The speaker and Da Ke had an immediate and deep connection because they shared a common passion for theater and the Wuzhen Theatre Festival. Despite never having met in person before, their mutual interest in drama and the festival created a natural rapport, allowing them to skip formalities and dive into meaningful conversations as if they had known each other for years.
The Wuzhen Theatre Festival has become a significant annual event in Da Ke's life, evolving into a habit rather than just an experience. She views it as a place where she meets like-minded people, including friends, actors, and audience members, creating a sense of community and belonging. The festival has become a space where she feels connected to others without any social barriers.
The play 'Darwin' resonates differently with younger and older audiences based on their life stages. Younger audiences, particularly those in their mid-20s facing decisions about motherhood, are deeply moved and often cry throughout the performance, projecting their anxieties onto the protagonist. Older audiences, who have already navigated these decisions, appreciate the play's exploration of female autonomy but feel less personally troubled by its themes.
Da Ke faced challenges navigating the festival in a wheelchair after injuring her foot. However, she found that the wheelchair increased her visibility and made it easier for people to recognize and approach her, leading to spontaneous conversations and connections. Despite the physical limitations, she experienced unexpected moments of joy and camaraderie, such as when strangers offered to push her wheelchair or shared laughter and songs.
Da Ke describes the community she has built around the Wuzhen Theatre Festival as a vibrant and supportive group of theater enthusiasts. The community, which she started through a social media post, has grown into a space where members exchange tickets, share experiences, and discuss performances. Over the years, the group has become a tight-knit circle where people return annually, fostering a sense of continuity and friendship.
Da Ke's experience with the play 'Hamlet 7788' highlights the kindness of strangers within the festival community. A girl she had never met before volunteered to push her wheelchair throughout the performance, ensuring Da Ke's comfort and safety. Despite missing parts of the show herself, the girl refused any form of compensation, embodying the selflessness and generosity that Da Ke often encounters at the festival.
Da Ke views theater as a powerful tool for personal growth and self-discovery. Through attending performances and engaging with the theater community, she has explored themes of autonomy, relationships, and life choices. Theater has allowed her to connect with others, reflect on her own experiences, and embrace the idea that exploration and change are integral parts of life.
Da Ke's experience with the play 'Run to the Moon' reveals that simplicity in human expression can be profoundly impactful. Despite the play's straightforward narrative and minimalistic style, she found it emotionally resonant and authentic. The play's raw and honest portrayal of human emotions reminded her of the power of unadorned storytelling, which can often be more moving than complex or technically elaborate performances.
在 2024 年乌镇戏剧节现场,我遇到了很多奇妙的朋友,有些是线上的网友终于奔现,有些是因为播客认识的朋友,没有约好却意外地在乌镇一起吃了早茶,还有一位朋友起初是我们的听友,但我们认识却是因为她运营的一个非常热闹的乌镇戏剧节社群。 她是大可,戏剧爱好者,戏剧社群运营者,目前生活在西安的东北人,一位正在旅游行业创业的 ENFP。 我和大可此前从未见过面,线上聊天也没有非常深入,但很奇妙的是,我们俩见面之后甚至连寒暄的没有,直接坐下来开始了极其流畅的聊天,仿佛认识多年的老友。她跟我分享了因为戏剧、因为戏剧节、因为这次她在戏剧节中意外受伤而遇到的每一个具体的人,我们也聊年龄、聊人生选择和戏剧作品的奇妙互文。 感谢戏剧,感谢持续探索这个世界、持续探索自己的我们。 我们提到的本届乌镇戏剧节作品:
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