Ezra Klein identifies as a liberal because he believes life is fundamentally unfair and that individuals deserve partial credit at best for their successes or failures. He also differs from democratic socialists in his belief in the potential of corporations to do great things and his skepticism about the political feasibility of certain socialist policies.
Ezra Klein's personal experiences, particularly his struggles in school and subsequent success as an adult, shaped his belief that his achievements were not entirely due to his own efforts but rather a combination of factors beyond his control, such as his personality traits and societal conditions.
Ezra Klein has mixed feelings about Twitter under Elon Musk's control. While he dislikes Musk's use of the platform for political purposes, he believes Twitter wields less power than before and feels better being on it, though he remains cautious about its impact on his mental well-being.
Ezra Klein doesn't believe in treating Trump as continuously abnormal, given his electoral success. He sees his show as a way to understand the Trump administration rather than resist it, aiming to report on it as a normal political entity while remaining critical of its more authoritarian aspects.
Ezra Klein's opinion on the filibuster hasn't changed; he still believes it should be abolished. However, he acknowledges that its removal could present challenges for Republicans, as it would force them to take responsibility for their policies without the filibuster as a shield.
Ezra Klein has changed his mind about the destructive impact of bad regulations. He now believes that many existing regulations are poorly constructed and hinder effective governance, leading to significant failures like the California high-speed rail project.
Ezra Klein enjoys the joy of his children's existence and the opportunity to witness their growth and development. He finds parenting meaningful as it allows him to be part of a human chain, supporting his children's lives while recognizing their independence.
Ezra Klein's favorite band from his younger years was Michael Franti and Spearhead, particularly the album 'Stay Human,' which he describes as a mix of hippie music and slam poetry.
Ezra Klein's tattoo represents redwoods, his favorite tree and a symbol of his connection to California. The tattoo is a scene built around redwoods, reflecting his love for the natural beauty of the state.
Ezra Klein predicts that 2025 will be the year of the Trump vibe, with Trump having more cultural and media influence than in 2017. He believes this will shape the cultural and political landscape, though it may not necessarily benefit Trump or his movement in the long run.
There’s a lot to process as 2024 draws to a close.
In our end-of-year Ask Me Anything, the supervising editor of “The Ezra Klein Show,” Claire Gordon, joins Ezra in the studio to ask your questions – on politics, and lots of not-politics too. Ezra talks about the ways this year has affected him personally: how his views on government have changed; his efforts to stave off burnout; and his off-again, on-again relationship with social media.
They also discuss the making of the show: the accusation that certain episodes have “normalized” Donald Trump; how we’re going to approach covering the next administration; the story behind our new theme music; and what’s going on with that arm tattoo.
Thank you to the listeners who sent in questions, and to everyone who’s tuned in this year. Without you, this year would have been a lot lonelier. (We also wouldn’t have jobs.) We’ll be re-airing one of our favorite episodes this Friday (on the art of rest). And then we’ll be back here with new episodes in 2025. Wishing you a great end to 2024. Happy new year!
This episode contains strong language.
Mentioned:
“Magical Tree Creatures” by Pat McCusker)
Thoughts? Guest suggestions? Email us at [email protected].
You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast). Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs).
This episode of “The Ezra Klein Show” was fact-checked by Michelle Harris. Mixing by Isaac Jones, with Efim Shapiro and Aman Sahota. Our supervising editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith, Kristin Lin and Jack McCordick. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.
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