'Remaining' is an adjective used before a noun, such as 'the remaining countries.' 'Remainder' is a noun, often used as a quantifier with 'the remainder of the,' similar to 'the rest of the.' 'Rest' is a quantifier used in phrases like 'the rest of the countries.' 'Remainder' is less common in spoken English compared to 'rest.' Additionally, 'remainder' has a specific mathematical meaning, referring to what is left after division or subtraction.
It is incorrect because 'remain' is a verb, not an adjective, and cannot describe a noun like 'countries.' 'The rest' is a quantifier and requires the phrase 'the rest of the' to function as an adjective. For example, 'the rest of the countries' is correct, while 'the remain countries' is not.
The two most common sentence patterns are: 1) Subject + 'be' + Subject Complement (e.g., 'I am beautiful'), where the subject complement can be an adjective or noun phrase. 2) Subject + 'be' + Adverbial (e.g., 'My friends are at the concert'), where the adverbial provides information about location or time.
The sentence follows the pattern Subject + 'be' + Subject Complement. Here, 'Baby' is the subject, 'are' is the 'be' verb, and 'a rich man' is the subject complement, which is a noun phrase describing the subject.
The Swede's behavior suggests he has a distorted perception of the West, likely influenced by cheap novels. He believes he is in a dangerous, lawless environment, as evidenced by his fear of being killed and his overreaction to perceived threats. This contrasts with the reality of Nebraska, which is not a 'wild place.'
Scully initially tries to calm the situation, shouting 'Stop now!' and attempting to prevent a fight. However, after enduring the Swede's erratic behavior, Scully eventually agrees to let the Swede and Johnny fight, expressing his frustration and eagerness to end the conflict.
On today’s podcast, some rules about how to talk about left over things on ‘Ask a Teacher;’ how writers use sentence patterns on ‘Everyday Grammar;’ then, part two of a dramatic reading of 'The Blue Hotel,' by Stephen Crane on American Stories.