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cover of episode How “Saturday Night Live” Reinvented Television, Fifty Years Ago

How “Saturday Night Live” Reinvented Television, Fifty Years Ago

2025/1/24
logo of podcast The New Yorker Radio Hour

The New Yorker Radio Hour

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David Remnick
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Lorne Michaels
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Susan Morrison
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Tina Fey
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David Remnick: 我认为《周六夜现场》对喜剧和电视的影响是巨大的,它几乎影响了所有近半个世纪以来的喜剧演员。节目本身也成为了一个文化符号,它的影响力是不可估量的。 Susan Morrison: 我认为《周六夜现场》之所以能够持续成功这么多年,是因为洛恩·迈克尔斯对喜剧的独特理解和对时代变化的敏锐洞察力。他始终致力于让节目保持新鲜感,并与时代同步。他注重更新演员阵容,使节目始终保持活力。 Tina Fey: 我认为《周六夜现场》与其他同类节目最大的区别在于其反传统精神。它与好莱坞的明星炒作形成鲜明对比,其喜剧精神与传统的娱乐圈背道而驰。节目主持人风格轻松随意,不以自我推销为主。 Lorne Michaels: 我认为《周六夜现场》的成功在于我们创造了一种宽松的创作环境,让演员们可以自由发挥,从而激发创造力。我们不追求完美,而是追求真实和幽默。我们始终坚持针砭时弊,无论对象是民主党还是共和党。

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“Saturday Night Live” turns fifty this year. Profiling) its executive producer, Lorne Michaels, the *New Yorker *editor Susan Morrison sheds light on one of the most important people in show business. Morrison spent years talking to Michaels for her new book, “Lorne: The Man Who Invented Saturday Night Live),” and she includes recordings of those interviews in a conversation with David Remnick. “Lorne was a real student of what I call sort of the hinges between eras,” Morrison says. To keep the show current, Michaels “paid attention to replenishing the casts in a sort of seamless way, so that it would never seem like an old guy trying to do an entertainment for young people.” Plus, one of the show’s most notable alumni, Tina Fey—rumored to be a possible successor to Michaels, who is now eighty—reads an excerpt from the magazine’s review) of the show’s first season, back in 1975.