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cover of episode Barbra Streisand on “The Secret of Life”

Barbra Streisand on “The Secret of Life”

2025/6/13
logo of podcast The New Yorker Radio Hour

The New Yorker Radio Hour

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Barbra Streisand: 完成一本雄心勃勃的回忆录对我来说是一件痛苦的事情。虽然我知道为了后代,我应该回顾我的一生,但回忆童年没有父亲的生活是痛苦的。我的母亲在书中被描绘成一个非常难以相处的人,我一直认为她嫉妒我,因为她想出名。但通过写作这本书,我对母亲有了更深的理解,我对她感到难过,而不是生气,因为她没有实现她的愿望。尽管如此,我母亲的声音很好听,这可能是遗传自我外祖父。

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This chapter explores Barbra Streisand's extraordinary career achievements, including being the youngest EGOT recipient and the first woman to star in, direct, write, and produce a major studio film. It also delves into the emotional challenges she faced while writing her memoir, particularly regarding her complicated relationship with her mother and the pain of revisiting her childhood experiences.
  • Youngest EGOT recipient
  • First woman to star in, direct, write, and produce a major studio film
  • Memoir writing as an emotionally challenging process
  • Complicated relationship with mother

Shownotes Transcript

Barbra Streisand has been a huge presence in American entertainment—music, film, and stage—for more than sixty years. She was the youngest person ever to achieve the EGOT, winning Emmy, Grammy, Oscar, and Tony awards by the age of twenty-seven. At eighty-three years old, Streisand is releasing a new album, “The Secret of Life: Partners, Volume 2.” It’s a collection of duets featuring Paul McCartney, Bob Dylan, and Seal, along with younger artists including Hozier, Sam Smith, and Ariana Grande. Streisand sat down with David Remnick to talk about the record and the history behind it. Bob Dylan, for one, apparently had a crush on the singer from afar. “We were both nineteen years old in Greenwich Village, never met each other,” Streisand says. “I remember him sending me flowers and writing me a card in different color pencils, like a child’s writing, you know. And ‘Would you sing with me?’ And I thought, What would I sing with him?” Streisand talks with Remnick about her complicated childhood with her mother, who was jealous of her talent; her dislike of live performance; and the classy way to rebuff a come-on from Marlon Brando.