The play 'Ben Yue' explores the struggles of a female protagonist, Xiao Liu, who seeks to escape her mundane life and find freedom. It delves into the societal pressures and expectations placed on women, highlighting the cyclical nature of their struggles. The play is based on a novel by female writer Lu Min, and it resonates deeply with the experiences of East Asian women, portraying their survival dilemmas and the quest for identity and freedom.
Tadashi Suzuki's 'Jiu Shen' uses highly stylized and controlled physical movements, exaggerated vocal delivery, and minimalist stage design to create a profound sense of ritual and religious atmosphere. The play's narrative, based on Greek mythology, is presented in a way that elevates it above everyday human experiences, emphasizing the power and control of religion. The use of synchronized chanting by the monks adds to the oppressive and awe-inspiring atmosphere, making the audience feel the weight of religious authority.
The play 'Let's Go' reflects the contemporary spirit by portraying the feelings of despair, nihilism, and the desire to escape that resonate with many people today. Set in a historical context of Poland's conservative right-wing rule, the play explores themes of migration, loss, and the struggle for identity. It mirrors the current global sentiment of wanting to leave one's country or situation, yet ultimately staying due to various constraints, thus capturing the essence of modern-day existential struggles.
The youth competition at the Wuzhen Theatre Festival is a platform for young directors and playwrights to showcase their original works. Participants must be under 35 or have no prior commercial productions. They create short plays based on given keywords, and the competition involves multiple rounds of performances judged by both the audience and a panel of experts. The festival aims to discover and nurture new talent in the theatre industry, providing a space for innovative and contemporary storytelling.
In 'Ben Yue,' the moon serves as a metaphor for female identity, symbolizing the duality of visibility and invisibility, as well as the cyclical nature of women's lives. The play's title, which translates to 'Running to the Moon,' evokes the traditional Chinese myth of Chang'e, a woman who escapes to the moon. The moon's phases reflect the protagonist's journey of seeking freedom and self-discovery, highlighting the constant struggle between societal expectations and personal desires.
2024.10.17 第十一届乌镇戏剧节正式拉开帷幕。VC 和好朋友小陈,终于如愿以偿地来到了今年的乌镇,开始了为期 6 天的戏剧之旅。 《乌镇戏剧节小记》第一集,我们在高强度看戏一整天之后,在深夜的乌镇民宿里,聊了聊今年几部特邀剧目和青年竞演剧目带来的丰富感受,更重要的是,这些创作者们传递出的力量和震撼。 本期节目我们聊到: [04:28] 话剧作品《奔月》:女性表达者的共鸣 [19:08] 铃木忠志作品《酒神》:高度的凝练与极致的仪式感 [32:30] 只有看到让人完全看得懂、看得高兴的戏才是好事吗? [33:12] 第十一届乌镇戏剧节开幕大戏《我们走吧》:这不就是我们的时代精神? [1:12:06] 关于青年竞演的部分作品 ****** 玛卡斯特商店上新 ****** Marcast 厂牌第一款产品上架啦!上个月底在我们厂牌 5 周年线下活动的现场,已经有一些朋友通过抽奖领到这款包包,想要拥有的朋友不要错过! 「不,我没有播客」日常通行帆布包,长肩带款,更易背~ 购买链接:https://www.xiaohongshu.com/goods-detail/670cebe475e23c0001604f33 下单后 24h 发货,顺丰包邮 ↓↓↓
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