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cover of episode Celebrating 100 Years: Jia Tolentino and Roz Chast Pick Favorites from the Archive

Celebrating 100 Years: Jia Tolentino and Roz Chast Pick Favorites from the Archive

2025/2/18
logo of podcast The New Yorker Radio Hour

The New Yorker Radio Hour

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D
David Remnick
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Gia Tolentino
R
Roz Chast
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Gia Tolentino:我选择Joan Didion关于Martha Stewart的文章,是因为它发表于一个特殊的时刻,那时Martha Stewart尚未因证券欺诈被起诉,Joan Didion也未开始写作《奇想之年》。这使得这篇文章能够纯粹地探讨形象与现实、完美主义的代价以及女性在男性主导的社会中取得成功所面临的误解。我认为Joan Didion对Martha Stewart的国内女神形象很感兴趣,并且欣赏她以完美无瑕的表面为代价来成就事业。很多人认为Martha Stewart是个鲨鱼,而Joan Didion似乎也认同这种观点,认为她的故事是关于女性的勇气和毅力,即使在男性主导的世界里也能取得成功。我从文章中体会到,Joan Didion似乎在探讨一个女性在以女性的方式取得成功时,她的野心超越了男性,人们会如何看待她,以及人们会如何误解她。总的来说,这篇文章探讨了形象与现实、完美主义与代价之间的关系,以及女性在男性主导的社会中取得成功所面临的挑战。

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Staff writers and contributors are celebrating The New Yorker’s centennial by revisiting notable works from the magazine’s archive, in a series called Takes). The writer Jia Tolentino and the cartoonist Roz Chast join the Radio Hour to present their selections. Tolentino discusses an essay by a genius observer of American life, the late Joan Didion, about Martha Stewart. Didion’s profile, “everywoman.com),” was published in 2000, and Tolentino finds in it a defense of perfectionism and a certain kind of ruthlessness: she suggests that “most of the lines Didion writes about Stewart, it’s hard not to hear the echoes of people saying that about her.” Chast chose to focus on cartoons by George Booth, who contributed to The New Yorker for at least half of the magazine’s life. 

You can read Roz Chast on George Booth, Jia Tolentino on Joan Didion, and many more essays from the Takes series here).