'Watermelon' delves into themes of loss, loneliness, death, and the mundane aspects of life, offering a deeper exploration of these elements. This makes it a timeless piece worth revisiting from 2003 to 2024 and beyond, rather than just a simple feel-good series.
'Happiness Mitsuya' is a shared old house in Tokyo's Sangenjaya district, symbolizing a place forgotten by modern life. It represents a community of people who are out of sync with the mainstream, highlighting themes of marginalization and the beauty of everyday life.
Unlike 'Watermelon's specific location, 'The Two in the Housing Complex' is set in a fictional aging housing complex called 'Yuuhino Danchi.' This setting reflects the challenges of aging communities, such as declining infrastructure and an aging population, emphasizing themes of loss and the passage of time.
The hole in the floor in 'Watermelon' serves as a metaphor for the voids and losses in the characters' lives. It symbolizes the inevitable gaps and absences that each character must confront, whether it's the loss of a loved one, a friend, or a sense of purpose.
'Watermelon' explores impermanence through its narrative structure and character arcs. The story begins with the myth of the world ending in 1999, and while the world continues, the characters face personal losses and disappearances. This highlights the transient nature of life and relationships.
The central theme of 'The Two in the Housing Complex' is the acceptance of aging, loss, and the preciousness of everyday life. It portrays the lives of two 55-year-old women in an aging community, focusing on their relationships, daily struggles, and the inevitability of change.
'Watermelon' illustrates 'small-scale life and death' through everyday events, such as the death of a watermelon or the end of a relationship. These moments, though seemingly trivial, represent significant emotional transitions and the characters' ability to cope with loss and change.
The documentary 'The Shape of Happiness' shows that the creators of 'Watermelon,' the husband-and-wife duo Mokumizu, lived close to illness and death. This proximity to life's fragility allowed them to write deeply authentic stories about finding happiness in the mundane and enduring the challenges of everyday life.
'The Two in the Housing Complex' redefines 'ordinary' life by showing that it is not about enduring monotony but about embracing the small, meaningful moments. It portrays the characters' ability to find joy and connection in their aging community, despite the inevitability of loss and change.
The ending of 'Watermelon' emphasizes the beauty of everyday life and the importance of choosing to live in the present. The protagonist, Keiko, chooses a shopping list over a plane ticket, symbolizing her decision to embrace the mundane yet meaningful aspects of her life rather than seeking escape or adventure.
这是一期迟到了一年多的节目,从去年夏天到今年冬天。 原本我们只是聊聊每年夏天都会看一遍的日剧《西瓜》和这部剧的创作者——编剧组合木皿泉。因为今年当我再看这部剧的时候,看到了很多「治愈」之外的东西,比如失去、孤独、缺失、死亡、漫长的平凡生活,正是这些部分的充分展现和表达,才让《西瓜》不仅是一部普通的治愈系作品,更成为了一部从2003年到2024年,乃至未来更长时间段里都值得反复观看的作品。 好巧不巧,今年秋天发生了两件事,一是日剧《住宅区的两人》a.k.a《团地的两人》上线,二是我非常喜欢的一本关于日本文艺作品评论和分析的作品——宇野常宽的《OO年代的想象力》中文版正式出版。虽然宇野常宽的这本书重点分析的是2001年前后日本各类文艺作品呈现的「新的想象力」,但时至今日,我们依然可以看到它的延续和演变。 本期节目,我们不妨带着新的视角,来重新回顾《西瓜》和《团地的两人》这两部横跨20多年的作品,不只看到它们治愈温暖的一面,更去深入地看看它们如何真实地面对生活、面对边缘、面对失去、面对平凡。更从这两部作品聊到了邵艺辉导演的新作《好东西》,让我们一起在创作的作品和日常的生活中,都去玩一个新的游戏,建立一种新的想象力和新的游戏规则! 本期福利:我们会在评论区抽取5位朋友,各送出一本由野望BOOK提供的宇野常宽《OO年代的想象力》~ 本期我们聊到了: [04:31] 日本评论家宇野常宽的《OO年代的想象力》带给我的启发 [07:03] 在今天的社会环境下,我们需要看到更有「想象力」的文艺作品 [09:02] 从日剧《西瓜》《团地的两人》到电影《好东西》 [10:19] 《西瓜》里的「Happiness三茶」和《团地的两人》里「夕日野团地」 [19:27] 这些故事发生的地点都是「终会落幕的舞台」,但正因为会结束才更加珍贵 [21:26] 新故事的可能:「重建中间共同体」和「探索摆脱动员游戏/大逃杀的可能性」 [23:51] 即便是脆弱的共同体,也有足以支撑彼此生活下去的东西啊! [27:52] 回头再看《西瓜》的初始设定,就是一个建立在「消失」之上的故事 [35:27] 《西瓜》里那个地板上的洞,其实是一个贯穿始终的隐喻 [40:47] 《西瓜》第六集,可以封神的一集!生死之间,是我们的日常! [45:36] 《团地的两人》除了治愈,更在讨论衰老、生死和珍贵的日常 [48:11] 其实,是我们误解了「平凡」呀! [49:15] 编剧木皿泉和他们的创作主题:日常是一个奇迹 [54:50] 新的可能:从《Last Friends》到电影《好东西》,写一个新的好东西! 本期节目提到的影视作品: 《西瓜》编剧 木皿泉 《团地的两人》编剧 吉田纪子、藤野千夜 《池袋西口公园》编剧 宫藤官九郎 《木更津猫眼》编剧 宫藤官九郎 《曼哈顿爱情故事》编剧 宫藤官九郎 《新宿野战医院》编剧 宫藤官九郎 《Last Friends》编剧 浅野妙子 NHK纪录片《幸福的形状》
****** 玛卡斯特商店上新 ****** Marcast 厂牌第一款产品上架啦!上个月底在我们厂牌 5 周年线下活动的现场,已经有一些朋友通过抽奖领到这款包包,想要拥有的朋友不要错过! 「不,我没有播客」日常通行帆布包,长肩带款,更易背~ 购买链接:https://www.xiaohongshu.com/goods-detail/670cebe475e23c0001604f33 下单后 24h 发货,顺丰包邮 ↓↓↓↓↓↓ 【节目主播/制作】 主播/制作:VC 微博:@VividCrystal https://weibo.com/u/1241505120 小红书:@午夜飞行VC https://www.xiaohongshu.com/user/profile/572a84ee50c4b435fe74744e 【节目互动】 微博:@午夜飞行Official https://weibo.com/u/7298580324 公众号:午夜飞行 【商务合作】 商务合作联系邮箱:[email protected] 或添加微信:hellomarcast 【欢迎加入听友群】 入群方式 A:微信添加小助手 Amber (ID: hellomarcast),拉你入群 入群方式 B:关注公众号「午夜飞行」 ,回复「听友群」三个字,即可获取入群通道 【本集音乐】 Music credit: