The top ten albums of the year included '黑神话悟空游戏音乐精选集', '方大同的新专辑梦想家 Dreamer', and works by Babymonster, among others. These albums were selected based on extensive listening data, chart records, and user interactions like comments and collections.
R&B has become highly influential due to its rhythmic appeal, which resonates with the lifestyles of young people. It serves as an emotional outlet and a way of life for many, especially as it integrates with modern trends and social media platforms.
Editors recommended albums like '牛窝坑之子-文城' by Vansdaddy, '黄沙 -Cold World' by 王恩喆Echo/派克特, '浸春芜' by 解伟苓, and '早上好!小红' by 陈越龙, among others. These selections reflect a diverse range of styles and personal influences.
Sampling in hip-hop is crucial as it connects new music with historical or cultural references, enhancing both the form and content of the tracks. It allows artists to pay homage to original works while creating something new, often with deep thematic or melodic resonance.
Entering the music industry has made it harder for editors to fully immerse in listening experiences due to the demands of their roles. They often find themselves multitasking, which diminishes their ability to deeply engage with music as they once did.
Editors have varied listening habits; some prefer to listen during physical activities like biking or doing chores, while others enjoy late-night sessions where they can fully focus on the music. These habits reflect their personal preferences and the need for music to fit into their daily routines.
The editor critiqued '理想国' for its lack of cohesive concept despite its grand title. The album was seen as a collection of disparate elements rather than a unified narrative, which detracted from its potential impact.
张醒长 and 吕彦良 were considered overrated. While their work was acknowledged as sincere and ambitious, it was felt that the acclaim they received was disproportionate to their actual impact and innovation in the music scene.
The '一体机' phenomenon, where artists handle multiple roles in music production, is seen as a trend that may not necessarily enhance the quality of music. Critics argue that while it shows versatility, it might detract from the depth and specialization that collaborations bring.
The editor expressed that while 方大同's album '梦想家' was emotionally resonant, it did not meet the high standards of '制作精良'. The production was seen as less sophisticated compared to his previous works, focusing more on lyrical content than elaborate musical arrangements.
2024就像梦一般结束了。
庆幸音乐的浇灌和滋养,让我们探索到了从未达到过的景象与热烈。
在佳作层出的这一年,编辑部精选出这些闪光的晶片,组成了我们这一年的深刻,如果恰好…也组成了你的。
——QQ音乐·音乐灵感编辑部寄语。
📻本期播客时间线:
Vansdaddy:牛窝坑之子-文城
王恩喆Echo/派克特:黄沙 -Cold World(殘酷世界)解伟苓:浸春芜
陈越龙:特立独行的""-早上好!小红(hello Globe)
牛尾憲輔(agraph):DAN DA DAN OST-william hel overture
姜根:SHINBANGUMI-Only You
Vampire Weekend:Prep-School Gangsters
歌曲表达与专辑概念一致的重要性:杨和苏《理想国》的专辑表达为例
独立音乐人的成功与焦虑:音乐人「一体机」现象
到底是谁在说方大同这张专辑「制作精良」
💞点击查收2024巅峰榜年度榜单)
⭕关于本电台:
这是一档由QQ音乐出品,聚焦音乐人的专访栏目,我们期望用「对话」连接音乐人以及音乐之外创作者的灵感世界与现实生活。
我们很荣幸可以在2024巅峰榜的年度盘点露面,带来这一期特别节目。伴随着今年QQ音乐巅峰榜的揭晓,我们随机从工位抓来几位音乐编辑,分享一些他们压箱底的私货。
出品团队:QQ音乐·2024巅峰榜&音乐灵感
策划:姜之湄
主持:龙泽穷/姜之湄
录音技术支持:阿肯Arken
播客音频制作:姜之湄
嘉宾:Summer/安迪大热狗/Oken/Sting/陈腹黑/凳凳
运营支持:陈北侧
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