tortured and beat to shit and like feeling horrible. Right.
And I'm able to actually kind of rally. I'm literally curled up in fetal position between takes, but I'm rallying in those moments and like feeling sick, but feeling the narrative kind of like fused or channeled through that. Also, the other thing that's happening is this beautiful, I just, I'm receiving this beautiful kind of safety net from Zach and Bradley there when I'm curled up.
And we're shooting in Soy Cowboy, which is the red light district of Bangkok. And it's very like, it's just grimy. Like it's a, and, and that we're in the sidewalk and then sit like I'm on a blanket on the sidewalk and,
And Zach and Bradley are just sitting next to me with like a hand on my back or on my leg and just like, I'm getting misty thinking about it, like giving me sprites. And that connection is also what's coming through the movie is like, weirdly, these guys who are just constantly like at each other's throats are also, there's this like kind of
subconscious, like deep bond of like, they're there for each other. And that was also happened. Both of those things were happening. And they're probably inseparable from each other. They're connected to each other because they see what you're putting in or what it's taking out of you. Yeah. And it's bringing everyone together. Yeah. I,
I heard an interview with Kate Winslet once. I actually added it into the 10-year anniversary of The Obstacle's Way. I didn't add that much stuff to it, but she was talking about how her acting philosophy is she gets there and she says to herself, what can I get for free? Not like what stuff can I steal from set, but what am I feeling? I'm tired. So how does me being tired give something to my character that I now don't have to
act so hard on. And so if you're grimy and disgusting and hungover and your life is escaped, whatever the... Because your character is particularly tortured throughout the whole things. That's the comic relief of it. And now you are comically relieved in that way in real life. You're probably able to tap into it, to act...
that level would require a level of effort and skill that maybe is not attainable on a normal day because how could you fake something so profoundly painful, you know?
I love that idea. It's a spin on good. Yes. Right. Totally. It's like, I feel sick or tired today. Good. Like use it. Yes. And that's, that's an old kind of like aphorism and enacting is like, use it, use whatever you have, but, or, or like use your, your tortured childhood. You use your, your painful memories for, for this or that. It goes back to just your initial kind of expression of this.
this idea of, of artists being a, I forget how you phrase it exactly, but I'm, the way I'm interpreting it is a kind of a
a channel. Yeah. Just a way to take experiences and weirdly make them digestible to others. And well, my mentor, Robert Green, he told, he said, you know, you just got to remember it's all material, just like everything is material. And then you're like, oh, okay. So yeah, this, it's not saying the divorce is fun or the broken leg is fun or the food poisoning is fun or the
global pandemic is fun or the political dysfunction is fun, but it is material in the sense that it either becomes material or it informs the material. And
And that's sort of the job is to take these things and to turn it into something. It doesn't redeem it in the sense that you would, you would choose it, but you didn't get a choice. That's the whole point is that like, here it is. The only saving grace is that you made something of it. How, how much discipline does it take to say good things?
Every time. Well, it's easy when you live like a, as the office would say, a nerf life. You know, like I think I sometimes struggle with that with the books. Like I was just talking to someone and he's like, hey, I'm rereading your book because I just found out I have throat cancer. And I'm like, hope it holds up.
Because I was writing it about how you say good to, you know, like traffic. Like I was writing about from my experiences, which are not nothing, but they're not that. Yeah. And so that is kind of one of the hard... That is one of the trippy parts about art is that...
You know, you make it from your experience and it can often end up speaking to people in far more serious or you can't control who and how it speaks to other people. And so sometimes there's a heaviness where like... Sure. Yeah. What we're saying good to day to day is nothing compared to someone who's like, you know...
I just buried a child. And, you know, like someone just asked me to sign some books and they were like telling me this story about like what had happened to them. And I was like, well, I'm definitely not writing Amor Fati to this person because that is, would be so preposterously insensitive. And I'm like, I really have to think about how I can say something that isn't flippant. Yep. Because, you know, Jocko can say good because he's the commanding officer of these people he's telling this thing to. But you can't say good to someone who just-
you know, lost everything. Or a kid who got beat up on the playground. Totally. That's like, choose your moments. Yes. Or maybe, I mean, but again, it's something that, that it's like, uh,
It can become a kind of muscle memory if you work on it and sort of meditate on it and imagine premeditatio malorum. You imagine being in those situations. But it's like, it is good. You could turn this into something, but you have to be sensitive to what you say to people. Of course, like telling other people.
that yeah sure but i but i just in terms of like how training yourself to respond to something it's weird i haven't thought about this in a long time but um i'm reminded of the comedian tom green so this is like in 2000 or 2001 or something he was diagnosed with testicular cancer yeah
And I saw an interview with him and I don't know Tom Green. I was a big fan of his when I was younger. And I remember this interview that was like kind of grave. Like it was like kind of serious. And he said that his friend, he and his friend had, and I'm probably butchering this somewhat, but what I took from it was this idea that
When something goes terribly wrong, they flip it. It's another way of saying a lot of what we've been saying. You flip it, flip it over. Yeah. And like you make it good. You make it something. Sure. There are situations where that feels impossible. And you would think a testicular cancer diagnosis is one of those situations. He flips it into a documentary about his cancer.
case yeah about his what his experience and he becomes a uh sort of vessel for positive positive way to maneuver a situation like that and probably normalize the thing that people have a lot of shame about and don't talk about like it probably helps the overall conversation about like hey this is a thing that can happen to healthy younger people yeah and and that is about as great you know when mortality is at stake like there that's about as grave a circumstance as as it gets and
Fortunately, as I understand it, his
operations all were successful and recovery was successful. You even have to wonder, there's so much in medical science now about sort of the ethos that you bring to a medical experience, whatever it is, and how that affects your outcome. And if you feel like this is the end, and look, there's no, these are some of the most impossible feelings to control or adjust or try to steer in any way. So there's
I don't say this with any judgment for how anyone may be feeling, but trying to bring a mindset of recovery and of like next steps, positive steps actually can affect, start to affect your physiology in ways. Certainly not going to hurt. Yeah. You know what I mean? Where I could see like giving up or not caring or not trying, that probably has its own effect.
impact on your physiological self also. Sure. Yeah. I just read a New York, there was a big New York Times profile about him. He like has a ranch in Canada or something. Oh, cool. Oh, I got to check that out. Yeah, it was, it was, cause he like basically invented podcasting also, but didn't, you know, Joe Rogan went on Tom Green's podcast and was like, I should do this.
Really? Yeah. And you're just like, sometimes the person that invents the thing does not get the thing. And so, yeah, but it was a lot of the piece was sort of about him kind of coming to peace. Like he was even talking about like, he also invented like what Jackass became also. And so he was like, multiple times I've like predicted the next big thing. And then the next big thing went to someone else. Yeah.
Everyone's going to move to ranches in Ottawa. Yeah. Apparently that's the next, the next big thing. So it doesn't sound bad. I'll be honest. So what's the next, you're doing another season of the show, right? Yeah. So season three is actually, I don't know when this will air, but maybe it's coming out in a week, which, so it'll probably be out each season of the podcast. So the podcasts in the book are a little bit different.
in that each season of the podcast is a deep dive into one thing. Yeah. And so it's eight, 35, 40 minute episodes, highly produced, very heavily researched. It's
It's kind of produced as a sound collage story. I'm the host narrator, but we work in lots of archival audio and interviews with experts. And in many cases, people involved with the incident itself. Some of it was not that long ago. Yeah. The season two was 71. Abel Archer was 83. So.
So that's sort of how the podcast works. Season three of the podcast is coming out. It's 1920s. So we don't have any we don't have any people from from then, sadly. But it's a really wild story of kind of deep within prohibition. I I'm well aware most people have prohibition kind of in their head.
in their brain as just sort of the furniture back there that we kind of know that it's when, you know, the Volstead act and the alcohol was made illegal. A bunch of gangsters shot everybody with Tommy guns and, uh, organized crime exploded. And then we just realized this is a terrible idea. We made alcohol legal again. That kind of amazing that you used to be able to have constitutional amendments. And then if it didn't go well, you could just pass a different constitutional amendment, getting rid of it. Yeah. That like,
In one way, prohibition is government not working, but it's also not that long ago the system worked. Yes. Like they used to change things and try things and we don't do that. You're right. You're 100% right. In that way, prohibition is like functional government. Yes. It's the constitution working. Yeah. But there's a...
There's a sort of underbelly of the prohibition that I didn't know about until we started researching this. And it's that so the industrial alcohol supply, it was well known that a lot of this was getting sort of pirated into the bootlegged alcohol for human consumption. And so that's where the process of denaturing occurs.
And denaturing alcohol is when you basically add chemicals to it to make it incredibly undesirable. And usually that's in the form of taste. So like it's just like so horrific to consume that you don't want it. And so it's safe in a warehouse because nobody wants it. And then you can use it for its industrial purposes.
It started to become a thing where they also were adding poisons to denatured alcohol and the industrial alcohol supply. And they started adding more and more awful poisons, knowing that this was going to get channeled into the bootleg alcohol supply and that many people would
would be consuming this and thousands of people died because of this. And this was the government. This wasn't like, this was a tactic.
Right. This is a depersonalization abstraction thing we were talking about. Right. We know we're putting poison in the thing that people will drink, but let's not think about what's going to happen when people drink it. Let's just hope maybe people will catch on real quick and then stop drinking and prohibition will work. So prohibition enforcement is its own just massive snafu. And it's so endlessly fascinating. There's so many
weird, cool, interesting characters throughout. But this story of the poisoning of thousands of Americans by the American government is largely unremembered, which is wild. And the heroes of that story are the first medical examiners of New York City, Alexander Gettler and, oh my God. I don't think you need to remember his name. I spent thousands of hours on that.
Anyway, Charles Norris and Alexander Gettler, first medical examiners. And they're the ones actually, they're pioneering all these methods to discover what chemicals are in dead bodies. And they start to realize like,
There's patterns here. Right, right, right. And it just, they blow the story and it's so cool. And it's also a, it's such a cool time. I interviewed Terrence Winter for the podcast. Ooh, Boardwalk Empire? Yeah, so he created Boardwalk Empire. And he's just, not only is he just an encyclopedia of Prohibition era knowledge, he's also just the most fascinating, hilarious guy. So he's in there, he's sort of woven throughout. How fucking good is Steve Buscemi in that show? Unbelievable.
Unreal. Insane. Unreal. And so unexpectedly good, right? Yeah, totally. Oh, and the guy with the face. Yeah. It's such a cool show. And Terrence Winter is...
is such an awesome interview. So much so that he's sort of laced throughout the season, but he also gets his own bonus episode. It's just entirely me and Tara's winner. And it's so, so fun. But that's season three, that's coming out. And then of course the book is coming out. Awesome. The book is the opposite of deep dives. It's just sort of very consumable chapters. So-
Your book's about history's biggest screw-ups or crazy stories. So I thought I'd pick some books that I thought went well with it. So I don't know if you've read it. Have you read Library Book? No. Okay. This is about the library fire at the downtown Los Angeles Public Library. It burned to the ground in 1986. Just...
Almost every book. And they don't know if it was arson or not, but it's this... Susan Orlean is amazing. If you've ever seen... Do you see Adaptation? Mm-hmm. That's based on her book, The Orchid Thief. Yes, of course. But this book is crazy. Cool. Super good. And then just like how they were not prepared for the fire at all, and then how bad the science on tracking down the arsonists. I thought this one was really good. Nice.
Night of the Grizzlies. Okay. So. What? Glacier National Park. There'd never been a grizzly attack in like the hundred years the park had existed. One night in 1967, two different grizzlies attack two different groups of people and kill them. And
and they find out it's happening because at one of the cabins in the park, you know, like Yellowstone has a- - Sure. - They would put on nightly shows where they would feed the bears garbage. - Sure. - And then the bears became deeper. And like, when I think of snafus, I think of like human stupidity. Our relationship with animals is like at the top of the list. - Oh yeah. There are a few in the book. - Yes.
Oh, you mean you can't just kill every one of these species and it somehow replenishes? But the idea that they're feeding grizzlies trash every night. Yeah.
next to a campsite that humans sleep in tents and then they're not like how's this gonna go yeah it's amazing so so the night that they just cancel the show or that they don't feed the bears are like where's our fucking food guys yes i think they started to to clamp down on the thing and now you have these and like also grizzly bears are much smaller now than they were like
in our parents' generation because they don't eat so much trash. Like the bears actually have shrunk in the parks because they're not eating hundreds of pounds of garbage every day. Oh my God. It's a crazy book. And then after Theodore Roosevelt is president, he goes on this hunting trip in Africa where he kills like thousands of animals. Again, the animal thing. And then he goes and he explores this river in South America, like the longest river in South America, which had not ever been charted by like a white explorer. Is it not the Amazon?
No, it's called the River of Doubt. He promptly nearly dies and so does everyone in the thing. There's a reason it hadn't been charted. It was a very difficult river. And so you just have the ex-president, he's dying of malaria in this swamp. At one point he's like, "Leave me, go on." And they're like, "We can't leave the president."
It's an amazing book. Like I think narrative nonfiction is like my favorite genre where it's like a true, they're telling an insane true story almost as if it's a novel. That's my favorite kind of book. Do you know what I'm talking about? Yeah, very excited. Yeah. That one's amazing. Do you know about the Johnstown Flood? Yes. Yes. Amazing. I don't know about it from the Springsteen song. Okay. But these rich people just have a lake above the town of Johnstown. Mm-hmm.
And there's no, like, think about what's happening now where it's like, yeah, it feels like the government doesn't do anything, but they decide like what you can put in a dam or not, or what the state, you know, they just had an earthen dam, like several miles past.
above an industrial city that thousands of people lived in. And I mean, they were not engineers. They didn't... And then the dam bursts. And then it's the story of the dam bursting. McCullough is like an amazing biography. I love that one. Titanic, obviously one of the great snafus of human history. This is like the book that invents the genre of narrative nonfiction. He writes this in...
1955 so a bunch of people are still alive oh wow cool and we just didn't know like the titanic has become more famous in retrospect so that one's amazing another flood one flood of 1927 so this is this full of interviews yeah it's like like real quotes from people who are that's the definitive story of what happened that pretty much everything we know is based on his story well uh
Leonardo DiCaprio. It's true. That's a documentary, right? Yes. Like that's all, that's exactly how that all happened. So, all right. Anyway. So good. Flood of 1927, similar one, huge, crazy flood. And then the rich people blow some of the levees above New Orleans. So it doesn't flood their houses and properties.
but does flood the people who don't have any political power. That's what I think is interesting about a lot of the snafus. It's about who has power and gets to make the decision and then who gets stuck with the consequences of those decisions. The Mars Bluff story, do you remember that one? No. In the book? It...
This bomber takes off from Alabama, I think, in the 50s. It's going on a training run. It's over Mars Bluff, South Carolina, and they accidentally drop a nuclear bomb on Mars Bluff. Now, thankfully, the physical core is actually out of the bomb, but there's still many tons of TNT in it. And it lands on this guy's property and just –
leaves a huge 75 foot crater and damages his property. And there was a few injuries. Nobody's killed. Thank God. And he just gets, he's like a world war two veteran. And so he's like, you know what? I get it. This is cool. We'll figure this out. This is crazy. He's actually has a good attitude until he,
The government law bureaucracy kicks in and they're kind of like, yeah, here's a couple of dollars. Yeah. And then he gets pissed. But it's another example of like a powerless guy just getting boned by this. Well, that's like, you know, the woman who spills McDonald's coffee on herself and she's McDonald's. And we take that as like legalism run amok. Sure. And it's like.
No, actually it was like incredibly egregious and all she wanted was her, the coffee was like 300 degrees or something. Yeah. And then all she wanted was like her legal bills, which were like $17,000. But it's the jury was horrified and was like, no, you get a lot of this. The McDonald's treated her so shitty. Yeah. And yeah, sometimes it's the cover up afterwards that's the awful part.
This is about the Lusitania. Ooh, another shipwreck. Another shipwreck. I have a lot of famous favorite shipwreck books, but this one's very good. They knew there were submarines. They knew they were shooting them. And it just like dallys to meet a shipping deadline. They're like, let's chill here in the water for a couple of days. And part of it is like, you know, it wouldn't be the worst thing in the world if something could...
precipitate a war. And then also like throughout the book, Woodrow Wilson is like, he's like single as president and he's just falling in love with someone. And so he's pretty preoccupied with like courting this woman who could not be less interested in him. Oh my God. And you're just like, okay, even at that level, the president can be distracted by like random shit. Oh my God. And then this one, I don't know if you read Empire of the Summer Moon, which is an incredible book. S.C. Gwynn, he's one of Texas's great writers.
But this is about Zeppelins. And when I read your book, it was immediately what I thought of because when I interviewed him, these are the triumph of hope over experience. Like it's the dumbest idea you could possibly imagine. Like let's have a highly flammable element. We'll put it in an enormous ship. Reservoir. That we run with gas powered engines. Yeah.
By the way- Combustion. Yeah, yeah, right. So we'll just have fire next to it. It has a fucking smoking room in the Zeppelin. All of them did because everyone smoked. So they were like, no, no, we'll put walls around this room and you can smoke in here as if it's not also filled with the gas. Amazing. So this is not the Hindenburg? No, not about the Hindenburg. It's a bigger, worse one.
And all of them crash. It just doesn't have as cool a name. It is all of them crash one after. And it was, and it was just like, just a profoundly stupid idea. I mean, they didn't, I guess I, I didn't know what they were made of, but I wouldn't have guessed animal intestines. That's what the outside, it's not like they had really highly advanced, uh,
- Materials. - Materials. So like, yeah, they just used like what sausages are made out of. That's what-- - It's a sausage. - Because it has to be very light. - Yeah. - Because the engine is all the weight and it's just like dumb idea after. I mean, the idea was the Empire State Building had a landing strip. - I was gonna bring that up. That was a dirigible dock, right? And it's like, but it's a needle.
it's almost unbelievably dumb like it's not like some of the snafus where it's like oh it'll work out like the guy who was in charge of the program was on the ship like it made so much sense that it didn't seem stupid but it was just profoundly stupid so good it's amazing i
I love it. Thank you so, so much. Yes, of course. I got some homework. Future, future snafus. Well, this was awesome, man. Thank you. So, so fun. Thank you. Thanks so much for listening. If you could rate this podcast and leave a review on iTunes, that would mean so much to us and it would really help the show. We appreciate it. And I'll see you next episode.
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