The Qing Dynasty is regarded as the end of China's feudal society because it marked the decline and eventual collapse of the feudal system. Despite a period of prosperity during the reigns of Kangxi, Yongzheng, and Qianlong, the latter half of the dynasty was characterized by semi-feudal, semi-colonial oppression and decline.
The Wuying Palace became the center of official book printing in the Qing Dynasty, replacing earlier institutions like the Guozijian. Established in 1680 by Emperor Kangxi, it was a high-level administrative unit responsible for producing high-quality books, known as 'Dianben,' which are highly valued in ancient book collections.
The Wuying Palace's printing operations were significantly larger and more specialized than those of the Ming Dynasty. By the Qianlong era, it employed over 1,000 people, a substantial number given the smaller population of the Forbidden City during the Qing Dynasty compared to the Ming.
The Kangxi, Yongzheng, and Qianlong emperors contributed significantly to Qing Dynasty book printing, with the Qianlong era accounting for 60% of the dynasty's official book production. Their cultural achievements and personal interests in literature and science elevated the quality and scope of printed works.
During the Kangxi era, Wuying Palace books used two distinct fonts: Ouyang Xun's style for serious texts like the Buddhist canon, and Zhao Mengfu's style for more elegant works. This attention to typography reflected Kangxi's high aesthetic standards and cultural refinement.
The two most famous projects of Wuying Palace book printing are the 'Complete Collection of Ancient and Modern Books,' printed with copper movable type during the Kangxi and Yongzheng eras, and the 'Wuying Palace Juzhen Edition Series,' produced with wooden movable type during the Qianlong era.
Chen Menglei was a prodigious scholar and bibliographer who compiled the 'Complete Collection of Ancient and Modern Books.' Despite being suppressed for 30 years, he channeled his talents into this monumental work, which synthesized material from 15,000 sources into six major categories, making it a precursor to modern encyclopedias.