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cover of episode Jane Mayer, David Grann, and Patrick Radden Keefe on the Importance of a Good Villain.

Jane Mayer, David Grann, and Patrick Radden Keefe on the Importance of a Good Villain.

2024/7/16
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The New Yorker Radio Hour

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David Grann
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Jane Mayer
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Patrick Radden Keefe
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Jane Mayer: 在报道诸如经济不平等或政治腐败等复杂问题时,找到事件背后的个人,并展现其做出道德或伦理选择的过程,对于解释事件的发生至关重要。这需要记者将枯燥的数据和事实转化为引人入胜的故事,赋予事件以人性化的解读。 David Grann: 优秀的调查报道需要对故事中‘反派’的才能表示尊重,深入了解他们的动机和方法,才能更全面地展现问题的严重性和威胁。记者需要展现人物的复杂性,让读者自己去判断,即使他们犯下了罪行。在调查过程中,记者的观点可能会随着调查的深入而发生改变,最初以为是单一人物作案的故事,最终可能揭示出更复杂的社会问题。 Patrick Radden Keefe: 优秀的报道写作需要信任读者,让读者自己去判断,而非直接下结论。优秀的报道需要展现人物的转变过程,而非简单地将他们贴上“邪恶”的标签,从而更深入地揭示事件的真相。记者的职责不是为邪恶提供平台,而是要足够接近真相,展现人物的复杂性,并让读者自己去判断。 Daniel Zalewski: 优秀的调查记者需要对故事中‘反派’的才能表示尊重,深入了解他们的动机和方法,才能更全面地展现问题的严重性和威胁。优秀的报道需要展现人物的转变过程,而非简单地将他们贴上“邪恶”的标签,从而更深入地揭示事件的真相。

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During the 2023 New Yorker Festival, three legendary staff writers got together to discuss the craft of investigative journalism: digging for information like detectives, and then presenting it in a way to rival the best thrillers. For each of these writers, the “bad guy” —whose actions usually set the story in motion – needs to be presented in three dimensions; trusting the reader to grapple with that person’s perspective is key to an engrossing story. “I look at these big, boring issues often, like economic inequality or corruption in politics,” Jane Mayer) says. “You take a subject like campaign finance – the Citizens United decision and how it’s corrupted politics. If you can find somebody like [Charles or David] Koch and explain there actually was a billionaire behind so much of this, and he has a story, and he has a family, and there are always screwed-up fathers and sons involved in these families. . . . It means that you’re able to explain the ethical choices people make.” Mayer is best known for her book “Dark Money),” about the Koch brothers; David Grann) wrote “Killers of the Flower Moon)” and “The Wager),” both best-sellers); and Patrick Radden Keefe) covered the Sackler family’s opioid dynasty in “Empire of Pain),” and a murder during the Troubles in Northern Ireland in “Say Nothing).”  They were joined by their editor, The New Yorker’s Daniel Zalewski).