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cover of episode Colson Whitehead on “Crook Manifesto”

Colson Whitehead on “Crook Manifesto”

2023/7/25
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The New Yorker Radio Hour

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Colson Whitehead
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David Remnick
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Colson Whitehead: 我从小就热爱写作,并从不同类型的作品中汲取灵感,例如漫画书和史蒂芬·金的小说。我不认为作家应该局限于单一领域,而应该自由地创作自己想写的任何题材。我的创作灵感来自各种来源,包括一手资料,例如黑帮回忆录和50年代、60年代的家具目录。我试图探索不同的犯罪方式,并思考谁才是真正的坏人。我认为每个人都有未被驯化的冲动,而雷·卡尼的犯罪行为反映了这种普遍的人性。我并不评判他们,而是试图理解他们的动机和行为。我的小说中对犯罪行为的描写并非单纯的恐怖和残酷,而是基于现实的社会背景和人物的生存困境。我将纽约作为创作背景,是因为它是一个特殊的地方,但同时也是一个具有普遍性的城市,它反映了社会变迁和人们对家乡的复杂情感。我尝试不同的写作风格,并从不同类型的作品中学习,例如斯坦利·库布里克的电影和戴维·鲍伊的音乐。 David Remnick: 科尔森·怀特海德笔下的雷·卡尼是现代文学中伟大的骗子之一,但他并非十恶不赦。在《骗子的宣言》中,他为了女儿重操旧业。怀特海德的创作灵感来源广泛,他的作品融合了不同类型的元素,例如犯罪、社会现实、种族问题等。他以纽约为背景进行创作,并对城市变迁和社会问题进行了深刻的思考。他的作品中对罪犯及其行为表现出某种程度的同情,并非单纯的道德批判。怀特海德的写作风格融合了不同作家的特点,他能够欣赏不同类型的作品,并将其融入自己的创作中。他认为艺术家应该尝试不同的创作方式,而不必重复自己。

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Colson Whitehead discusses his transition from journalism to fiction, highlighting his early career at The Village Voice and his initial foray into TV criticism.

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Colson Whitehead is one of the most lauded writers working today. His 2016 novel “The Underground Railroad” won the National Book Award and the Pulitzer Prize for fiction; he won the Pulitzer again for his next novel, “The Nickel Boys,” in 2020.  His career is notable for hopping from genre to genre. As an artist, he tells David Remnick, “it seemed like, if you knew how to do something, why do it again?” Whitehead is again trying something new: a sequel. He’s following up “Harlem Shuffle,” his 2021 heist novel, bringing back the furniture salesman and stolen-goods fence Ray Carney. He talks to David Remnick about how he mined the language of mid-century furniture catalogues, and his interest in teasing out the nuance in his characters. “I’m exploring different ways of being a criminal and trying to think about who actually is bad,” Whitehead says. “Carney has this secret self, this criminal self. But I think all of us have these different uncivilized impulses in us that we have to tame in order to function in society.”