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cover of episode 【黑胶对谈】王磊-03:幸福之地

【黑胶对谈】王磊-03:幸福之地

2025/6/7
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九霄

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王磊: 我觉得 Mikan 的贝斯声音非常独特,极具辨识度,他的贝斯演奏在歌曲中起到了穿针引线的作用,他的演奏方式独特,不像传统的根音弹法,听他的贝斯演奏感觉像一条蛇在游动,他的贝斯有独特的表现方式和丰富的情感。我受到了 Mikan 的感召,在新专辑《敞筐子弟》中首次使用了五品贝斯录制了一首名为《幸福之地》的歌曲,以此向大师致敬。这次使用五品贝斯是因为这首音乐特别适合,之前没有找到合适的契机。我认为适合用五品贝斯的音乐是那种音乐表情比较丰富,而且是比较私密的情感表达。五品贝斯与有品贝斯的不同在于,五品贝斯可以演奏四分之一音,音的过渡更平滑,情感表达更细腻,类似于小提琴的演奏方式。五品贝斯的音色像鳗鱼在水中游动。《幸福之地》这首歌是我首次用五品贝斯演奏的作品。

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Chapters
This chapter focuses on the song "幸福之地" ("Place of Happiness") from the album "敞矿子弟." The discussion centers around the use of a five-string bass guitar, its unique sound, and the emotional depth it brings to the music. The musician also shares insights into the differences between five-string and four-string basses.
  • Use of five-string bass in "幸福之地"
  • Comparison of five-string and four-string basses
  • Emotional depth of five-string bass
  • Inspiration from musician Mikan

Shownotes Transcript

Mike Karn - Sensitive 磊落 - 幸福之地 King Crimson - Matte Kudasai King Crimson - Frame by Frame