London fashion week spotlight: In a markedly hatless era, forward-marching British New Gen accessories designer Leo Carlton is turning their talents to digitally-printed crowns, elf ears, breast plates and mysterious sculptural masks. Some of these genre-defying fashion artefacts feel a bit witchy, with pagan undertones. Others, firmly futuristic.

But how do they make them? Wouldn’t you like to know!

Leo trained at Cordwainers, enjoyed a two-year residency at Alexander McQueen's Sarabande Foundation, and studied classical millinery techniques - their first job out of college was with the iconic London hatmaker Stephen Jones, and they used to make showpieces for Dilara Findikoglu, Richard Quinn and Charles Jeffrey Loverboy. But these new VR adventures step beyond the confines of the physical word with mind-bending results. From teaching themselves digital printing via Youtube to sculpting in virtual reality, the only limits are: there are no limits.

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The Future of Fashion Artefacts, According to Leo Carlton (Hint! It's Printed) 47:02 Share

WARDROBE CRISIS with Clare Press

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The Future of Fashion Artefacts, According to Leo Carlton (Hint! It's Printed)